marinadiamandis: 6 months dye freeee
Acquired Stardust
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Not today Justin

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tannertan36
Monterey Bay Aquarium

Origami Around
Xuebing Du
tumblr dot com
Three Goblin Art
noise dept.
let's talk about Bridgerton tea, my ask is open

祝日 / Permanent Vacation

JVL
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Today's Document
RMH

Kaledo Art

shark vs the universe

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@marinaroyal
marinadiamandis: 6 months dye freeee
‘Primadonna’ - Marina and the Diamonds (2012), dir. Casper Balslev
Marina and the Diamonds performing at Lollapalooza Chile on March 20, 2016.
‘Hollywood’ - Marina and the Diamonds (2010), dir. Kinga Burza
To Be Human is probably the most important song on this record for me, because thematically it sums up the headspace that I’ve come from in the past 3 years. I think the subject matter is really important, it talks about unity. I namecheck a lot of places around the world São Paulo, Verona, Angola, Chicago, Kyoto, Hiroshima, Greece. When I was writing that I wanted to create this picture of humanity, because in our political climate we are constantly being made to see other people as ‘other’. If you’re from a different culture, you’re seen as different and potentially dangerous and I really hate that. I really think that’s a sad way to see humanity. So I wrote this song really thinking about that, and for that reason it really forms a core part of the record. Marina - To Be Human (2019)
Marina Diamandis photographed by Charlotte Rutherford for Froot on October 24, 2014.
“Primadonna” - Marina and the Diamonds, 2012
Marina performs ‘To Be Human’ live in Manchester on May 10, 2019.
Ain't it funny how it all adds up—when you're always tryna push your luck?
MARINA eras + diamonds
Love + Fear tour outifts
MARINA photographed for PAPER Magazine by Eric T. White
“I’m here because I want to be here and not because a fourth album was due, because I’m not someone to go through the motions. If I didn’t do music, there are so many other things I could do.”
‘too afraid’ - MARINA, 2019
MARINA for L’Officiel USA, photographed by Michael Beckert (2019)
MARINA. / LOVE + FEAR (PART I.)
MARINA photographed by Zoey Grossman, 2019