GIF (9/10)
JOHNSON TUNNEL
This is like... the most claustrophobic situation imaginable. I love it! Totally nightmare-ish.
Fai_Ryy
Show & Tell
art blog(derogatory)

titsay
đ©” avery cochrane đ©”
almost home
PUT YOUR BEARD IN MY MOUTH

ellievsbear
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
noise dept.
Mike Driver
Game of Thrones Daily

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tannertan36
d e v o n
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let's talk about Bridgerton tea, my ask is open

⣠Chile in a Photography âŁ
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Game Changer & Make Some Noise

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@meggs33
GIF (9/10)
JOHNSON TUNNEL
This is like... the most claustrophobic situation imaginable. I love it! Totally nightmare-ish.
âConversationsâ
Response to Marina Abramovic, âThe Artist is Presentâ
I actually saw this documentary a little while ago before the start of this class, and I think the thing that impressed me most was Abramovicâs dedication to the integrity of her own ideas and to honesty in communication. Â I think the piece, âThe Artist is Present,â made waves in the art world because it was such a simple yet intimate and true way of facilitating an interaction between two people. Â Iâve thought about this piece periodically since I first watched this documentary, usually when I am in a situation where it is difficult to sit still and hold someoneâs gaze, and to experience whatever convoluted emotions that moment brings. Â This piece is obviously impressive on a number of levels, but beyond the physical demands of the piece, the most moving and triumphant element of the piece was for me her ability to attempt to be fully present with thousands and thousands of strangers, something that can be a trying experience even with those we are closest to.
Module 4: Performance documentation
âPenanceâ (July 2016)
I took inspiration from Marina Abramovicâs early work for this performance, drawing on themes of physical exertion and exhaustion as metaphor (especially for mental anguish). Two nights ago I hurt someone very close to me, and I have had difficulty getting past the guilt and repairing the damage I caused. The classic ârunning into a wallâ image/metaphor felt like a promising place to start, which I then combined with the very real physical action of slamming my body into it. Iâm using exhaustion and physical pain to open the discussion around catharsis, guilt, and emotional damage.
I think this performance's simplicity is what makes it so strong. The black and white of the video definitely accentuates that simplicity. I think I almost would have enjoyed the piece more without knowing where it was coming from in terms of hurting your friend... there are so any different emotional moments this could apply to. I definitely appreciate that you were working with something that you were directly going through, though. I think they sort of process usually makes for the best piece.
Response to RoseLee Goldbergâs Article, âPerformance: A Hidden Historyâ
I thought this article was fascinating! I am a new art student (I was an environmental science major during my first round of undergrad⊠very different) and so Iâm just starting to fill in the gaps in my art history knowledge. I think because Iâve grown up in a time where performance art has been accepted, and even revered, I had never considered performance art as being so closely tied to major political upheaval. I thought it was interesting how RoseLee Goldberg described performance artâs history as being patchwork, and going through periods of subsidence and resurgence depending on how desperately artists were wanting to shake up the status-quo.
Something that was floating around the back of my mind while I was reading this article was how similar the performance art movements described are to the punk/ DIY culture today. It seems that we are living through a continuation of performance art culture in coffee shop open mic nights, poetry slams, and punk house shows. Both seem to attract mainly young, politically minded idealists who, if not attempting to overthrow the past, are at least attempting to push the future towards somewhere other than the direction it seems destined for. I think whatâs interesting, even more specifically, is that while the internet has definitely facilitated the movement of punk/ DIY ideas and been a seriously useful organizational tool, we are still, after over 100 years of performance art history, meeting in person to talk about what the future could look like and attempt to change it in an artistic way. Thereâs something beautiful about the truth that, while the internet has become an indispensible part of political and artistic communication, we are still drawn to seeing people present their performances live.
Project #4 - THE PERFORMANCE - SPOOF of the âCatâs Bad Hair Dayâ
Artistâs Statement
Well? If you can believe it, the semester is already over and now itâs time for my last and final post for this class. This Video is called, âThe Catâs Bad Hair Day â SPOOFâ (based on my third project with the cat looking at himself in the mirror). I came in as a cat lady and I am leaving as a cat lady, LOL. I was very excited to get a new camera and decided one day to play with it just to be playing with it. Well? This was a day when I was not happy with how my hair looked. I continued to fuss with it and nothing happened to make me happy about it. I thought to myself cynically that my day was just like that catâs day when he was having a bad hair day in the mirror. I decided then that I would play around with the camera and my expression of my own bad hair day and this is what I came up with. When I was done filming, I decided, âYou know. This could be my performance piece for class.â So then I edited the clip and posted it up as my last project. Hope you enjoy it.
Your sound effects are seriously impressive! I think my favorite part of this video is the audio... it cracked me up. I think the video might have been more effective if you could have found a way to have the camera out of the picture, but I know that can be difficult.
Module 1 Project #1
Language: This text is open to interpretation. My meaning behind it may mean something totally different than what others perceive the message to be. Conversation piece
Public: Wherever i go this jacket is for public viewing.Â
Place: This location was Downtown Denver on the 16th street mall. If you notice you see the Clock Tower lit up.Â
Distribution: Public eye
Exercise #3 - Music VideoÂ
For this project I used Black Rebel Motorcycle Clubâs -Â âWhatever Happened to My Rock Nâ Rollâ and substituted video from random ThunderCats clips on YouTube. I like editing video in Adobe Premiere Pro so I had some fun putting this all together. I tried to line it up to give it the sense and feel of a real music video. Enjoy!
I love the way that you lined up parts of the lyrics with charactersâ mouths moving... so funny.Â
PROJECT #3 - VANISHING AND BECOMING
The idea was to create a one-minute video art piece that focuses on abstraction, duration, light, and sound. I recorded the light shinning on my kitchen table as it was passing through a glass of water on the tabletop. I edited the video in Adobe Premiere Pro. The color was added during the editing process. I wanted the heavier hits to have more saturation in the right places. The video was captured on iPhone 6s Plus. I do not own the rights to the featured music. The music heard is from the intro to Pink Floydâs âTIMEâ from their record Dark Side of the Moon.
I love stuff like this that captures light moving in an abstracted way. Good work with the timing, as well. I think the video might have been more effective for me if you picked a lesser known song, but that might be in part because Iâve listened to that album so many times.
Richard Serraâs Verb List: My own 20 verbs, written while watching people in a grocery store Starbucks
to buy
to tease
to laugh
to worry
to stare
to fall
to consume
to fix
to gesture
to stomp
to glance
to distract
to shuffle
to grimace
to drive
to slap
to pant
to annoy
to wander
to struggle
Video for 4d Project Module 3
Music: Angel Olsen, âWindowsâ