personal save & upload blog. no theft intended; if the content is not mine, reblogs will be disabled and source will be linked. basically just here to collect inspiration for my various projects. not a minor.
Phantogram Three

#extradirty
Today's Document

@theartofmadeline
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❣ Chile in a Photography ❣
I'd rather be in outer space 🛸
Lint Roller? I Barely Know Her
noise dept.
Fieri Frames

Product Placement

blake kathryn
Keni
Claire Keane

Kiana Khansmith

izzy's playlists!
$LAYYYTER
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tumblr dot com
Show & Tell
seen from France

seen from United States
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seen from Philippines
seen from United Kingdom

seen from Australia

seen from Poland
seen from Pakistan

seen from United States

seen from United Kingdom
seen from Brazil

seen from United States

seen from United Kingdom
seen from Papua New Guinea
seen from Bangladesh
seen from Kenya
seen from Bangladesh
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seen from United States
@malevictim
personal save & upload blog. no theft intended; if the content is not mine, reblogs will be disabled and source will be linked. basically just here to collect inspiration for my various projects. not a minor.
Exit to Eden (1994)
La Storia Director Francesca Archibugi
baby reindeer, episode 4
My Own Hostage [ 1 bit / 2 colors Collection ]
Please support 🙏 https://www.patreon.com/c/AnasAbdin
Tempest
The motion picture is like journalism in that, more than any of the other arts, it confers celebrity. Not just on people - on acts, and objects, and places, and ways of life. The camera brings a kind of stardom to them all. I therefore doubt that film can ever argue effectively against its own material: that a genuine antiwar film, say, can be made on the basis of even the ugliest battle scenes ... No matter what filmmakers intend, film always argues yes.
— Renata Adler
Jean Paul Gaultier: ‘Les Marionettes’ Autumn/Winter (2004)
Mysterious Skin, 2004, dir. Gregg Araki
give into hate and grief and kill already
BLACK PHONE 2 scott derrickson, 2025
"𝓘t’s the only element of the film that adds any kind of direct visual sexual violence to it,” said Cargill. “Because one of the questions I’ve gotten [most often] from people is ‘Is the Grabber a pedophile? Is he actually molesting these children?’ We don’t show it because we don’t need to show it but yeah, he is. And that one scene where he’s just sitting there with that frowning mask, you just know that whatever is going to happen isn’t going to be good. And it just gets under your skin.”
“𝓦e hint at things,” said Cargill. “We talk about playing ‘Naughty Boy’ and beatings and his favorite part, which we don’t [specifically name]. And that really messes with people because it allows your mind to go to the worst possible [scenarios]. I think because we can’t fathom what drives people not only to sexual violence, but sexual violence that ends in the death of multiple people, that lack of understanding of what makes that person tick is really scary to us.” (X)
To me, horror is the genre of non-denial. It's about admitting that there is evil in the world and that the things we are afraid of must be confronted.
Scott Derrickson
"Breathless, scared, the whole of the world starting to fade away." source