this book i edited has work by some very cool people in it & is out now
it’s $5 on amazon
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@lucykshaw
this book i edited has work by some very cool people in it & is out now
it’s $5 on amazon
Hi, here are some interviews re: my second book, WAVES
@ Hobart with Elle Nash
@ Word Riot with Andrew Worthington
@ Cosmonauts Avenue with Sofia Banzhaf
Dennis Cooper recommended it at The Creative Independent as one of ‘Five favorite books by newer writers that I’ve read in 2016′ (!)
You can get it with Sarah Jean Alexander’s LOUD IDIOTS at secondbook.club
I highly recommend you buy Sarah Jean Alexander and Lucy K Shaw’s second books. They can be purchased as a two-book double feature for only $5.
Both Sarah Jean Alexander and Lucy K Shaw are beloved contributors to The Bushwick Review and I love the surprise way these two dropped their second books. Coming off Wild Lives and The Motion, the move reminds me of Kendrick Lamar nonchalantly dropping Untitled Unmastered after To Pimp a Butterfly.
LOUD IDIOTS by Sarah Jean Alexander
$5 Double feature with WAVES by Lucy K Shaw
63 pages. April 2016. Cover design by Jake Muilenburg
’Watching my cat licking her belly on my bedroom floor with her legs stretched out over her head, I think yeah, get in there, fucking get in there, and then I say it out loud.’
Sarah Jean Alexander is an American writer from Baltimore. She wrote WILDLIVES (Big Lucks Books, 2015) and edits Shabby Doll House. She tweets @sarahjeanalex
NOTES ON WAVES
1. Originally, WAVES was going to be called WHY I AM NOT A POPSTAR and it was going to be a collection of short stories bookended by a couple of essays. I had it all planned out. The essays were going to be, ‘How I Became A Writer’ which I wrote last year and ‘Why I Am Not A Popstar’ which ended up becoming WAVES instead. Only, WAVES isn’t an essay. WAVES is probably best described as ‘a novelette.’ And I decided not to include anything else alongside it.
2. (I was trying to distract myself from another book about life and fear and terrorism that I started writing last year but got derailed from sometime around Christmas.)
3. Remember: when writing about your current terror starts to feel like too much, you can always dredge up some past traumas to distract yourself.
4. If something feels too painful to write about, you can simply wait 5 years and tell a fictionalized version of events through a character.
5. I told Sarah Jean that I wanted to do an ebook and she said that she had an idea for an ebook too and so we started working together, sending pages back and forth.
6. We work in very different ways. Sarah writes really fast and asked me to look at new parts of her book regularly. Every few hours sometimes. I would make a suggestion and she would change something and say, ‘What about now?’ And I would say, ‘Yeah!’
7. But I always feel like I need at least a completed outline of a draft before I can show anyone something I’m working on. I showed the WAVES manuscript to Sarah for the first time when the whole storyline was in place but the text was only 3000 words. Then again at 6000 words. And then again once it was all complete. She left a lot of comments on my google doc.
8. She would ask me questions like, ‘Does your character still think about her friend who died?’ and ‘What was so great about this guy anyway?’ And then I would go back and fill in the blanks with more information.
9. We have been editing together for four years now. Our own writing and other people’s.
10. The day before the publication of LOUD IDIOTS and WAVES, she wrote in an email to me, ‘[writing this] with you has been more fun than anything i've worked on creatively in a long long time!’
11. And I said, SAME.
12. WAVES is a story that has taken me over five years to write.
13. Emotionally, I mean! I couldn’t have done it before.
14. There is this Gustave Flaubert quote that I kept thinking of, it goes: ‘Be regular and ordinary in your life so that you may be violent and original in your work.’
15. I happily/temporarily/finally reached that point while I was writing this book. I went to bed early almost every night.
16. And then I woke up really early and continued writing.
17. WAVES was the working title of Kanye’s new album, The Life Of Pablo, for about a week.
18. The Waves is a book by Virginia Woolf, needless to say.
19. Both of those people are referenced in this story so that seemed kind of funny to me, to name it that.
20. Plus there’s a lot of water in it.
21. The cover is by Michael Inscoe. I asked him to make it because, when I thought about the story, I just thought, he will represent it best. I don’t know why.
