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we're not kids anymore.

@theartofmadeline
art blog(derogatory)
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"I'm Dorothy Gale from Kansas"
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@meanstoabookend
“Only the ship is made of books, its sails thousands of overlapping pages, and the sea it floats upon is dark black ink”
“The scar on her forearm meant she could never be loyal to her family. Her name meant she could never be loyal to the Corbeaus. The only one left to be loyal to was him.”
if i shelve His Dark Materials and Narnia next to each other will they fight when i’m not looking
Untitled by Dylan Furst
These pages have been going around a lot lately. It;s from a story I wrote for Wonder Woman’s 75th Anniversary Special, and I am reblogging to make sure that the artist/co-creator, Colleen Doran, gets proper credit for making Star-Blossom so adorable! :)
This cured my depression
I’ve spent years making post after post trying to pinpoint the exact thing that Daniel Handler (Lemony Snicket) did differently than J.K. Rowling, which caused him to somehow turn Olaf into an amazing villain while Snape is still causing hatred and controversy in the fandom a decade later.
And after mentioning something in passing in another post, it suddenly hit me what that difference was.
J.K. Rowling approached her character with the mentality that a person can be redeemed if its revealed that they could have been a good person but circumstance and tragedy got in the way. She sees the fact that you could be forced into being a horrible person as a huge tragedy and tries to emphasize what could have been. She doesn’t just do it with Snape (Dumbledore’s another great contender) but Snape’s arguably her biggest victim when it comes to this. She shows you what his life was like and lets you know what could have been if only this had changed or that had changed. And she does so in a way that makes you feel sympathetic towards Snape, enough so that you’re supposed to totally agree with Harry when he names his child after him. Because sure he wasn’t that great but he could have been had the situation been different.
And Daniel Handler begins doing the same thing with Olaf. After books upon books of building him up to be this evil guy, he abruptly releases one of the most tragic backstories in villain history, making you realize that Olaf‘s life could have been a lot different had he not been forced into certain situations due to tragedy and circumstance. And like Rowling, Handler also presents this as something that’s tragic. But here’s where he differs.
Because Rowling’s stance is: “This character could have been this instead and can you imagine how wonderful that would have been, had it not been for these circumstances?”
Whereas Handler’s stance is, “Well yeah, this is what the character could have been but this is what he ended up becoming and like it or not, this is who he is and this is who he’ll be remembered for.”
Rowling wants you to know that doing horrible things doesn’t make you a horrible person because there could be a rhyme or reason to your actions. A solid grey morality.
Handler wants you to know that doing horrible things does make you a horrible person because no matter what the motif is, you’re still doing horrible things and will be remembered for said horrible things.
Which is infinitely more tragic, infinitely more morally ambiguous, and infinitely more interesting.
J.K. Rowling tried to redeem Snape.
But Handler? Handler managed to redeem Olaf and not redeem him at the same time. Handler made his backstory tragic and he showed the reader exactly how things could have ended up, causing you to sympathize with the villain. But he also showed the reader exactly how things did end up, reminding you that no matter what could have been, it’s not what happened; instead we have this evil man who has done horrible things that are far too heinous to take back, no matter how much he may want to.
And while Rowling and many other YA authors took the approach that it’s never too late to redeem yourself and become the good person you should have been all along, Handler straight up took the, “Nope, for some people it’s far too late and no matter how much they may want to redeem themselves, they never will and they’ll have to die knowing that they are hated.”
And I don’t care how much you love Harry Potter, Handler’s approach to this character and the overall bleak philosophy and moral implications is on a whole other level of writing! I think the only other piece of fiction I’ve ever seen that approaches this philosophy of un-redemption is Bojack Horseman and you can still argue that Handler does it better because he’s able to scale it down so that kids can understand it, even if they don’t want to.
And yet, at the end of the day, Handler’s entire philsophy of how you might not be able to redeem yourself can really be summarized in one gif:
Cape St Francis Bay Lighthouse
“We’re coming with you. That was decided months ago — years, really.”
Fanart by LyNuth
Absolutely beautiful! Thank you for the submission! - MuggleNet
Sir, if you don’t mind my saying, I’m a little concerned. I’ve seen you go through similar phases in…
C is for Cheshire Cat!
Okay, so I had this dream a couple of nights ago that was basically Lord of the Rings, but all of the horses were replaced with motorcycles. It was pretty great because it was just pretty much exactly like the films, but with everyone riding around like crazy bike gangs. And everyone had bikes that were unique to their characters.
Well, like it says on the ring, “One hog to rule the roads.”
Can you imagine sitting down to create a fantasy world all your own where there are no limits and you can craft it however you desire and you’re like “well obviously there’s still homophobia”
Source.
… it’s not getting screwed up by a mortal who has no business inside of a monster cave except… except maybe as bait {x}