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@marksof-weakness
CW | TW: Gore, violence, body horror, trauma discussion/exploration (for coping IC and general character study), all tagged to the best of my ability. Please read rules before following.
Blog heavily under construction
Spardacest-affiliated blogs DNI: I will be instant blocking. No exceptions. Netflixvania-affiliated blogs DNI: I will be instant blocking. No exceptions.
Important character analysis for how I handle this muse: Part: 1.
Happy New Year 🎆🍀
Coping with life as it stands currently and brain storming with the girls feels like
Going to eventually work on that second part of that character analysis I got going on... but you know, life, and all that.
{source}
Genuinely wonder how different Vergil will look when he finally relaxes his fucking brows
like this
Little quick sketch of in the name of my fav game. And a bit of VerLady... Dante, go away. You are interfering with them talking how they hate each other =D
Ehehehe the bois ehehehe
Bat-like Vergil and bb Nero
What is your opinion of The Aeneid?
Prying eyes never do cease. One would think that the modern human world would have more readily available to engage with than gossiping amongst academics. Process of elimination, maybe. Not wanting to delve directly to the obvious assumption - being that of the Divine Comedy - though this impression is precisely jarring in one specific way: the Old Man’s library. The discussions of a many thing, from a great many persons frequenting the old shop. Philosophers and their summertime Muses, college students coming to and fro, always leaving behind notes or forgetting their bags. Creasing the pages of books that did not belong to them, talking in amongst themselves which, for the greater portion of each visit, resounded more and more like white static noise of the television at home. The home library was always better, in this example. Serene. With scents familiar and comforting, with rugs thick enough to sleep on (as Vergil often did, when studying). But the home library was always susceptible to Dante, and Dante always had something painted in mischief tucked behind that Cheshire smile.
Myths, legends, though - were all tall tales that seemed unrealistic as they were presented. Certainly literature to be read for the sake of its historical importance, but nothing more, much like any spiritual text. No. These Epics, passed down from word of mouth as poetry, significant in that of example of preserving human creativity as well as solidifying a region to infamy (that latter claim a wild dispute; though Vergil never saw human wars as anything but) were interesting, however nothing which kept his young mind fed for long. These Gods and Goddesses, these jealousies and murders were all figments of human minds that could not comprehend the world beyond their own. Told more as their understanding to sciences of the era, and mirroring their own squabbling and ill-fated, hand-woven lives.
What were these myths compared to his Father? Sparda, who reigned and wrought true power over brethren and subjects alike. As direct descendant, an eager student of a living ‘myth’ people in far away lands only murmur over, these Poems, these Epics paled starkly in comparison to anything and everything Father wrote, produced, created. Though Mother insisted virtue in learning the lessons of these, there were no greater work of brilliance than the man before him, or after him. There were nothing Father taught, did, sung, grew, made that wasn’t magnificent. From the ever-living roses he would spring to life for Mother, to the wondrous and powerful weapons he summoned at will and parted with for the sake of his own children, to the playful, eventful sparring lessons and sword techniques so painstakingly taught - it is virtue to live by his stories, his so called ‘myths’. These others... these human-made dreams kept sprawled on script could never compare. Though what a great and terrible irony befitting an Epic that memory does not fully, with great enthusiasm, harbor and safeguard more memories than these.
Though... it is a wonder, even to this very day: Did Mother and Father choose to name them after the Divine Comedy? Was it an effort to install these tales of fates and lessons unto them, so much so as to gift them the same namesakes? Even in death... he did seek for Dante. Ironically, not to guide him, however.
"I have no time for tawdry small talk-” Some papers shuffled, stacked, “And neither does the owner of this establishment. Leave, or be lead out.”
a comprehensive list of scenarios
mythsought asked:
REUNION (after ophir returns from hell maybeeeee)
REUNION : for one muse to run into the other again after a long time.
The entirety, sans the personal living quarters, has been once again seen to. The floor-to-ceiling curtains have been steamed, as so the flooring. Perfumed with favored scents by the bar’s owner, and those recommended from Nero’s friend’s pamphlet (What were his name? Russian for Bear, wasn’t it?). The stools have been polished, as the bar’s table top. The cushions and comfortable, welcoming niceties have been lightly freshened. The Neon signs outside checked for and received maintenance, where necessary. The unused alcohol left as such, save for the smallest, most insignificant portion poured over ice, allowed to be diluted. The food exchanged, outdated things thrown away, or fed to strays. Replaced with fresh-made things as per Nero’s insistence... The shot glass being examined for water spots when the sound of a door clicks shut. A presence well (wretchedly) known returning, and every hair upon Vergil’s skin raised with alarm.
....not that he would greet them. Not pleasantly, anyway. “Someone finally decided to show up after all...”
a comprehensive list of scenarios
devilsworn asked:
MEDIC
MEDIC : for one muse to show up at the other’s doorstep injured.
It is... uncomfortable, set within this position where no strangeness may be soothed with the talk of his brother. The blood, the scent - familiar. Wretchedly familiar. Staining the elder’s nostrils where full-hearted instinct begins to writhe. No doubting this look therein the child’s eyes, knowing this too to be familiar. Perhaps dauntingly so, being that his idol is nowhere present to aid him. In truth, there needn’t be any words, greetings. No acknowledgement sans that drawl onward of a low groan. Side-stepping to let him in, the all too familiar ring of a few choice words as one hand scarcely grazes the space between Nero’s shoulders: “Dante isn’t here right now. So allow me instead to remind you that he... would loathe to see you tend to this yourself,” The door is locked, the sign is turned: CLOSED.
