Arkhip Kuindzhi. "Night at Dnepr river," 1880.
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Arkhip Kuindzhi. "Night at Dnepr river," 1880.
I have a panel inside my head— it’s Rothko-black; it’s edges are soft. The surface shimmers darkly. It calls me inside.
Another invasion of my body leaves it weak and in agony. I close my eyes hoping to find an internal distraction to the engulfing pain.
There it is. The panel.
I sense I can enter so I search for a button doorknob lever— nothing about the panel sits still.
My mind’s eye finds a point in it’s dark. i don’t know what this is. I know I can use it.
I zoom in on that pinchable point— my attempt at mental locomotion. I pull— it works! It feels a bit like swimming.
Another point; another pull. Whoosh Deeper. Again.
There is nothing but this— fixate on a point; pull to it. What about there?
Every point I choose becomes another place to choose.
No walls just field after open field— every arrival feels the same.
How do I get to the other side of pain?
I pull. Deeper. Further. Again and again. I’m getting good at it . . . Just zooming around I’m happy.
Another point? Why not? Forward. And again.
Eyes open. I see my books and they are finally enticing. Where’s my cranberry juice? Time for Enya again.
Martin Johnson Heade, Gremlin in the Studio I, ca. 1865-75
Sylvia Plath.
“The Firm” by Jocelyn Bain Hogg, 2011 | @ archivistmag
“I long for a kind of quiet where I can just drift and dream.”
— David Lynch
Adrian Samson
Debbie Harry, 1977
Sphinx and Chimaera by John Singer Sargent (1856 - 1925)
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Sylvia Plath at the beach, Summer 1953.
Sogno di Plutone (Pluto's Dream) or sometimes referred to as L'Oracolo (The Oracle) by Italian painter Alessandro Sicioldr, 2018
Arnold Genthe (Allemand / Américain, 1869-1942), Helen Moeller et une élève inconnue, 1921.
Dora Abodi
“Die Wunderblume” / “The Miracle Flower” – Sidonie Springer (1919)
Dan Hillier, Ground (2020)
Hans Unger