Lurham Art Foundation

Established 1878

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Almost Round, Luigi Pestro, 1973, Oil on Canvas

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Bin Levinsky, By Day He Was Quiet Nice, 1987, Oil on Canvas, Berlin

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Jim Ford, Hope you’ve seen that moment as all those clichés, 1992, Acrylic on Wood

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John Mc Lurham, A Beginner’s Guide to Construct the Universe III, 1981 (LAF 22-t4)

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Brownell Cooper, Centerfold, 1983, Acrylic on Canvas

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Brownell Cooper, Mighty Nighthawk, 1981, Acrylic on Canvas

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Michael Bergmann, Just another Clown, 2005, Spraypaint on Canvas

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Michael Bergmann, Ugly 2, 2007, Oil on Canvas

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Elsa Schidaseri, Il profundo, 1983. LAF 12-37, Private Sammlung Knipser-Ruhr, Kassel

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Romeo Delacroix, Champagne con Asperagi (Il Festivii), 2008, Oil on Canvas, 110x267 cm, LAF 17-3, Centre del Arte, Bologna

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Wennemar von Friedstein-Lohe, Greyness vs Darkness, 1998, Baden Baden Staatsgalerie (Lurham v. 11879)

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Brian Nettworth, A focus on sexuality, death, and political change, 1990, 78x104 cm, charcoal and vinyl on wood. LAF 57-2 Royal Brindworth Museum, London

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Finder Bestziz, Breitrog: Fugue in Two Colours, 2012, gouache and ink on paper, 21.3 x 22.9 cm, Königliche Staatsgalerie, Stuttgart. These abstract studies by Czech artist Finder Bestziz began as observational drawings of a young girl playing with a ball. The final painting, an oil on canvas, was exhibited at the 2012 Salon d’Automne in Paris.

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Romeo Delacroix, Dispensare con una Faune, 2006, Oil on Canvas 122x260 cm, LAF 17, Kunsthalle Berlin

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Brian Nettworth, Madras Bleeding, 1992

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Michael Bergmann, Ugly, 2007, Oil on Canvas

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John Mc Lurham, A Beginner’s Guide to Construct the Univers, 1978 "Life-forms in general have a structure. From the body parts of an insect (so named because it’s “in sections”) to the hunian body’s head-torso-legs with their own subsequent tripartite subdivisions and the three layers of heart muscle, all express the same principle. The geometry of fruits and vegetables will be tripartite when they begin asthree-petaled florniers. Observe before you eat them!