You just hit the jackpot

Kate. Mary Jane apologist first, human second. Tracking #userkat Letterboxd

[maryjanewatscns]

Margot Robbie as BARBIE dir. Greta Gerwig

[stars-bean]

Young Frankenstein (1974) dir. Mel Brooks

[slayerbuffy]

Before you came, I was all alone. It is bad to be alone. THE BRIDE OF FRANKENSTEIN 1935 | dir. James Whale

[dailyflicks]

THE BRIDE OF FRANKENSTEIN 1935 | dir. James Whale

[stars-bean]

Mary Poppins Returns (2018) dir. Rob Marshall

[milesgmoralles]

Happy 26th year of release to Princess Mononoke (July 12, 1997) + letterboxd reviews and tumblr text posts

bonus:

[femalestunning]

haleyluhoo: another strange photoshoot of me on the floor

[simoneashley]

I taught him how to do that, so I gotta be a pretty good mentor to pull that off. Spider-Man: Into the Spider-Verse (2018) | Spider-Man: Across The Spider-Verse (2023)

[stars-bean]

"As the minuteness of the parts formed a hindrance to my speed... I resolved therefore to make the creature of a gigantic stature."

Young Frankenstein (1974) dir. Mel Brooks

[rainbowgifs]

BABYLON (2022) dir. Damien Chazelle

[simoneashley]

I think it's one of the most important elements of the film -- that thing that his mom says to him. "I know you're getting older. I know you're growing up. I mean, you're going to go out there in the world and do everything, but never let anybody make you feel like you're not worthy [or] you're not valuable," all of these things that, ultimately, he does come to understand, and that makes him stronger, like literally stronger, right?

Luna Lauren Vélez on Rio's speech in Spider-Man: Across the Spider-Verse (2023)

[simoneashley]

Hobie Brown, Miles Morales, Pavitr Prabhakar and Gwen Stacy Spider-Man: Across the Spider-Verse (2023)

[simoneashley]

Hobie Brown, Miles Morales, Pavitr Prabhakar and Gwen Stacy Spider-Man: Across the Spider-Verse (2023)

[laurelsource]

laurel lance/black canary - arrow 3.18 "public enemy"

[daenerys-targaryen]

MARGOT ROBBIE

[nick-nellson]

[ily-a]

How's that for a motive?

SCREAM | 1996 dir. Wes Craven