☁️ lovrocore ☁️

Basically my sideblog where I post of course random stuff and my current obsessions, right now: #sram

[floralandfailing]

Don't care about a house party. I am locked into the gay Croatians on my phone. Lovro stay safe <3

[pjharvey]

my best tip for anyone trying to get back into reading is to remember that you can read books to avoid other responsibilities in ur life and it can become a vice if you play your cards right

[kosmogrl]

august will be good august will be good august will be good august will be good august will be good august will be good august will be good august will be good august will be good august will be good august will be good

[altrbody]

Ingmar Bergman

[ghettoyout]

I love a conversation where both people are just as curious abt each other

[infinitevibes]

[fairycosmos]

girl something good has to happen at some point

[dapperprincess]

This is so funny to me

new reaction image

[mizu-monos]

Come on now, you're sleepin' on your feet like a horse. Brokeback Mountain (2005) dir. Ang Lee

[achillesinhighheels]

“Soft Spot”

Artwork by me

[memeuplift]

Let her keep the Goat

[djglory]

[leonardcohenofficial]

top five renditions of a song you like with a bunch of different versions?

as always in no particular order—

richie havens' cover of bob dylan's "sad-eyed lady of the lowlands"; i don't know what he put in this recording but i think it is genuinely one of the most magical and perfect covers of all time, havens really was one of the foremost interpreters and transformers of other people's work and his voice is just so incredible. one of my favorite recordings of all time

michael hedges' cover of bob dylan's "all along the watchtower"; this was the version i grew up hearing the most, even more than the hendrix or original recordings. michael hedges is an artist i wish more people were hip to, as his innovations on acoustic guitar using alternative techniques were so amazing (and he died far too young). this cover always felt cinematic in a way that other versions don't, and i love that it seems to have higher stakes in that way

nina simone's version of "pirate jenny" from brecht/weill's the threepenny opera; i wrote a chapter of my dissertation about nina simone's covers of songs by leonard cohen and bob dylan and how i think no one (except havens) really compares to her covers, and this is particularly true of her "pirate jenny." the way she repoliticizes this track, one which never fails to send chills down my spine, into a piece of protest art is spectacular. just go listen if you've never heard it. it's so haunting. nina 4ever

annie lennox's cover of joni mitchell's "ladies of the canyon"; it is near impossible to outperform joni on anything but this track belongs to annie now. i'm so grateful i've had the privilege of getting to hear her perform this live twice, and i used it as the curtain call music for the last show i directed. such a gorgeous cover that i think captures the essence of the magical world of the canyon so perfectly

jeff buckley's cover of leonard cohen's "hallelujah"; i mean. come on. including the live at sin-é cover here because it's just. otherworldly

(honorable mention goes to sinéad o'connor's cover of prince's "nothing compares 2 u")

[dreamgirlvibes]

[hudconsource]

Connor Storrie and Gracie Abrams at the Chanel Coco Crush dinner via Instagram (January 8, 2026)

[actuallysara]

Connor Storrie and Gracie Abrams at the Chanel's Coco Crush celebration | Los Angeles | January 7, 2026

[wetheurban]

It’s okay to set July down gently. You did enough.