"A strange scent is all over your body, seems like you’re possessed by something”
- Girl’s Day
Pixels as spores spread unaccountably, forming spheres and constellations linked by vital but inconsequential swags. One day, while adjusting the satellite dish that provides her family with the daily news and soap operas, Kimlin Taeyang came across a different signal. Synchronized movements and disembodied metallic voices, Girl's Day, one of hundreds of Korean K-pop bands, materialized on the television screen.
Kimlin is just a regular 19-year-old Ethiopian in the city of Awassa, several hundred kilometres south of Addis Ababa. She enjoys swimming and hanging out with friends and aspires to a career in health science. Since making this discovery, she has devoted herself to learning all of the lyrics to her favourite K-pop songs and she and her friends avidly consume whatever of this foreign culture they are able to access.Possessed by the spirit of fandom, mimesis ushers in a new self-definition. Even Kimlin's Facebook alias has been adopted in part from her favorite star, Taeyang.
Meanwhile, all around Awassa the fresh cement poured daily offers a mechanical rhythm. The China Communications Construction Company credits itself with having paved "The First Road in Ethiopia." Its mapping supposes that important destinations lie elsewhere and can be reached by logical route. Swaying oblong shadows cast by red and green LED palm trees attend this infrastructural expansion. A landscape flickers: artificial species generating new life forms.
In a porous city many roads lead outward, but few find direction in the unknown. Ringing two times strong, the final lyrics of Girl's Day's "Something" plea indeterminacy: "Are we over? Are we over?"
Video and photo-works by Luke Casey.
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“一股陌生的氣味縈繞在你周身，你似乎被什麼佔據了心魂。”
——Girl’s Day《Something》
像素點如菌類的孢子般漫無目的地散播，通過那些至關重要卻又無關緊要的節點形成球體和星群。這天，當Kimlin Taeyang在家裡調節衛星電視的天線時，通常她和家人都仰賴這支天線收看新聞和肥皂劇，她意外地搜索到一個新的訊號——整齊劃一的舞步，縹緲的金屬聲線，一個韓國流行音樂組合——Girl’s Day就這樣出現在Kimlin家的電視屏幕上。
Kimlin Taeyang是一個普通的埃塞俄比亞女孩，19歲，住在距离首都亞的斯亞貝巴（Addis Ababa） 幾百公里遠的城市阿瓦沙（Awassa）。她喜歡游泳，也喜歡和朋友閒逛，並且希望將來能夠從事一份同保健科學相關的工作。自那天的發現之後，Kimlin和她的朋友們便廢寢忘食地學唱所有她們喜愛的韓國流行歌曲的歌詞，如饑似渴地消化她們所能接觸到的，由這個異國所生產的一切文化。被一種粉絲的迷狂所驅使，對偶像的模仿也逐漸發展成為一種新的自我認知，以至於Kimlin臉書暱稱的後半部分就來自於她最喜歡的韓國明星Taeyang的名字。
與此同時，在阿瓦沙這個城市的各個角落，從早到晚不斷傾注的水泥石漿也製造了一種機械的韻律。中国交通建设集团標榜他們為埃塞俄比亞鋪設完成了第一條公路，這似乎意味著在這片土地上，任何重要的地點都會被納入合理規劃的道路網絡。在這場基礎建設的擴張中，紅紅綠綠的LED椰樹燈也投下它們搖曳瘦長的倒影。在這片閃爍的大陸上，這人工的造物也在成為一種新的生命形態。
在一個多孔城市，有很多通往外界的路，但其中很少是朝向未知的。Girl’s Day在《Something》這首歌的結尾一聲聲地追問著： “我們就這樣結束了嗎？我們就這樣結束了嗎？” 宛如一種不確定的祈求。
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