💉(´༎ຶ༎ຶ)☆🥩 @meat-n-blood - Tumblr Blog

thehauntedrocket

Vampirella

Art by Rudy Nebres

thepinkernet

jennifer's body japanese promotional poster (2009)

#jennifer's body

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Liu Yin (Chinese, 1984) - This Green Onion (2025)

disterbia

archivearchangelica

Club I Love You, 2005

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It’s never over, Noelia Towers

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Witch series (2025)

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thebristolboard

“The Militarization of the Police Department – Deadly Farce,” an original painting by Richard Williams from “The 20 Dumbest People, Events, and Things of 2014″ in Mad magazine #531, published by DC Comics, February 2015.

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Here’s the original, for comparison. And here’s a bit more about the artist and why he created the piece above for MAD Magazine.

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Richard Williams on Norman Rockwell:

“For most people, he was the painter of ‘America,’” he added. “But even he said his vision was what he wanted ‘America’ to be. It was a mythical ‘America,’ a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasn’t really true… you just wished it was. My parody of Rockwell’s painting simply says, ‘That myth is dead.’”

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I think it’s relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldn’t allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.

A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.

But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here

Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.

Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:

But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:

We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.

nadamdohann

"The burden is too heavy to carry alone… please read 🍉💔‼️"

After we sifted the flour we received from the aid in the Neid Sareem area, this was the result—stones, pasta, and dust mixed with the flour that was supposed to feed us. My brother Hassan got only 3 kilograms, and some of it had spilled on the ground, so he had to gather it from the dirt. 💔

This is what survival looks like for us. We’re not asking for luxury—just clean, safe food to eat. In Gaza, even the basics have become a distant dream.

As you can see in this video, we extract the flour that consists of pasta and impurities to make a loaf of bread and satisfy our hunger.💔💔

Please, if you can help, your donation could mean the difference between hunger and a simple meal. We’re exhausted, but our hope still lives in your kindness 🙏🏼🙏🏼

"Every time, I feel hesitant to speak to you and I’m shy each time, but I am compelled to share this link. We are going through very difficult circumstances, and I am truly exhausted. I have a large family and I must support them, but the burden has become too heavy. I hope you can share some videos and spread the link, and if you would like to help me, here is the link." 🩷

Help my family to overcome our plight under the difficult cir… Michael Bushnell needs your support for Help Nada's family survive purposeful

Vetted by @/90-ghost ✅ Click here

littleeyesofpallas

An old god has died, and the reverberations of his passing are felt across the universe, setting forth the soldiers of an intergalactic army and awakening the latent powers of a mysterious child on Earth. But this has all been foreseen — prophesied by the Source and fed as enigmatic images to its agent, Metron. Now, as Metron brings word of this cosmos-shattering prediction to the residents of New Genesis and Apokolips, both worlds are thrown into chaos and conflict. On Earth, Scott Free and Barda find themselves unaware of this incoming chaos while consumed with their most daunting task yet: Parenthood.

Written by Ram V

Illustration by Jorge Fornés & Evan Cagle

Colors by Francesco Segala

Lettering by Tom Napolitano