Assuming it were a bad mission, but asking nothing of it. Only leading the boy to the bathroom he is already familiar with. To ransack a cabinet he is already familiar with, though this time there needn’t be a reading of the labels. Vergil remembers, just as he read them before. “Show me how bad it is.”
happy pride month
a comprehensive list of scenarios
feel free to combine multiple prompts or add “ + reverse ” to switch roles ! for reference, the one sending in the prompt is the one committing the action.
1. GUEST : for one muse to offer the other a place to stay. 2. STORM : for both muses to find shelter from a severe storm. 3. MEDIC : for one muse to show up at the other’s doorstep injured. 4. SURPRISE : for one muse to come home and find the other already inside. 5. TRIP : for both muses to road trip or travel together. 6. BABYSIT : for one muse to help the other home while they’re drunk. 7. INSOMNIA : for one muse to find the other still awake at 3am. 8. AMBUSH : for both characters to come under attack by the same enemy. 9. DANCE : for one muse to ask the other to dance at a party. 10. STRANDED : for one muse to help the other who’s stranded on the road. 11. SERVICE : for one muse to cover the cost of something for the other. 12. SAFEGUARD : for one muse to save the other from being hit by a vehicle or from some other life-threatening event. 13. DAZE : for one muse to wake somewhere and find the other hovering over them. 14. STOWAWAY : for one muse to find the other hiding on the same ship. 15. TAXI : for both muses to share the same taxi ride. 16. MAKEOVER : for one muse to help the other with a new outfit or hairstyle. 17. LIFEGUARD : for one muse to rescue the other from drowning. 18. DISASTER : for both muses to work together to escape a fire, flood, or other disaster. 19. TRANSIT : for one muse to sit next to the other on a public transport. 20. SPRAIN : for one muse to carry the other after spraining their ankle. 21. EMPLOY : for one muse to be hired as the other’s bodyguard, tutor, assistant, etc. 22. QUEST : for one muse to help the other with a task in exchange for compensation. 23. SOOTHE : for one muse to calm the other during a panic attack. 24. RECOVER : for one muse to return the other’s lost belonging. 25. UMBRELLA : for one muse to share their umbrella with the other on a rainy day. 26. HEAL : for one muse to nurse the other back to health from a sickness or injury. 27. NIGHTMARE : for one muse to comfort the other after a nightmare. 28. REUNION : for one muse to run into the other again after a long time. 29. PRIZE : for one muse to win the other a prize at a carnival. 30. NUDE : for one muse to walk in on the other while they’re changing. 31. BED : for both muses to wake in the same bed, naked or fully clothed. 32. TRAIL : for one muse to notice the other has been following them. 33. EVADE : for one muse to pull the other into an alleyway to escape their pursuer. 34. THIEF : for one muse to confront the other after having something stolen by them. 35. CAUGHT : for one muse to walk in on the other singing / dancing. 36. FESTIVE : for both muses to decorate for a special occasion. 37. PRESENT : for one muse to give the other a (birthday) gift. 38. WEARY : for one muse to wake up after falling asleep on the other. 39. CAPTIVE : for one muse to hold the other against their will. 40. SNAP : for one muse to yell at or push the other out of frustration. 41. SLEEPOVER : for one muse to stay the night at the other’s place. 42. TRESPASS : for one muse to trespass on the other’s property. 43. BREAK-IN : for one muse to discover the other robbing their place. 44. MERCY : for both muses to come across an injured animal. 45. UNKNOWN : for both muses to wake and find themselves in a strange place. 46. ACCOMPLICE : for one muse to assist the other at the scene of a crime. 47. ASTRAY : for both muses to take a detour and lose their way. 48. RELAX : for both muses to share a hot tub or hot spring. 49. MUSE : for one muse to model for the other’s art project. 50. ACCOMPANY : for one muse to give the other an extra ticket to an event. 51. SALVAGE : for one muse to retrieve the other’s belongings from a thief. 52. MEAL : for both muses to prepare and share a meal together. 53. CEMETERY : for one muse to find the other at a gravestone. 54. REFUGE : for one muse to shelter the other from enemies. 55. ARRANGED : for both muses to date or marry out of convenience. 56. FAVOR : for one muse to owe the other a favor. 57. VACATION : for both muses to book the same hotel on vacation. 58. DEFEND : for one muse to save the other from one or multiple assailants. 59. CATCH : for one muse to return the other’s pet that escaped. 60. RESTRICTED : for both muses to sneak into someplace they’re not supposed to be.
INDEPENDENT RAIDEN FROM METAL GEAR
RULES | ABOUT | VERSES
◆ WRITTEN BY SIN (27 Y/O) . MGR:R BASED. ◆ PLEASE READ RULES BEFORE INTERACTING. ◆ SEMI-ACTIVE. IF I AM NOT ACTIVE HERE, YOU MAY FIND ME ON MY OTHER BLOGS: devilsworn (Nero from DMC5) | mythsought (Multimuse OC)
devilxhunted:
“Hey, hey, hey…” pausing Vergil’s thought with a raised hand, “I know we’re one foot in the red, but it doesn’t mean we gotta be thieves!”
“Is it thievery if we’re so underpaid?” Another huff, “Coming back to Earth is disgusting -- humans throw away things more needlessly than ever. A scratch is all it takes. I were only helping them with the mess...”
devilxhunted:
“Maybe if they paid more, then we’d have enough to get one installed.”
“If you don’t tell the boy-----” and thankfully Nero is not here right now, “I have acquired a few things to sell. Nothing no one misses...”
