John Grade: 'Reservoir' (2018) a rainwater collecting installation resembling a giant forest chandelier. location: Arte Sella Sculpture Park, Borgo Valsugana, Trento, Italy.
YOU ARE THE REASON
Sweet Seals For You, Always
Cookie Run:Kingdom Official!
EXPECTATIONS
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PR's Tumblrdome

Discoholic 🪩
NASA
Show & Tell
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oozey mess
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hello vonnie
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shark vs the universe
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John Grade: 'Reservoir' (2018) a rainwater collecting installation resembling a giant forest chandelier. location: Arte Sella Sculpture Park, Borgo Valsugana, Trento, Italy.
Crabapple blossoms in full bloom in spring, Chengdu, Sichuan, China.(photos by 待会儿吃什么呢,能吃会玩的Mona)
Wish - Mia Bergeron , 2025.
American, b. 1979 -
Oil on panel , 11 x 14 in.
Marie-Louise von Franz, from The Way of the Dream: Conversations on Jungian Dream Interpretation With Marie-Louise Von Franz (collected by Fraser Boa)
Text ID: We are just a particle of dust, somewhere living on a particle of dust, somewhere in the cosmic universe. If we look with scientific and collective standards at our life, it is completely transient and meaningless. But if we look within and we look at the stars, then we come to realize that within that cosmic infinity, we have a unique task to fulfill, which we generally experience as what we call the meaning of our life.
bouquets behind foggy glass is a photo style i will never get tired of
Hanif Abdurraqib, "Glamor on the West Streets / Silver Over Everything"
Igor Dubovoy (Russian b.1972), On the Hill, 2021, Oil on canvas
IT'S GLASS.
This is "Arras", by Mark Lewanski, and the medium is G L A S S.
Just incredible.
Drive My Car (2021), dir. Ryusuke Hamaguchi
David Walker’s paper clip collection
i want a mysterious source of income
Stoat in his winter coat, Kodiak, Alaska
krisluckphoto
“Sure I worried that writing about it might be a mistake. You write a thing down because you’re hoping to get a hold on it. You write about experiences partly to understand what they mean, partly not to lose them to time. To oblivion. But there’s always the danger of the opposite happening. Losing the memory of the experience itself to the memory of writing about it. Like people whose memories of places they’ve traveled to are in fact only memories of the pictures they took there. In the end, writing and photography probably destroy more of the past than they ever preserve of it. So it could happen: by writing about someone lost — or even just talking too much about them — you might be burying them for good.”
— Sigrid Nunez, The Friend
you’re 23 and you learn rosemary kennedy was lobotomized at 23 and you’re like my god she was barely an adult. then you’re 27 and you’re like holy hell amy winehouse was just starting her life. and then, presumably, you reach 36 and you’re like christ alive marilyn monroe was only 36. and so on and so forth
don’t hesitate by Mary Oliver