Dekorative Kunst - 1897 - via Internet Archive
cherry valley forever
AnasAbdin

No title available

JVL
dirt enthusiast

#extradirty
Claire Keane
Three Goblin Art

No title available

❣ Chile in a Photography ❣

Janaina Medeiros
TVSTRANGERTHINGS
macklin celebrini has autism
d e v o n
Keni
🪼

PR's Tumblrdome
styofa doing anything
Mike Driver

if i look back, i am lost
seen from Uruguay
seen from United States

seen from Malaysia
seen from Finland
seen from Brazil
seen from United States
seen from Japan
seen from Tunisia
seen from Venezuela

seen from United Kingdom
seen from United States
seen from United States
seen from Venezuela
seen from Italy
seen from Portugal

seen from Ecuador
seen from Türkiye

seen from United States
seen from Singapore
seen from Chile
@maryrosemary
Dekorative Kunst - 1897 - via Internet Archive
i made another horrible quiz, come get assigned a niche lgbtq aesthetic such as "strapping young transmasc farmhand" or "morose bisexual sailor"
Homo Algus
by Sophie Prestigiacomo
These swamp creatures are sculptures created by the French sculptor Sophie Prestigiacomo. They can be seen at the Nature of Séné in the Gulf of Morbihan (France).
The figures are modeled with mud and seaweed, with the algae drying within the elements. The colors, textures, and “skin” of the creatures change over time, along with the organic landscape they inhabit. The sculptures offer a chance for onlookers to not only visit the site, but also engage in dialogue about biodiversity and our relationship to these lands.
How to Sew a Simple Strong Seam by Hand: A Step-By-Step Beginner’s Guide
an abundance of magic sits in between summer and autumn
A trail of starshine ✨
Since I know none of yall have lost your energy for supporting black people right now, you should check out this blog with over 1000 black-owned online shops.
https://themadmommy.com/black-owned-etsy-shops/
It’s organized by category (so it’s not as overwhelming as it sounds) and there’s an LGBT section!
"...plants that reach for the sun have a strong solar quality, which lends itself to workings of healing, happiness, and joy.
Plants that are poisonous or develop strong root systems and return year after year have a saturnine quality, lending themselves to necromancy, cursing, and dark spirit work.
Plants with barbs, thorns, or irritants are martial in nature and are useful for defense and success in competitive areas.
If a plant has large, fragrant blossoms, it can be said to possess a venereal nature, potent in love, friendship, and beauty.
Plants that hold watery or milky substances or enjoy the shade have a lunar quality, useful in divination and foresight.
Plants with complex, small leaves or petals that flutter in the wind often have a mercurial nature, useful for learning, communication, and trade.
Plants that produce prolific nuts or seeds are connected to the planetary force of Jupiter, useful for success, wealth, and influence."
- Folk Witchcraft: A Guide to Lore, Land, and the Familiar Spirit for the Solitary Practitioner by Roger J. Horne
Is there "threshold" of the otherworld (fae, spirit, etc.) in urban places?
Yes, there is. And lots. Urban areas truly are fascinating, and oftentimes overlooked by more contemporary witches.
When I used to live in Paris, I was struck by how alive the city is to that extent.
I’ve developed a « routine » of threshold places I like to visit eversince, to familiarize myself with local city spirits and get introduced. These spirits differ vastly from their wild counterparts, but are just about as untamed. The oldest the city and the buildings, the busiest it gets. The stones keep a memory record.
Let’s start with the obvious. Have you paid attention to the city’s limits ? Where does your city end ? Boundaries of the sort are worth looking for, to see if you can make something out of the margins.
Of course, graveyards and cemeteries are thresholds of their own. These are places incredibly powerful and vibrant, right there in the middle of a buzzing town. So are churches and big cathedrals - but that is no secret. There is something about their ceilings, in particular, that make them simply overflowing with activity.
If the city is crossed by a river, go and pay your homage there. Oftentimes river spirits are strong personification of the city itself. River spirits, when given proper offerings, can be very generous in their help, but just as quick to retract it - from curses to blessings, and more casual deeds like job hunting or flat finding. Likewise, make sure you check the bridges : these are places betwixt and between, where anything and everything can happen. I would also advise you to take a look at riverbanks and beaches - wisht waters.
If the city possess an underground, then you’ll find it a true gateway for various chtonic entities. Metros, or tubes, are like an anthill, a city under the city, with loads of abandoned stops and endless corridors. The city’s bowels, and the city’s many mouths all at once.
Railways, as well as stations, are also proper liminal spaces you might want to check - especially at night.
