PSA for those who haven’t realized.
AnasAbdin

@theartofmadeline

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Aqua Utopia|海の底で記憶を紡ぐ
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titsay

Love Begins
almost home
TVSTRANGERTHINGS
$LAYYYTER

Product Placement

blake kathryn

oozey mess
🪼

pixel skylines
Three Goblin Art
tumblr dot com
Misplaced Lens Cap
ojovivo
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@melodie973
PSA for those who haven’t realized.
disney concept art: the most beautiful dynamic original thing i have ever seen
disney finished project: rubber same face minimalism regurgitated plots
concept art:
final version:
What makes me so mad is that snow queen is such a lovely tale and there was an evil mirror that shattered and froze the queen’s heart. So the first thing the newly evil queen does is PLUNGE THE KINGDOM INTO ETERNAL WINTER.
And the kid Anna is based off of is actually this sweet peasant girl who is rescuing her best friend whom everyone else thought drowned and whom no one cared for because mirror shards got in his eyes and he only saw beauty in snowflakes while everything else was just disgustingly foul to him. Except he didn’t drown because he was whisked away by the snow queen.
Like this girl gives her shoes to the river to find out he didn’t drown. Her hair ribbons to the birds to find out who took him. Works her hands raw to get to him and has to suffer a mental breakdown because she got SO FUCKING CLOSE to saving him and he won’t even look at her because he wants to solve this puzzle the snow queen gave him.
And then her sobbing wakes him up and he cries and washes the shards from his eyes and the fact that she saved him is enough to melt the snow queens heart and she brings spring back to the kingdom.
Wow Frozen really is some weak shit
Let’s not forget Gerda’s journey takes her along a long road that includes meetings with multiple women, many of them old, most of whom are not evil witches but wise women who aid her in her quest. She’s also at one point held captive by a bandit princess who swaps clothes with her and insists on sleeping in the same bed and routinely threatens her with a knife, but she eventually lets Gerda go with a magic talking reindeer she was also holding captive. The bandit princess cries because goddamn Gerda you’re so NICE and PRETTY and BRAVE and you clearly care about this stupid guy I GUESS and I can’t bear it just GO ok just GO and also you better fucking take care of her reindeer or I will CUT YOU.
The story is full of interesting complex women of many ages and magical talking animals and it’s a real shame we didn’t get an adaptation closer to the original ‘cause it’s really cool.
hey good news about the adaption:
There was a Soviet animated movie from 1957, that doesn’t brush over any of the things you just listed.
You get Gerda on her journey, meeting all of those people that both hinder her quest and help her, with older women from different regions of northern europe, as well as several princesses who aid her
also the art style and animation is absolutely gorgeous and I always feel like it’s a shame that older Soviet animation is barely recognized around the world
you can see the entire thing with english subtitles here
I’m certain I’ve seen the soviet one dubbed in english before. I loved it.
The evolution of correspondence
Theory about kh4 and the lost masters/new darknesses.
Okay so what I’m going to say may sound pretty dumb or obvious but I haven’t seen anyone talk about this so I figured it wouldn’t hurt to point it out.
So we know at the end if KH3, Eraqus starts to set up a new game. A game were there are seven darknesses to fight and… seemingly one light ? (we’ll come back to this later).
So I think pretty much everyone noticed that some of the pieces on the board are the union symbols from the Union X mobile game. And someone already said that the two others probably represent Luxu and the Master of Masters. I also think that’s the case.
But something came to my mind. The number 7 reminds me of another 7 with negative connotation. That’s right, the seven deadly sins.
And when you really think about it, it makes a lot of sense.
Ira : from the Latin Ira, wrath.
Aced : from the Latin Acedia, sloth.
Gula : from the Latin Gula, gluttony.
Invi : from the Latin Invidia, envy.
Ava : from the Latin Avaricia, greed.
Luxu : from the Latin Luxuria, lust.
And some of these fit a lot with the characters, don’t you think? I’m not going to go into details but I find really interesting that Ava represents Greed. Indeed, creating the Dandelions can be considered greedy as she kind of took some keyblade wielders from all the others unions for herself ( greed : accumulation of riches for oneself).
Well, that leaves us with 6 sins. So what’s left now? And that’s where it becomes interesting.
Pride. Or Superbia in Latin.
It is considered the Father of all sins. And the most dangerous. It basically means you consider yourself equal or superior to God. And doesn’t that remind you of a certain Master of Masters? Particularly with that ominous secret ending.
So yeah, I think there’s a pretty good chance the next enemy our heroes will face are The Seven Deadly Sins.
But what about the light then? Well there’s not much that can be said about that. Either it’s really just one (1) light, or more. If I was was to take a guess (which is what theory crafting is actually about), I think either the Seven Christian Virtues Or the Four Heavenly Virtues have potential. Still too soon to tell.
So, what do YOU think?
This is the first theory I write about anything ever so I hope I’m clear.
god really said fuck it when he made me this dumb
enter into a passionate friendship with another woman
a really, really passionate friendship
Elsa and Anna facing the odds
My first art tutorial!
Since Deltarune is an anagram of Undertale,
we can expect great games such as
and
coming in the near future.
