she takes the business card, turning it over in her hand reading both sides. mpc didn't exactly have a ring to it, and she doubted that had she read the groups manifesto she would be thrilled with what she found. it was always in the word mothers that danger seemed to lie, the narrow-minded trying to keep their children the same. the slogan was enough for her to want to wave off the whole protest.
but she weighed her last conversation with asher, the tally of insults counted to see who had won. "no, i would never work with him." truthful, although her tone is still cautious. explosions always had a radius, and she would not get caught in one now. not now, when she was in pre-production. "what's he done this time?"
"You clearly haven't heard." Because if she had, she would never dare ask a question with an obvious answer. "What has he done.. What hasn't he," she scoffs, sour look spoiling her face, before giving her a look of pure education. "Right now that Asher Welles is working on a movie that's only aim is to push his own disgusting agenda onto the rest of us, and has the audacity to play ignorant when faced with the criticism that our children will be exposed to it."
Her eyes trailed over to check on the security guard, still seeing no serious action from him from behind his windowed booth. It's well within her right to give him a reminder that he's wasting her time, and she takes it, an expression thrown that tells him he has exactly five minutes before she slips beneath this gate altogether.
"The name of the movie is Tar," she returns to the girl finally. Poor thing, she's probably still in the dark. "It's outrageous that he and the rest of the Asher Welles in the world chose to give the main role to a woman, only to make her into everything a woman isn't. We have rights."


















