vintage heart-shaped lockets
Jules of Nature
Misplaced Lens Cap
todays bird

titsay
h
we're not kids anymore.
let's talk about Bridgerton tea, my ask is open
Lint Roller? I Barely Know Her

No title available

❣ Chile in a Photography ❣
One Nice Bug Per Day
sheepfilms

@theartofmadeline
taylor price
PUT YOUR BEARD IN MY MOUTH
Game of Thrones Daily
No title available
AnasAbdin
Not today Justin
ojovivo
seen from Spain

seen from Spain

seen from Singapore
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from Colombia

seen from Malaysia

seen from Malaysia
seen from United States

seen from United States
@m-0-thra
vintage heart-shaped lockets
Daniela Astone
Couples goals
Angora on a Chair by Arthur Heyer (German-Hungarian, 1872–1931)
Anaïs Nin, The Diary of Anaïs Nin, 1931–1934
Alexandre-Jean Dubois-Drahonet
French, 1791-1834
Female nude, 1831 (detail)
annie steg gerard
The Barque of Charon, 1919 - oil on linen. — José Benlliure (Spanish, 1855-1937)
Sylvia Plath was right
About what?
“Being born a woman is an awful tragedy. Yes, my consuming desire to mingle with road crews, sailors and soldiers, bar room regulars—to be a part of a scene, anonymous, listening, recording —all is spoiled by the fact that I am a girl, a female always in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yet, God, I want to talk to everybody I can as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night.”
Atala's Burial/ Die Gartenlaube Gustave-Claude-Etienne Courtois 1885
Quotes by Sylvia Plath, The Journals of Sylvia Plath
Quote from "Excuses For Why We Failed At Love" by warson shire
Stephanie Garber, Once Upon a Broken Heart
@sallysavestheday
Early morning - Simeon Nijenhuis, 2022 - 23.
Dutch, b.1969 -
Oil on panel , 44 x 52 cm.
on loneliness jenny slate / japanese breakfast, posing for cars / corinne von lebusa, big glow / dadushin / alejandra pizarnik, tr. me / fka twings, home with you / avocado_ibuprofen / fiona apple, left alone / anne carson, “the anthropology of water”, plainwater / kiki smith, free fall / alejandra pizarnik, diaries
Nikki Giovanni, The Collected Poetry, 1968-1998
The thought that you exist is so divinely blissful in itself that it is ridiculous to talk about the everyday sadness of separation – a week’s, ten days’ – what does it matter? since my whole life belongs to you.
— Vladimir Nabokov, Letters to Véra