Lyle Ashton Harris, Lyle and Robert, Bronx, New York, mid 1980s
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Lyle Ashton Harris, Lyle and Robert, Bronx, New York, mid 1980s
Claire Amaouche
Ethiopian Jews (Beta Israel) celebrating Mimouna, a traditionally Moroccan end-of-Passover festival.
Tunisian Jews in Djebra photographed by Frank Scherschel, 1950s
Christ-loving Warriors, Natalia Sergeevna Goncharova, 1914, Minneapolis Institute of Art: Prints and Drawings
Plate 9 Russian artists responded to the outbreak of war in Central Europe in 1914 in paintings and works on paper. In her portfolio “Mystical Images of War,” Natalia Goncharova depicts all aspects of armed conflict past and present, ranging from the archangel Michael riding triumphantly through flames on horseback to celestial beings observing fighter planes in combat. She realizes her apocalyptic vision of war in this powerful portfolio of masterful lithographs formally inspired by the solemn gravity of traditional Russian icons and the dynamism of contemporary Futurist painting. She successfully draws upon these diverse stylistic influences to express the horror of armed conflict. Size: 12 1/8 x 9 in. (30.8 x 22.86 cm) (image) 12 ¾ x 9 5/8 in. (32.39 x 24.45 cm) (sheet) Medium: Lithograph
https://collections.artsmia.org/art/68106/
African-American cowgirl Nellie Brown, and her horse. Circa 1900 - 1915.
Ryan Idol
William Gedney, Weightlifters, India, ca.1970
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Alma Lavenson Dog in Barn 1980
Pointilism teeth piece | captainshyborg
“Can't go back”
© Babs Webb
Gertrude Vanderbilt Whitney, sculptor and founder of Whitney Museum of American Art, New York. Photographed by Robert Henri, 9 January 1925.