1027KIISFM Cuteness overload đ @Louis_Tomlinson #KIISJingleBall

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1027KIISFM Cuteness overload đ @Louis_Tomlinson #KIISJingleBall
please put in the tags your top artist and top song of 2021 !!!! <3
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Louis Tomlinson (UK) sold 160,000 tickets worldwide for his âLive from Londonâ charity concert, which was livestreamed on Veeps from an unknown venue in the UKâs capital city on 12 December 2020. The event raised more than $1 million (ÂŁ755,000) for four charities â Crew Nation, FareShare, Stagehand and the Bluebell Wood Childrenâs Hospice (based in Sheffield, UK) â with Tomlinsonâs own touring crew also receiving a portion of the proceeds after being out of work since March 2020 owing to the COVID-19 pandemic. Tomlinsonâs 18-song set featured tracks from his debut solo album Walls (2020), three One Direction covers and the live debut of âCopy of a Copy of a Copyâ.â
Live from Londonâ was the third-biggest livestreamed concert of 2020 in terms of ticket sales, after BTS (756,000) and Dua Lipa (284,000), as the music industry moved away from traditional gigs with fans in attendance in light of restrictions brought about by the COVID-19 pandemic. Veeps, co-founded by Good Charlotteâs Joel and Benji Madden in 2017, had been a leading player in the shift towards bringing music into fansâ homes in 2020, billing itself as âthe livestream concert platform for the music industryâ. In January 2021, events promoter Live Nation bought a majority stake in Veeps in a bid to offset a dramatic decline in revenue caused by the cessation of live concerts and touring. In 2020, Veeps reportedly made more than $10 million in sales for the decimated touring sector.â
Live from London setlist: âJust Hold Onâ; âWe Made Itâ; âDonât Let It Break Your Heartâ; âDrag Me Downâ; âTwo of Usâ; âHabitâ; âToo Youngâ; âPerfect Nowâ; âThrough the Darkâ; âFearlessâ; âCopy of a Copy of a Copyâ; âDefencelessâ; âBeautiful Warâ; âAlways Youâ; âLittle Black Dressâ; âWallsâ; âOnly the Braveâ; âKill My Mindâ.
something about Louis this day is just⊠(14/â)
-dedicated to @louzhan đŒ happy birthday nusi!
Today I am obsessed with louis defenseless. I was analyzing the text and would like to know your opinion. Who is the recipient of the message? it speaks of wanting to be loved, of feeling helpless. I love this song and its writing skills.
Hello!
Credits to @copyrovers on Twitter for these excellent graphics - never a bad day to share them! From Project Defenceless:
As for the interpretation of Defenceless, I think we can conclude that chronologically, the events of this song predates Walls (the song). In Defenceless, theyâre clearly having some issues (âsleeping on our problemsâ), but they are still negotiating (âyou tell me take it easyâ). In Walls, Louisâ partner has walked out and left him with âa closet full of clothes.â
In the tracklist, Defenceless is the second to last song, and is immediately followed by Only the Brave. Defenceless seems like a last-ditch effort to repair the relationship before it was done for good. It is an intimate, intense relationship. We can tell from the image in the very first line, âI come running to you like a moth into a flame.â The image is indelible, visceral - a self-destructive, involuntary impulse to plead for reconciliation, only to be brushed aside. âYou tell me take it easyâ despite Louisâ anxiety, worry, self-criticism, âWish I didnât need so much of you.â
I think we all know that the image chosen for the Spotify cover art of Defenceless was a Larrie drawing of Harryâs moth tattoo, and maybe the lyrics imply this too.
I wrote when Walls first came out that there seem to be many Easter eggs in the lyrics.
Been up all night: refers to the 1D album, UAN
All night runninâ all my lines (refers to band rehearsals)
you donât have to keep on being strong for me and you: 1D song that Louis wrote on (Strong)
And I can't get inside when you're lost in your pride: an LGBT reference
(Detour for a minute to lyrics from Ready to Run, which Louis helped to write, âBut I know, yes I know we'll be alright.â Compare to Harryâs Fine Line, a reassurance after a hard breakup, âWeâll be alright.â)
So Defenceless represents a last pleading, laying it all out on the table, when arguments sound tired and there are no more words to say (âwake up early morning and theyâre still under the sheetsâ).
What Louis lays out is in the bridge, with a melody high in his tessatura and soaring into an ecstatic falsettoâ âIâm too tired to be tough, just wanna be loved by you.â âYouâ is the highest note, because âyouâ are the most intoxicating subject of the song, the highest point. And itâs actually the hardest part for him to sing, so it is also where Louis is most vulnerable technically (like solo SONG in OTB).
In the AFHF, Louis let the audience sing the bridge. I donât know if it meant anything, really, but he wasnât singing the most vulnerable partâ the audience was asking Louis for his hand in marriage love insteadâ a role reversal like the âyou were my becauseâ line in Walls. It is a healing moment. Somehow Louis worked his trauma out in music, and the audience was telling him, we get it, we love you.
Not to cry on main, but let's include the London Livestream in the lyrics change progression:
Album: âIâm too tired to be tough, just wanna be loved by you.â
London Livestream: âIâm too tired to be tough, just wanna be lovedâ
AFHF: Louis doesn't sing this part at all.
One interpretation could be that he moved on from that person and doesn't ask to be loved by them anymore (lyrics change), to ultimately realizing that he doesn't need to ask to be loved at all (having the crowd sing this part).
The only way I'll ever forgive him for not giving us his beautiful voice for that bridge during the festival is if I know that it's because he doesn't want to be singing about begging this person to love him. He's moved on.
Louis photographed by Tyler Joe for Cosmopolitan
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