YOU ARE THE REASON
Mike Driver
Not today Justin

tannertan36
Peter Solarz
we're not kids anymore.
Today's Document
noise dept.
ojovivo
No title available

if i look back, i am lost
Claire Keane
Keni
Sweet Seals For You, Always
One Nice Bug Per Day
Game of Thrones Daily
Acquired Stardust
AnasAbdin
Aqua Utopia|海の底で記憶を紡ぐ
Monterey Bay Aquarium

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@lunadekat
GITS rough drafts by Masamune Shirow.
Source details and larger version.
My collection of strange vintage statue imagery.
Reblogged from @wonderingwhatsnext
Astrolabes are used to calculate how the sky will look at a specific place at a given time and were one of the basic astronomy education tools in the late Middle Ages. Though they have fallen out of use, they are still beautiful to look at.
Astrolabe, 1291 Yemen Pierced and engraved brass
(a) case: Gr. W. 7 5/8 in. (19.4 cm), Diam. 6 1/8 in. (15.6 cm), Th. ¼ in. (0.6 cm); (b) bar: Gr. H. (with attached nail) 1 7/8 in. (4.8 cm), Gr. W. 1 1/8 in. (2.9 cm), L. 5 in. (12.7 cm); © net: Diam. 5 in. (12.7 cm); (d–g) plates: Diam. 5 in. (12.7 cm); (h) pin: L. 1 ¾ in. (4.4 cm), W. ½ in. (1.3 cm) Bequest of Edward C. Moore, 1891 (91.1.535a–h)
Invented in ancient Greece, the astrolabe is a sophisticated tool for observing the position of the stars. In early Islam, when scientific studies flourished, astrolabes were vastly improved and came to be used to determine the correct times for Muslim prayers as well. Through Islamic Spain, the astrolabe was introduced to Europe, and in the Middle Ages sailors, both Islamic and Christian, employed the device to stay the course of their sea routes. metmuseum
If you follow us on Instagram (@agslibrary), you know we are big fans and participants in Map Monster Monday, which was started by the folks over at the Boston Public Library’s Leventhal Map Center.
To kick off our first Map Monster Monday on Tumblr, we are pleased to share with you a 1573 work by the famous cartographer Abraham Ortelius.
Ortelius was the leader of the Golden Age of Map-Making in the Netherlands in the late 16th and early 17th century. An earlier work of his, Theatrum Orbis Terrarum, or “Theatre of the World,” (stay tuned, we may be posting from this work soon), is widely considered the first modern atlas.
Ortelius (and other map-makers from his day) drew monsters in the seas of their maps to captivate readers’ attentions and sell more pieces. They also intended to inspire a sense of excitement in the risky and dangerous unknown.
For example, the images in this 1573 atlas are accompanied on the next page with descriptions of the monsters (translated from Latin). To match a monster to its description, note the letter next to the monsters in the first image in this series:
C. “The BURCHVALUR has a head bigger than its entire body. It has many very strong teeth, of which they make chess pieces. It is 60 cubites long.”
D. “The HYENA or sea hog is a monstrous kind of fish about which you may read in the 21st book of Olaus Magnus.”
E. “Ziphius is a horrible sea monster that swallows a black seal in one bite.”
F. “The English whale, thirty ells long. It has no teeth but its tongue is seven ells in length.”
G. “HROSHUALUR, that is to say as much as sea horse, with manes hanging down from its neck like a horse. It often causes great hurt and scare to fisherman.”
I. “SKAUTUHVALUR. This fish is fully covered with bristles or bones. It is somewhat like a shark or skite, but infinitely bigger. When it appears, it is like an island, and with its fins it overturns boats and ships.”
Do you have any Monsters in your collections? We encourage you to participate in Map Monster Monday.
Ortelian fantasies from @agslibrary for #MapMonsterMonday.
Love this!
Sword dance 검무
Digital drawing, 2010.
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唐田えりか 千葉県警察本部
週刊少年サンデー 2017年10号