Destiny Pictures, Alternative Neural Edit v1.1
d e v o n
Peter Solarz
wallacepolsom
taylor price
I'd rather be in outer space 🛸

Kaledo Art

Discoholic 🪩
PUT YOUR BEARD IN MY MOUTH
Cosmic Funnies
🩵 avery cochrane 🩵
cherry valley forever

Janaina Medeiros
Game of Thrones Daily
todays bird

blake kathryn
he wasn't even looking at me and he found me

Love Begins
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
Monterey Bay Aquarium

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@mario-klingemann
Destiny Pictures, Alternative Neural Edit v1.1
03183 by Mario Klingemann Via Flickr: Generated from biometric face markers processed by a chain of GANs in a feedback loop.
02066 by Mario Klingemann Via Flickr: Generated from biometric face markers processed by a chain of GANs in a feedback loop.
Travelling Wavesmen
Copy-Posed
Mario Klingemann: Cameraless Photography with Neural Networks
Video of talk from @mario-klingemann at The Photographers Gallery, London, on the subject of making Art with neural networks:
Coinciding with his current project on our Media Wall, Mario Klingemann will be in conversation with Daniel Rourke discussing his recent work which employs machine learning to create visual imagery in a process he calls “Neurography”. In recent months, attention has been drawn to the use of adversarial neural networks to produce entirely fictitious photographic images and their potential use and mis-use in a post-truth age. Reflecting on the ways in which machines are being trained at an increasing rate to learn new skills - from creating to interpreting images - Mario will unpack the creative possibilities presented by neural networks.
Some of Mario’s work is currently being shown at the gallery - you can find out more here
Flickeur (2005)
Screen recording of a generative infinite movie I wrote in 2005 which unfortunately does not run in browsers anymore.
http://incubator.quasimondo.com/flash/flickeur.php
Please Hold the Line, 2018, Mario Klingemann
It Grows on You, 2018, Mario Klingemann
Under Assessment, 2018, Mario Klingemann
Look at walls splashed with a number of stains, or stones of various mixed colours. If you have to invent some scene, you can see there resemblances to a number of landscapes, adorned with mountains, rivers, rocks, trees, great plains, valleys and hills, in various ways. Also you can see various battles, and lively postures of strange figures, expressions on faces, costumes and an infinite number of things, which you can reduce to good integrated form. This happens on such walls and varicoloured stones, (which act) like the sound of bells, in whose peeling you can find every name and word that you can imagine. Do not despise my opinion, when I remind you that it should not hard for you to stop sometimes and look into the stains of walls, or the ashes of a fire, or clouds, or mud or like places, in which, if you consider them well, you may find really marvelous ideas. The mind of the painter is stimulated to new discoveries, the composition of battles of animals and men, various compositions of landscapes and monstrous things, such as devils and similar things, which may bring you honor, because by indistinct things the mind is stimulated to new inventions.
Leonardo da Vinci
Mario Klingemann, an artist in residence at Google Art, tells us how having poor handwriting led him to the world of computational art. We dive into neural networks, discuss the difference between curation and creation, and discover how researching the past can be a great way to make something new.
Superficial Beauty Series by Mario Klingemann Via Flickr: Artificial portraits generated and transhanced by generative adversarial neural networks.
Google's in-house artist shows how code that can understand images can also be made to play with them.
Generating convincing audio and video of fake events
The Doll Factory