I was going through useless facts and trivia to fill my brain with shit and I learned in feudal Japan the term for a bisexual man was something along ”wields swords in both hands”
And the gays win again.
Zuko is leading us into 20Biteen with pride
I think you mean with honor
I LOVE THIS FANDOM AND ITS REFUSAL TO DIE BECAUSE LORD KNOWS WE STILL NEED IT
It’s been a really rough week for my mental health, but I finally finished this Roy and Riza piece for AX🔥
Reblogging not just because special effects are cool but because body doubles, stunt doubles, acting doubles, talent doubles — all the people whose faces we’re not supposed to see but whose bodies make movies and tv shows possible — these people need and deserve more recognition. We see their bodies onscreen, delight in the shape and motion of those bodies, but even as we pick apart everything else that goes on both on and behind the screen, I just don’t see the people who are those bodies getting the love and recognition they deserve.
We’re coming to love and recognize actors who work in full-body makeup/costumes, such as Andy Serkis, or actors whose entire performances, or large chunks thereof, are motion captured or digitized (lately sometimes also Andy Serkis!). But people like Leander Deeny play an enormous part in making characters such as Steve Rogers come to life, too. Body language is a huge part of a performance and of characterization. For characters/series with a lot of action, a stunt person can have a huge influence on how we read and interpret a character, such as the influence Heidi Moneymaker has had on the style and choreography of Black Widow’s signature fighting style. Talent doubles breathe believability and discipline-specific nuance into demanding storylines.
Actors are creative people themselves, and incredibly important in building the characters we see onscreen. But if we agree that they’re more than dancing monkeys who just do whatever the directors/writers say, then we have to agree that doubles are more than that, too. Doubles make creative decisions too, and often form strong, mutually supportive relationship with actors.
Image 1: “I would like to thank Kathryn Alexandre, the most generous actor I’ve ever worked opposite.”
Image 2: “Kathryn who’s playing my double who’s incredible.”
[ Orphan Black’s Tatiana Maslany on her acting double, Kathryn Alexandre, two images from a set on themarysue, via lifeofkj ]
I’ve got a relationship that goes back many, many years with Dave. And I would hate for people to just see that image of me and Dave and go, “oh, there’s Dan Radcliffe with a person in a wheelchair.” Because I would never even for a moment want them to assume that Dave was anything except for an incredibly important person in my life.
[ Daniel Radcliffe talking about David Holmes, his stunt double for 2001-2009, who was paralysed while working on the Harry Potter films. David Holmes relates his story here. Gifset via smeagoled ]
With modern tv- and film-making techniques, many characters are composite creations. The characters we see onscreen or onstage have always been team efforts, with writers, directors, makeup artists, costume designers, special effects artists, production designers, and many other people all contributing to how a character is ultimately realized in front of us. Many different techniques go into something like the creation of Skinny Steve — he’s no more all Leander Deeny than he is all Chris Evans.
But as fandom dissects the anatomy of scenes in ever-increasing detail to get at microexpressions and the minutiae of body language, let’s recognize the anatomy in the scenes, too. I don’t mean to take away from the work Chris Evans or any other actors do (he is an amazing Steve Rogers and I love him tons), but fandom needs to do better in recognizing the bodies, the other people, who make up the characters we love and some of our very favourite shots of them. Chris Evans has an amazing body, but so does Leander Deeny — that body is beautiful; that body mimicked Chris Evans’s motions with amazing, skilled precision; that body moved Steve Rogers with emotion and grace and character.
Fandom should do better than productions and creators who fail to be transparent about the doubles in their productions. On the screen, suspension of disbelief is key and the goal is to make all the effort that went into the production vanish and leave only the product itself behind. But when the film is over and the episode ends, let’s remember everyone who helped make that happen.
[ Sam Hargrave (stunt double for Chris Evans) and James Young (stunt double for Sebastian Stan, and fight choreographer), seen from behind, exchange a fistbump while in costume on the set of Captain America: The Winter Soldier. Image via lifeofkj ]
I applaud these guys as much as the suit actors in my japanese tokusatsu shows. They do just as much work.
All of this. Also anyone who says VFX is ruining films needs to learn about film history and then apologise to everyone for being simultaneously ignorant and arrogant.
Before I had to retire from the martial arts (don’t drink and drive, you wreck other people’s dreams) I wanted to be a professional stunt double. I went to stunt camps and everything and let me tell you it’s the hardest fucking thing ever.
All three of the six month trainings I did for my black belts werent nearly as hard as the stunt training boot camps.
Now I do some light work at a parkour studio that a friend of mine owns, and I’ll never get my body to do half that stuff anymore. But I’ll always have respect for professional stunt doubles. I’ve been doing martial arts since I was six years old and that three month camp of getting knocked down and standing back up, getting thrown against a wall and standing back up, getting mostly pretend punched/kicked in the ribs/face/groin/knees/forearms before getting talked to the the ground… And standing back up. Was the hardest fucking thing ever.
Standing ovation to the stunt doubles.