Aqua Utopia|海の底で記憶を紡ぐ
occasionally subtle
taylor price
Xuebing Du
ojovivo
Sweet Seals For You, Always
cherry valley forever
★
almost home
Misplaced Lens Cap
Sade Olutola
PUT YOUR BEARD IN MY MOUTH

No title available

No title available

tannertan36
untitled

titsay
Claire Keane
Game of Thrones Daily
The Bowery Presents
seen from Thailand

seen from Chile

seen from India
seen from Norway

seen from Venezuela
seen from Iraq
seen from Kazakhstan

seen from Malaysia
seen from Thailand
seen from France

seen from Malaysia

seen from United States
seen from United States

seen from United States
seen from United Kingdom
seen from Uruguay
seen from Mexico
seen from United States
seen from Vietnam

seen from United States
@maybeoutrageous
say hello to her............
My sister took more photos of my dress. I am very happy with how this turned out :)))))
Only one more weekend until the Renaissance Faire!!!!
So, we need to talk about what webtoons(the company) has done to webcomics
Over the past 7 or so years, we've seen this absolute shift in expectation, migration, and stagnation in the webcomics sphere which applies to style, sustainability, and the platforms grip on readers and creators
I'll be the first one to say that webcomics are not an easy way to make money and a majority of folks who make them rarely see profit. This has always been the case! But when virality, siphoning audiences from all over, and opportunity to 'get printed' presented itself, that expectation shifted.
So let's talk about what those expectations are now: 🔴Demand for Higher quality- less readers will check out beginner looking works or comics that feel too 'faulty' in style meaning less excitement to see webcomics grow over the years. Polish is expected and commented on consistently by readers
There is also an expectation for specific visual and narrative styles. This applies to other social media platforms too- in that works that take less investing in are often promoted and prioritised. That means less risks on narratives, less nuances, and shorter series running.
🔴All on one site/app- That may seem pretty fantastic for getting new readers (and is the absolute main sticking point for so many artists) but when algorithms and specific series are wanted, your works have a harder chance getting to the people they need to. The search function is trash for a reason
I'm not one to toot the competition flute, but there's a level of that at play when the spotlight for that platform is actually pretty small. What you get is a lot of readers checking out the same comics, and not spreading it all out to find yours (their subs have a cap for this reason)
🔴Sustainability (and lack thereof)- The creator of these comics are often burnt out and given little support- all while fighting to see what is allowed on the platform with its excitable censoring. I won't speak for originals (there's many testimonies you can find) but their experiences of burn out are harrowing
With the high production expectation for a person who is rarely given help (often has to hire out of pocket for that) and the readers who want Updates Now, it's a frustrating place to post your comics with no rest. It's 2026, we shouldn't be treating cartoonists this way still.
Webtoons (the company) is always going to be interested in making a profit. That's sort of where it all starts and stops here. They'll embrace the slop machines (more slop sources) for investors, they'll mistreat creators, cancel 'unprofitable' comics, censor work, and protect that bottom line. That's their MO, always!
So when I see these conversations that inevitably float around about Webtoons and how the only response is 'stop using it', I think we also need to deconstruct what it's done to creators and readers and how they engage with/create works too- because it doesn't seem that simple of a solution
Webtoons has solidified itself in webcomics as the Place to start and stop with comics. They want you to use their app of course, but they've conditioned folks to think it's the only way to share your stuff. How do we break this? How do we get people to stop using it?
We share resources 😎
Alternative Comic Platform: comicfury.com Comic Resource List: cartoonist.coop/resources/ Screen Tones Webcomic Website: screentonescast.com Webcomic Website Template: rarebit.neocities.org How to make a webcomic: thestarfishface.com/products/how... And feel free to reply with even MORE!
⚡️⚡️⚡️
Not 100% sure about this one, but I had fun with the colours and making something a bit more dynamic
Happy Tuesday
I miss my perfuuuuume all my summer perfumes are sprays...
so does kevin’s voice keep echoing around riko’s head even after kevin has fled, like riko’s does in kevin’s? does riko still see him sometimes? and is the reason he doesn’t get another roommate that he can lock himself in the dorm he still shares with kevin’s ghost and it’s like his partner never left?
prev tags by @stabbyfoxandrew because yeah. yeah.
Jean and Nicky interaction when
Andrew big arms andrew big arms
the gangs all here
Concept: I just have the mental image of Nicky dragging Kevin from his seat in Eden’s to dance with him. Kevin’s drunk off his arse and Nicky’s stil sober and they’re both weirdly in sync, singing off tune and laughing over the dumbest things together.
Yearse.
tdt graphic novel spoilers !!
HENRY CHENG IN THE DREAM THIEVES GRAPHIC NOVEL THIS IS THE BEST DAY OF MY LIFE
everyone say ‘happy birthday, matt’! <3
jihyo » 260712 moonlight sunrise