TAKE THIS WALTZ - clip: Amusement Ride
Sweet Seals For You, Always
i don't do bad sauce passes

pixel skylines

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JBB: An Artblog!

shark vs the universe

oozey mess
DEAR READER
I'd rather be in outer space 🛸
Aqua Utopia|海の底で記憶を紡ぐ

#extradirty
Cosmic Funnies
wallacepolsom
Peter Solarz

祝日 / Permanent Vacation

JVL
styofa doing anything

PR's Tumblrdome

@theartofmadeline
Three Goblin Art
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@meh2185
TAKE THIS WALTZ - clip: Amusement Ride
Pixellerie Fine 02
cinemetrics
Hazards of Love - Excerpt of live projection created for the Decemberists' Hazards of Love tour.
Live Cinema Documentary
music video for Joker’s Daughter, “Lucid”
animation by Hayley Morris
Making of ‘the Bear and the Hare’ TV ad
I didn’t know they did it like THIS, it really paid off because the thing is beautiful
The Art of Lotte Reiniger
Fascinating video about one of the first animators of film.
With my theme of time I’ve been looking at clockwork and then into steampunk. I had previously looked at silhouette animation before, I like the way the figures move, their movements remind me of clockwork.
The Mysterious Geographical Explorations of Jasper Morello is an excellent example of modern silhouette animation, the amount of detail that is in the background and in the characters.
first attempt at silhouette animation. more to come.
"CHARLOTTE " LOTTE" REINIGER was a German silhouette artist and film maker born in Berlin-Charlottenburg, June 2, 1899. Reiniger, when mentioned at all, is most often brushed off in a single sentence noting that she apparently made a feature-length silhouette film in 1926, The Adventures of Prince Achmed; but since that was in Germany, and silhouettes “aren’t considered cartoons”, Disney still invented the feature-length animated film with Snow White. Anyone who has seen Prince Achmed wouldn’t be convinced by this reasoning, but, alas, only a tiny fraction of the people who see Snow White ever get to see any Reiniger film at all. Few of her nearly 70 films are readily available—and almost none of them in excellent prints; when Reiniger fled Germany to England in the 1930s, she was not able to bring her original negatives with her, so most modern prints are copies of copies, which have lost much of the fine detail, especially in backgrounds. Among the great figures in animated film, Lotte Reiniger stands alone. No one else has taken a specific animation technique and made it so utterly her own. To date she has no rivals, and for all practical purposes the history of silhouette animation begins and ends with Reiniger. Taking the ancient art of shadow-plays, as perfected above all in China and Indonesia, she adapted it superbly for the cinema.” ————————————————————————- I would say Reiniger’s influence is still felt by today’s contemporary artists, most-notably, a personal favorite, Kara Walker (http://learn.walkerart.org/karawalker )
The Deathly Hallows animation sequence by Framestore, directed by Ben Hibon and supervised by Dale Newton.
Influenced by animator and director, Lotte Reiniger, a pioneer in silhouette-animation, “anticipating Walt Disney by 10 years”.
Joe Hisaishi in Budokan - Studio Ghibli 25 Years Concert
one of the first ladies to appear in motion picture in the US
Carmencita 1894