In case you need reminding… Good things CAN come your way ghostie. hang in there 💜💜💜💜💜
love from the sad ghost club
taylor price

★

roma★
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Not today Justin
Mike Driver
The Bowery Presents

Jar Jar Binks Fan Club

Origami Around
Fai_Ryy
Monterey Bay Aquarium
hello vonnie
RMH

titsay
we're not kids anymore.
KIROKAZE

#extradirty

Discoholic 🪩
Cosimo Galluzzi

izzy's playlists!
seen from Thailand
seen from Argentina
seen from Brazil
seen from Russia

seen from Armenia
seen from Saudi Arabia

seen from Türkiye
seen from Brazil
seen from Argentina
seen from Morocco
seen from Brazil
seen from Canada
seen from United States

seen from Brazil
seen from United States
seen from United States

seen from United States
seen from United States
seen from Chile
seen from United States
@lulicunt
In case you need reminding… Good things CAN come your way ghostie. hang in there 💜💜💜💜💜
love from the sad ghost club
WWII Souvenir Lingerie
(more information, more gold)
Top text: loves eating popsicles Bottom text: hates the texture of the sticks
I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
“We have a word for that in Japanese,” he said. “It’s called ma. Emptiness. It’s there intentionally.”
Is that like the “pillow words” that separate phrases in Japanese poetry?
“I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.”
Which helps explain why Miyazaki’s films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.
“The people who make the movies are scared of silence, so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. They might go up and get some popcorn.
But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions–that you never let go of those.
— Roger Ebert in conversation with Hiyao Miyazaki
Bailey Bridge by Pierre Adolphe Valette - 1912
[two images taken from above the clouds. A rainbow is visible below the clouds.]
The sky is gay confirmed
It’s full of chocolate covered cherries, I swear.
Gas Mask Parade, Tokyo, by Masao Horino 1936-1939
(via DMC-365 )
Foggy-Trees-Slide-9 by Michael Gray
tyra this is going too far
Nightmare fuel.
Thugs.
September 2014.
Photography by Jeana Lindo
view the full set of images here
MY HEART IS MELTING the concept of the project makes this 10x more beautiful
“My series presents the truth about the sensitivity of boys, especially boys of color. It is important to have images that positively portray boys of color because they are stereotyped in ways which lead people to believe that they feel less pain than other people. Their negative depiction in popular media contributes to a lack of empathy for them and robs them of human qualities. My images show that boys of color are people who feel pain just as strongly if not more than others. Like flowers, they are beautiful and must be protected. Please do not step on them.”