Speaking of night time… I don’t know what is with street lamps, but some of them, especially the single, random ones on a random street, are definitely haunted.
Other places I would suggest to look out for are old museums and art galleries, as well as hospitals and clinics.
There. Hopefully this should map out some possibilities for you my dear. I wish you wonderful encounters and exciting explorations.
Niceeee list!
I think text-readers should be able to process this no problem, but if anyone has trouble let me know and I’ll transcribe it!
I believe you do have to learn your own internal 'language' - the symbolism that you've built up over time - because it's your filter for the wider world (including spirits you communicate with) and it creates a kind of signature that can't be replicated. Being fluent in that language creates something potent in magic that's hard to articulate
i love my solitude but i was meant to be a lover
genetics & god gave me these ever-present under-eye shadows to warn me it’s my fate to always be a tired bitch
They have messages for you
People say “phase” like impermanence means insignificance. Show me a permanent state of the self.
from the caretaker >> @normal-horoscopes
that uniquely american cultural drive to preserve the corpse after death…. utterly horrid I tell you
embalming as standard practice… ‘protective caskets’… waterproof burial vaults… folks there is no fucking point
not to go all Anti Capitalist here but like. making people feel like they’ve ‘failed’ their dead loved ones if they don’t put their chemically preserved corpses in a multi-thousand dollar hermetically sealed vault is absolutely fucking ghoulish the whole industry is built around taking advantage of grieving families. like it’s such a morbid topic but for real normalize decay… normalize the idea that a corpse, while an incredibly important thing, is temporary and isn’t meant to exist forever… normalize the transience of the body… also fuck every person who’s ever tried to wring money out of a grieving person by convincing them to by a fucking. waterproof burial vault. man
Funerary embalming comes from the American Civil War - lots of soldiers dying, often far from home, who needed to be transported back to their families. Embalming allowed the preservation of bodies for their journey home when other measures, like putting a body over ice, didn’t. Embalming at this time period was not typically used in funerary practice, instead it was mostly used to preserve bodies for dissection.
Besides its purpose as a way to transport bodies long distances, embalming also helped families to cope with the loss of their kin.
Drew Gilpin Faust says in her book Republic of Suffering: Death and the American Civil War:
Families sought to see their loved ones in as lifelike a state as possible, not just to be certain of their identity but also to bid them farewell. Embalming offered families a way to combat at least some of the threats the war posed to the principles of the Good Death. To contemplate one’s husband, father, or son in a state of seemingly sleeplike repose was a means of resisting death’s terror - and even, to a degree, its reality; it offered a way of blurring the boundary between life and death.” (p. 92-3)
The American Civil War marked the advent of funerary embalming. The birth of funeral also provided a foundation for the modern funeral industry and helped professionalize the role of the undertaker. The American Civil War changed American ways of death and dying. Before, death usually happened at home and was largely handled by families. After the Civil War, there was a shift towards having death taken care of by “professionals.”
As Jason Phillips writes in the 2008 article “What America Lost, Buried, and Became,” “embalming and funeral companies transformed a private affair into public commerce, and unprecedented carnage meant astronomical profits.” (p. 521)
Ironically, Thomas Holmes, the “father of embalming,” was clear that he did not want his own body embalmed.
EMBALMING IS RARELY NECESSARY. It’s really only needed as a cosmetic measure or for transportation purposes.
@utopians There has been a growing conversation around shift practices death in care. The death positive/death acceptance movement, the green burial movement, and the at-home burial movement are some good places to start when researching this.
Here are some more resources to check out if you’re interested:
The Order of the Good Death
A group of funeral industry professionals, academics, and artists exploring ways to prepare a death phobic culture for their inevitable mortality.
The Green Burial Council
Our mission is to inspire and advocate for environmentally sustainable, natural death care through education and certification. Our vision is to ensure universal access to information and environmentally sustainable death care
The Funeral Consumers Alliance
Helping us all understand our options and protect our right to choose a dignified, meaningful, and affordable funeral.
Smoke Gets in Your Eyes: And Other Lessons from the Crematory by Caitlin Doughty
Ask a Mortician (AKA Caitlin Doughty) on YouTube