@lovesyoudeerly - Tumblr Blog

Hi! I'm Olivia. Some of my favorite brands are Nike, Vanz, Universal Thread,and American Eagle Outfitters. Thanks for stopping by! Feel free to leave me a comment so that I can check out your closet too. :)

Check out this listing I just added to my Poshmark closet: Meet your Posher, Olivia.

Never worn. They were a gift. Target mislabeled the size on the tag and packaging. They are a 8 1/2 not 9 1/2. Cute books just can’t wear them.

Check out this listing I just added to my Poshmark closet: Universal Thread boots 8 1/2..

Never worn. They were a gift. Target mislabeled the size on the tag and packaging. They are a 8 1/2 not 9 1/2. Cute books just can’t wear them.

Check out this listing I just added to my Poshmark closet: Universal Thread boots 8 1/2..

Pale pink crochet slouchy sweater

Check out this listing I just added to my Poshmark closet: Slouchy crochet sweater/dress. Barely worn..

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Eva Hesse, 1936-1970

Tomorrow’s Apples, 1965. Mixed media on particleboard and wood.

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Eva Hesse, Oomamaboomba, 1965

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Eva Hesse

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You belong in the most secret part of you.

Sol LeWitt (Letter to Eva Hesse, 1965)

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“I don’t think I ever did any traditional paintings except what you call abstract expressionist. I didn’t even do much sculpture in school and once I started out, there wasn’t anything traditional about any of my pieces. I don’t know if I am completely out of the tradition. I know art history and I know what I believe in. I know where I come from and who I am related to or the work that I have looked at and that I am personally moved by and felt close to or am connected or attached to. But I feel so strongly that the only art is the art of the artist personally and found out as much as possible for himself and by himself. So I am aware of connectiveness – it is impossible to be isolated completely – but my interest is in solely finding my own way. I don’t mind being miles from everybody else. I am not, now, possibly. Critics, art historians, museums and galleries do like to make a movement for their own aims and for art history and to make people understand, but I wonder about that. In that way I have been connected to other people, but I don’t mind staying alone. I think it is important. The best artists are those who have stood alone and who can be separated from whatever movements have been made about them. When a movement goes, there are always two or three artists. That is all there is.”