22. I just love Michael!
23. I’m really happy about the way these two books fit together. LOUD IDIOTS by Sarah Jean Alexander and WAVES by me. I am so lucky to have Sarah Jean as a great friend and a great writer to write weird books with.
24. Anyway, if you’re interested, they are both available now at secondbook.club
WAVES by Lucy K Shaw
$5 Double feature with LOUD IDIOTS by Sarah Jean Alexander
81 pages. April 2016. Cover design by Michael Inscoe
‘Nobody knew us. Nobody cared about us. Nobody wanted to. We just roamed around the west end of the city like we were totally chill with the recent apocalypse and it was so sweet while it lasted. It lasted about six months.‘
Lucy K Shaw wrote The Motion (421 Atlanta, 2015) and edits Shabby Doll House. She lives in Berlin and tweets @LKShowbiz.
NEW BOOK
Frank
When I was 20, I found an edition of Frank O’Hara’s selected poems and it felt like the best party I have ever been to. Up until then, I don’t think I had ever actually enjoyed a poem, so that was a major revelation for me. Here are some things I have done to celebrate:
1. In college, I spray painted ‘oh god it’s wonderful’ onto a wall... 2. When I moved to Toronto, I cut out the words, ‘I look at you and I would rather look at you than all the portraits in the world’ and arranged them onto another wall... 3. I found a mannequin on the street and brought it home and hand-wrote the poem ‘My Heart’ on its chest with a sharpie. 4. For years when I was an anonymous internet user, my blog was titled, ‘that painting’s not so blue’ and the tagline was, ‘in a sense we’re all winning (we’re alive)’ 5. When I was depressed and delusional and alone in Barcelona, I went to the Travessera de Gracia to see why he would rather be ‘having a coke with you’ than sick to his stomach on that street. 6. When I was depressed and delusional and alone in New York, I stood outside a house he had lived in and felt like a creep. 7. On the day after Amy Winehouse died, I tried to write a poem in the style of ‘The Day Lady Died’, his tribute to Billie Holiday. (Good in theory.) 8. I started Shabby Doll House. 9. I wrote a book of stories and used a section of his manifesto, Personism, as the epigraph, including the words: ‘You have to take your chances and try to avoid being logical. Pain always produces logic, which is very bad for you.’ 10. I brought the same copy of his selected poems to every country/city/apartment I have lived in for eight years and still have it here right now. The only consistent object in my life, maybe... 11. I gave myself permission to believe in love because of his poem, St Paul And All That? (Too much.)
Anyway, happy world poetry day. I often catch myself thinking, ‘I hate poetry’ but actually I think it is one of the best things there is.
The March 2016 issue of the magazine is out now, featuring Nadia de Vries, Luna Miguel, Alien Mouth, Chris Dankland, Ashley Opheim & Alien She Zine.
♥ Lucy K Shaw ♥ interviewed me for the Shabby Doll Reader!!
I have a new story at Carte Blanche.
It’s called SWANS and it’s the first story I’ve published in a while.
Berlin, February
from “robert burns” by lucy k shaw
i just finished the motion. i really love it.
NOTE TO SELF
FAILED BY HUMANS: Laika the Soviet space dog <3
‘Speed Dating’ by May-Lan Tan
I cut my own hair. I can see in the dark.
I look better naked. Money doesn’t excite me.
I need more sleep than most other people. I only take care of the parts of my body that others can see.
I can never tell when someone is joking. I prefer to eat really delicious food in private.
I’m not scared of death. I’m scared of being deep in the ground by myself.
If nothing else, I am hygienic. I always leave without saying goodbye.
If I lived alone I would be like a wild animal. I’ve never planted something and watched it grow.
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May-Lan Tan called us from London, UK. More about May-Lan.
1-910-703-POEM
Elizabeth Ellen interviewed me for Hobart.
i wanna be a dutiful thing.