Average colors, Erin Davis
Three Goblin Art
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oozey mess
Monterey Bay Aquarium
Cosimo Galluzzi
Peter Solarz

titsay

★
Stranger Things
tumblr dot com

Origami Around

tannertan36
$LAYYYTER

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roma★
"I'm Dorothy Gale from Kansas"
noise dept.
PUT YOUR BEARD IN MY MOUTH
Not today Justin
DEAR READER

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@mathtoast
Average colors, Erin Davis
i don’t know why but i’m really amused by the winner of some ‘new kanji’ contest:
compare with the real kanji
座 (seat/gathering), but the two 人 (person) radicals have been moved from next to each other within the 土 (earth) radical to diagonally from each other, making this “social distance(d seating/gathering)”
This is hilarious, but to further the hilarity, I’d like to point to the fact that half of the “A rank” (runners up) for this contest also are related to 2020 epidemic jokes
First up we have:
Compare with 太
The original kanji means “to gain weight”. But it adds the コ “ko” and ロ “ro” katakana symbols at the top to represent the weight you gain while staying home due to the corona virus.
Then we have:
Compare with 会
The original kanjij means “meeting”, but the lower radical is changed to look more like a “Z” to represent Zoom meetings. Thus, the new kanji means “web meetings” or “zoom calls”
And of course another social distancing one:
Compare with 話
This means “to talk” or “chat”, but it’s changed simply to show the two radicals social distancing from one another as we should also while holding conversations nowadays.
At least we can have some fun language humor despite all of this!
There’s a theory that early Europeans started saying “brown one” or “honey-eater” instead of “bear” to avoid summoning them, and similarly my friend has started calling Alexa “the faceless woman” because saying her true name awakens her from her slumber
English has an avoidance register used in the presence of certain respected animals, which sounds fancy until you realize it’s spelling out w-a-l-k and t-r-e-a-t in front of the dog.
Mx. Leah Velleman on twitter
US states with toes in their flags.
The topologist’s map of the world - a map showing international borders, and nothing else
Shearer’s geometry puzzles
On his blog MathWithBadDrawings, Ben Orlin reposted a couple of geometrical sangaku-like puzzles by math teacher Catriona Shearer. These are eleven of her personal favorites. If you dare, definitely give them a try!
Transit Across a Purple Sun. What’s the total shaded area?
Shearer’s Emerald. Four squares. What’s the shaded area?
The Pyramid with Two Tombs. Two squares inside an equilateral triangle. What’s the angle?
Setting Sun, Rising Moon. What fraction of the rectangle is shaded?
Hex Hex Six. Both hexagons are regular. How long is the pink line?
Four, Three, Two. What’s the area of this triangle?
The Trinity Quartet. All four triangles are equilateral. What fraction of the rectangle do they cover?
The Falling Domino. This design is made of three 2×1 rectangles. What fraction of it is shaded?
Slices in a Sector. The three colored sections here have the same area. What’s the total area of the square?
Disorientation. The right-angled triangle covers ¼ of the square. What fraction does the isosceles triangle cover?
Sunny Smile Up. What fraction of the circle is shaded?
She shares one every day on Twitter. They are frequently amazing. The community of respondents are so clever. See https://twitter.com/Cshearer41
All possible ways a game of Sprouts with two initial dots can evolve.
(image 1) Sol LeWitt, Page Drawings, (instructions for the reader to draw directly on the magazine), «Avalanche», No. 4, Kineticism Press, New York, NY, Spring 1972. (images 2-3) Matt DesLauriers
I was cleaning out my old photos folder, and this gem popped up. I laughed.
I tried to track down the source -- google convinces me the earliest posting was by user kdusie1 on Imgur (https://imgur.com/gallery/DY8Ydbs) back on pi day, 2014. That got 37k views. It made its appearance on Tumblr a month later (blog has since been hidden), where it picked up 700k notes. I must have seen one of those two sources and immediately downloaded, but I don’t think I’ve seen it in the five and a half years since. Too good not to share.
