LUCRECIA DALT @lucreciadalt - Tumblr Blog

“Ser Boca” video premiere

Tomorow Wednesday Oct 21st we are premiering the video of "Ser Boca" and we will be ready to chat with ya, the three of us Candela Capitán, Pedro Maia and me The Dalt. Find us tomorrow following this link! https://smarturl.it/serboca

No era sólida

My new album "No era sólida" is out today! I am so excited to finally share this work that I finished exactly one year ago. And forgive the hyperbolic pomposity but I have no choice, I am really grateful to everyone who has accompanied me here, for being so attentive, thanks to my friends who accompanied me in the process, and for acknowledging some magic to this work Aaron, Camille, Chris, Regina, Daniela, Felix, Radwan. Thanks to @rvngintl for trusting me again and for the amount of work and heart put in here, thanks Matt, Brandon, Phil, Sammie Jo, JAB, Mandee, Isis, Karisa, Kevin. Thanks Pedro, Camille B, Candela, Daniela, Cornelia, Morgan for taking this album to such an incredible visual dimension. Thanks to @futura_artists Avril, Meri. Thank you to the Perez Lopez family who accompany me in the distance always. For those who live in telluric centers, could you do me the favor of giving it a continuous and loud play from there? Thank u! This record is supported by Initiative Musik gGmbH with project funds from the Federal Government Commissioner for Culture and Media. — Mi nuevo álbum "No era sólida“ ha salido hoy! Estoy tan emocionada de por fin compartir este trabajo que acabé exactamente hace un año. Y perdonad la pomposidad hiperbólica pero no me queda más remedio, estoy realmente agradecida con todo el mundo que me acompaña por aquí, por estar atentos, gracias a mis amigos que me acompañaron en el proceso, y por reconocerle magia a este trabajo Aaron, Camille, Chris, Regina, Daniela, Felix, Radwan. Gracias a RVNG por confiar en mi de nuevo y por la cantidad de trabajo y corazón puesto aquí, gracias Matt, Brandon, Phil, Sammie Jo, JAB, Mandee, Isis, Karisa, Kevin. Gracias Pedro, Camille B, Candela, Daniela, Cornelia, Morgan por llevar este disco a una dimensión visual tan increíble. Gracias a Futura Artists, Avril, Meri. Gracias a la familia Pérez López que me acompaña en la distancia siempre. Para los que viven en centros telúricos, podrían hacerme el favor de darle un play continuo y fuerte desde ahí? Gracias! Este disco está apoyado por Initiative Musik gGmbH con fondos para proyectos del Comisionado del Gobierno Federal para la Cultura y los Medios de Comunicación. Más info —

das-blog-des-dr-caligari

void

💔looking for points of distraction out of an all empty “self” 💔

SECA

An enormous collaboration with choreographer Candela Capitán and videographer Pedro Maia for the second piece “Seca” out on RVNG Intl. this September.

Jul 16th, 2020. The Egg and the Chicken: Reading Clarice Lispector

Performing at Haus der Kulturen der Welt during the event "The Egg and the Chicken" reading Clarice Lispector.

I will be doing a spoken, walking, multichannel performance of the piece "No era sólida" that is heavily influenced by Lispector's book "A breath of life".

“I pick up another egg in the kitchen, I break its shell and shape. And from this precise moment there was never an egg.”

Clarice Lispector, who would have turned 100 this year, is now considered one of the most important writers of the twentieth century. Since her death in 1977, she has become legendary in Brazil and an icon of écriture féminine in Europe. But attention is still growing worldwide for her enigmatic and excessive work, which is inhabited by animate and inanimate characters and which sounds out human inner life in all its complexity. She looks at ordinary, everyday things in such detail that the things themselves and their implicitness disintegrate before the reader’s eyes. This is also the case in the short, legendary story The Egg and the Chicken, which is this evening’s focus. In her only television interview, recorded shortly before her death, Lispector said that it was the only of her stories that had even remained a mystery to her.

