Marco Bellocchio sul set di Diavolo in corpo (1986)
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@marcobellocchio
Marco Bellocchio sul set di Diavolo in corpo (1986)
On the Beach at Night Alone (2017)
Dirk Bogarde and Luchino Visconti on the set of Death in Venice, 1971
Brief Encounter (David Lean, 1945)
forward
La Notte (1961)
Carol, 2015, Todd Haynes
Spetters, 1980, Paul Verhoeven
“River doesn’t have a false bone in his body,” says the director Sidney Lumet of Phoenix’s performance in Running On Empty, soon to be released over here. “He can’t utter a false line. He stopped in the middle of one scene while we were shooting and said, ‘This feels fake to me.’ I listened again. He was right. I cut the scene. So long as River follows his instincts, takes stuff he believes in, there’ll be no stopping him. I first saw him in Stand By Me and there was such an extraordinary purity about him.’’
- Sidney Lumet about River for The Face, July 1989.
Isabelle Huppert photographed for Madame Figaro.
Moonlight | Barry Jenkins | 2016
Ashton Sanders
Spetters, 1980, Paul Verhoeven
Bruce Campbell (1994)
I think about love on a scale from 1 to 10. Most of us find a 6 or 7, and that’s why we have divorce. It’s the truth. We settle for that 6 or 7. But I like to think Kevin is Chiron’s 10. He’s found that and he realizes that there’s no reason to settle for a 6 or a 7 because, “I know this person is my 10. Whether or not this person believes I’m his 10, I’m going to devote my life to this person entirely.” That’s why the line where he says, “You’re the only man that’s ever touched me,” for me, was the most amazing, most beautiful thing I’ve seen in cinema, period. Because that’s what we strive for as people, to find that one person because they’re there. If Kevin doesn’t feel that they should be together, Chiron is just going to die a miserable person because that’s his person and he won’t settle for anything else. But I like to think they’re together, walking in Central Park hand-in-hand when they’re 90 years old. - Trevante Rhodes
Moonlight (2016, dir. Barry Jenkins)
Close Up shots of Elaine’s eyes | The Love Witch (2016) dir. Anna Biller
Heaven’s Gate (Michael Cimino, 1980).
Solange photographed by Mikael Jansson for Interview magazine, February 2017.