Irene Rice Pereirab, Black and White, 1940
Ink and gouache on scratchboard
Really like this.
2015.7.31_17.55.20_frame_0002 Made with code / Processing
Instagram // Facebook // Twitter // Ello
Art Prints
▶ thedotisblack on YouTube
Ænglisc Ἐτυμολογικal Speling Réforme
Sē Ænglisc dingua is notuābil for habbing ān terribil wrīting σύστημ. Ān hlot af popul līc tō punct ūt hū inconsistāns hit is, ond 𐍄𐌹𐍂 tō cum upp wiþ ān nīwe σύστημ βάσode on hū wordas son. Hūǣfre, Ænglisc speling is actulīc βάσode on ἐτυμολογί, nāht son. Þǣrfor, sē ideal wrīting σύστημ for Ænglisc wyllode bē ān hwǣr ǣfrǣlc singul word is spelode exactlīc alls hit wæs “origolīc” spelode (alls feor bæc alls wrīten recordas gā, af currō).
Ān af sē þingas þæt īow mæht þenc is xtraneus æt fyrst is þæt sē nīwe σύστημ miscas sēparāl ἀλφάβητas tōgædere. Mǣst af sē tīma, īow’r iūst using Graec διφθέρas wiþin mǣstlīc Latīn text. Occasionallīc, þēah, īow mæht sē wordas līc 〈horde〉 bēing respelode alls “орда”, oþþe 〈karaoke〉 bēing respelode alls “空ὀρχή”. Sumtīmas, īow mæht efen rinn intō bidīrēctiāl text, alls in “الخوارزمic”. Þæt‘s sē megn rationem hwȳ ān simplifode vertiō sceolde eallswā exist.
I can’t decide if I’m angry.
The English language is notable for having a terrible writing system. A lot of people like to punch some inconsistencies it has, and try to come up with a new system based on how words sound. However, English spelling is actually based on etymology, not sound. Therefore, the ideal writing system for English would be a way each single word is spelled exactly as it was originally spelled (as far back as written records go, of course).
A few things you might see is extraneous at first is that the new system merges(?) separate alphabets together. Most of the time, you’re just using Greek letters within mostly Latin text. Occasionally, though, you might see words like “horde” being respelled as <орда>, or “karaoke” being spelled as < 空ὀρχή>. Sometimes, you might even run into direct text, as in < الخوارزمic>. That’s the main reason why a simplified version should always exist.
Contribute to MATH-104-----Introduction-to-Analysis development by creating an account on GitHub.
Jonathan Gleason was my friend who committed suicide just over a month ago… and I just found out that he wrote this 800+ page analysis textbook. By himself. Because he was teaching analysis and he was dissatisfied with the textbook he was assigned so he just…. wrote his own.
Even if you haven’t done any math… please just take a look at this. Scroll through it as fast as you like. It’s incredible that he put so much work and so much free time into this… I’m still in awe and I really want everyone to see it. In particular, if you want a good laugh, look at chapter 5 of the analysis textbook. The opening paragraph is SO Johnny.
He also wrote a linear algebra textbook, here.
I really want to thank everyone who has reblogged/liked this, and even anyone who just clicked on the link to check it out. I wasn’t expecting more than a handful of notes on this, so knowing that his hard work gets shared and even appreciated by a few strangers really means a lot.
I’ve taken some of the best/easiest to follow snippets and provide them here, I hope you enjoy them as much as I have:
“Da fuq”.
Oh thank god.
At least he admits when he’s being sloppy.
God, I wish more math textbooks read like this.
And last but not least, my absolute favorite part, the opening to the chapter on integration.
There are so many more tidbits like this and I wish literally all of my textbooks could be written like this.
Jonothan Gleason died Jan 16th, 2018 and it means so much to me that so many people got a kick out of the little pieces of him that are in this book. Thanks for all of the rb’s and likes, I’m so happy that even just a few hundred people got to enjoy his writing and hard work.
S_|{e,s,t,i,n,a}|
By Caleb Emmons
Definition 1 To achieve the poetry form Celebrated for its symmetries And known far and wide as the sestina The concluding words of the first six Lines must comprise a distinguished group, Ending subsequent lines in prescribed permutations.