In a multi-voiced and multilingual reading, the artist Hanne Lippard and the writers Ricardo Domeneck and Senthuran Varatharajah follow Lispector’s profound and often humorous reflections, which begin by looking at a regular breakfast egg and can apparently go anywhere from there. The space will be expanded with a sound performance by Lucrecia Dalt, whose musical introspections repeatedly refer to Lispector’s writing.

With Lucrecia Dalt, Ricardo Domeneck, Hanne Lippard and Senthuran Varatharajah

Image: Egg Haus | © Timo Lenzen

Tour with Jerusalem In My Heart.

Coming up this march around EU.

Graphic by Formula.

Lucrecia Dalt for Alarm Will Sound

Super thrilled to announce that I have been collaborating this past year with Alarm Will Sound orchestra, I have written an 18min long piece that will be premiered this 1st of February in St. Louis, USA at the E. Desmond Lee Concert Hall. I will be present at the premiere. More info

You will go away one day but I will not.

“This renaming of things is so crucial to possession—a spiritual padlock with the key thrown irretrievably away—that is a murder, an erasing, and it is not surprising that when people have felt themselves prey to it (conquest), among their first acts of liberation is to change their names (Rhodesia to Zimbabwe, LeRoi Jones to Amiri Baraka).” – Jamaica Kincaid

A new commissioned work by Maria Thereza Alves and Lucrecia Dalt will be presented at the Botanic Garden Berlin during CTM festival. The spatial sound installation “You Will Go Away One Day But I Will Not” considers the Western practice of using Western scientific nomenclature to name plants worldwide. The audience is invited to walk through the tropical greenhouse wearing headphones that track each user’s movements to generate individualized binaural sonic experiences. Through this immersive installation in the tropical greenhouse, Alves and Dalt attempt to open a space for the multifarious voices of the forest—organic and inorganic, human and non-human, speculative and lived—while also pointing to their silencing and erasure by European colonists.

The piece is fully reactive to one's position and movement, meaning bodies work as compositional agents—as the originator of perspectives. The complexity of Guarani thought emerges, as does its relationality to other beings and their surroundings. Yvoty mboporã pónhuregua, “You Will Go Away One Day But I Will Not” points to the beginning of a crucial mutual discussion.

The work is presented within the framework of the “Natur. Nach Humboldt” initiative, a project celebrating the 250th anniversary of Alexander von Humboldt by presenting modern perspectives on the scientist and naturalist’s holistic approach to nature. It is commissioned by the Berlin-Brandenburg Academy of Sciences and Humanities, Botanic Garden & Botanical Museum Berlin, Die Junge Akademie, Deutschlandfunk Kultur, and CTM Festival, with spatial sound production from usomo | unique sonic moments.

+ info

Catábasis

Very thrilled to present the radio piece Catábasis, in Collaboration with Regina de Miguel on Deutschlandfunk Kultur. Featuring: Gudrun Gut, Georgette Dee, Victor Herrero, Sina Martens and Anika Mauer. Available now to stream here

mrstsk

Lucrecia tracks down the Scottish art-pop sensation, music scribe, and Japan enthusiast to create a map of his life in music. Momus is the artist name of Nick Currie, a Scot who lives in Osaka. Since

Tar, remixed by Jan Jelinek

textured raw

https://www.youtube.com/watch?v=kiBawNIXqJ4

AIR AIR 012

Had a chat with Emma Robertson for her show AIR discussing about voices, performance, recorded voice...

Check it out here:

Edges

“The Alien’s ability to tear a body apart is as infinite as its capacity to claim it, that is to say, kill it, while no metallic doors may interfere with its exploration on the hallways. It is a perforating machine, leaving holes in identities, melting the limits between the inside and the outside” Gregory Chatonsky.

https://www.redbullradio.com/shows/pli/episodes/edges

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