āStudy in Sadnessā, Marilyn Monroe in a Alley in Beverly Hills, California, 1953
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āStudy in Sadnessā, Marilyn Monroe in a Alley in Beverly Hills, California, 1953
Marilyn Monroe and Canadian-born American photographer Douglas Kirkland (1934 - 2022) drink from martini glasses during a break in a photo shoot, Hollywood, Los Angeles, California, Nov. 1961
Marilyn Monroe by Richard Avedon, 1957
Marilyn Monroe and Carleton Young at NBC Radio, 1952.
rare candid photos of Marilyn MonroeĀ
summer, 1958
source.
Marilyn MonroeĀ photographed by Ed Feingersh at the Ambassador Hotel in New York City, March 1955.
The lovely Marilyn
rare snapshots of Marilyn Monroe on setĀ
The Seven Year Itch, 1954
Marilyn Monroe, 1951 - with her white cat, Mitsou, photographed by Earl Leaf
ā MARILYN MONROE in SOME LIKE IT HOT (1959)
happy birthday ļ¼ļ½ļ½ļ½ļ½ļ½ļ½ Ā ļ¼ļ½ļ½ļ½ļ½ļ½ // june 1, 1926 - august 5, 1962 // āi sometimes feel as if iām too exposed. iāve given myself away, the whole of me, every part, and thereās nothing left thatās private, just me alone. if you feel low, you might worry that thereās nothing new to give. but thatās not true ā not ever. you discover things inside yourself you never knew were there. you always go on developing.ā
she was born 100 years ago today ā¤ļøļø
Happy 100th Heavenly Birthday to Marilyn Monroe š
June 1st 1926 - August 4th 1962
Marilyn Monroe photographed at Fox Studios by David Cicero, May, 1947.
Ā Ā Marilyn arrived to Beatonās suite with only a simple black dress and a white puffy evening gown. Ed Pfizenmaier, Beatonās assistant, said that Marilyn tookĀ care of her own make-up āwhich most people, they canāt believe it nowadays ⦠she came just by herself, with these two little dresses and ⦠it was asĀ simple as that.ā Beaton added a few props: an artificial Bluebird, flowers, and scarves. He provided the unique backgrounds, as heād actually redecoratedĀ the suite himself in what he called a āJapanese Nouveau art mannerā. Beaton himself described Marilynās method as subject of the session: āThe initialĀ shyness over, excitement has now gotten the better of her. She romps, she squeals with delight, she leaps onto the sofa. She puts a flower stem in herĀ mouth, puffing on a daisy as though it were a cigarette. It is an artless, impromptu, high-spirited, infectiously gay performance. It may end in tears.ā HisĀ diary entry read: āShe was the greatest fun.ā Pfizenmaier said āI found her just a delight to work with, we just had a magnificent time.ā (x)
Marilyn Monroe with glass on knee, from the Black Sitting by Milton H. Greene, 1956
Marilyn Monroe poses with a crew member on the set of River of No Return (1954)