Definition 2: What precisely is meant by permutations? The set of rearrangements of n objects form S_n, the so-called symmetric group Which captures all finite symmetries. (Previously we chose n = 6 When we defined the sestina.)
Question: If we distill from a sestina The sestes’ corresponding permutations (Of which there are six) And out of these form A subgroup of symmetries Have we recovered the whole group?
Theorem: Working in the symmetric group If we reduce a sestina To its bare symmetries And gather those permutations The subgroup they form Is cyclic of order six.
Proof: Let 𝜏 be the cycle (1 2 4 5 3 6). By mapping integer k to group Element 𝜏^{k-1} it’s easy to check that we form A bijection from the sestets of the sestina To their corresponding permutations. (The work can be reduced by noticing symmetries.)
Corollary: Because of these symmetries If you’ve written only two sestets of six, WIth their rigidly fixed permutations, Nonetheless, you may shift this group To elsewhere in your sestina And retain their form.
Erratum: In all our discussion of permutation and poetic symmetries We neglected to mention that the form has, in addition to the six Sestets, another group of lines: a final tercet to complete the sestina.
What is Group Theory?
In math, a group is a particular collection of elements. That might be a set of integers, the face of a Rubik’s cube–which we’ll simplify to a 2x2 square for now– or anything, so long as they follow 4 specific rules, or axioms.
Axiom 1: All group operations must be closed, or restricted, to only group elements. So in our square, for any operation you do—like turn it one way or the other—you’ll still wind up with an element of the group. Or for integers, if we add 3 and 2, that gives us 1—4 and 5 aren’t members of the group, so we roll around back to 0, similar to how 2 hours past 11 is 1 o’clock.
Axiom 2: If we regroup the order of the elements in an operation, we get the same result. In other words, if we turn our square right two times, then right once, that’s the same as once, then twice. Or for numbers, 1+(1+1) is the same as (1+1)+1.
Axiom 3: For every operation, there’s an element of our ground called the identity. When we apply it to any other element in our group, we still get that element. So for both turning the square and adding integers, our identity here is 0. Not very exciting.
Axiom 4: Every group element has an element called its inverse, also in the group. When the two are brought together using group’s addition operation, they result in the identity element, 0. So they can be thought of as cancelling each other out. Here 3 and 1 are each other’s inverses, while 2 and 0 are their own worst enemies.
So that’s all well and good, but what’s the point of any of it? Well, when we get beyond these basic rules, some interesting properties emerge. For example, let’s expand our square back into a full-fledged Rubik’s cube. This is still a group that satisfies all of our axioms, though now with considerably more elements, and more operations—we can turn each row and column of each face.
Each position is called a permutation, and the more elements a group has, the more possible permutations there are. A Rubik’s cube has more than 43 quintillion permutations, so trying to solve it randomly isn’t going to work so well. However, using group theory we can analyze the cube and determine a sequence of permutations that will result in a solution. And, in fact, that’s exactly what most solvers do, even using a group theory notation indicating turns.
From the TED-Ed Lesson Group theory 101: How to play a Rubik’s Cube like a piano - Michael Staff
Animation by Shixie
Clayton Shonkwiler: Math Professor, Artist
Clayton Shonkwiler is a Math Professor at Colorado State University. He has no art training, but his mom was an Art History major and his dad was an Architect, so he said that ‘there were always lots of art and architecture books and prints around’. He started making gifs as a way to illustrate something in a research talk, became hooked on the possibilities and now, several years later, he has built a body of elegant and mesmerizing gif work. He is part of a trend that I have been noticing of coder artists that I have written about more at length here
Read a short interview with Clayton Shonkwiler here
Posted by David
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