cherry valley forever
Today's Document

shark vs the universe
hello vonnie
will byers stan first human second
One Nice Bug Per Day
RMH

Love Begins
Game of Thrones Daily

Product Placement
Noah Kahan
"I'm Dorothy Gale from Kansas"
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ojovivo

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PR's Tumblrdome
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sheepfilms
🩵 avery cochrane 🩵
TVSTRANGERTHINGS
seen from United Kingdom
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seen from Peru
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seen from Türkiye
@mentirass
Alphonse Mucha's Sketches
"Il Metamorfosi metallico et humano", c. 1564 by Giovanni Battista Nazari
Telegram / Facebook / Sacred Ibis fb group
Cueva de las Manos, Argentina
Inde Navarrette as Nikki (Obsession 2026)
Obsession behind the scenes
Debbie Harry - The Muppet Show (1981)
(via (2) Facebook)
From a video on famouspainterwombat
No 'F's given Bank Holiday weekend F R I D A Y
This image maps the evolution of internet meme culture across six distinct eras, each reflecting shifts in platform dominance, cultural tone, and participatory style.
The “Experimental Era” (1995-2004) featured early viral moments like dancing baby animations and the Hampster Dance, nascent forms that emerged when internet culture was still niche.
The “Classic Era” (2004-2009) introduced image macros, advice animals, and LOLcats, establishing recognizable formats that spread through forums like 4chan and early social media.
The “Rage Era” (2009-2013) brought rage comics, trollface, and explicitly reactive, confrontational humor that thrived on Reddit and Tumblr, while the…
“Dank Era” (2013-2017) layered absurdism onto these templates, incorporating deep-fried aesthetics, John Cena air horns, and increasingly esoteric in-jokes that rewarded cultural fluency.
The “Surreal Era” (2017-2020) pushed abstraction further, embracing nonsense, glitch aesthetics, and anti-humor through formats like Big Chungus, Area 51 raids, and chaotic visual noise that rejected coherent meaning.
The “Post-Irony” era (2020-present) reflects exhaustion with irony itself, blending sincerity with detachment through formats like Bernie Sanders in mittens, “sus” Among Us references, and a flattened emotional register where genuine sentiment and mockery coexist without clear boundaries. The progression traces a movement from accessible, earnest humor toward increasingly fragmented, self-referential, and affect-ambiguous content that assumes deep immersion in online subcultures.
The Top 12 Memes of all-time?
My favorite meme of all time personally is Nyan Cat by @prguitarman
Pablo Picasso, Guernica
Comics is a marathon, not a sprint
As a depressed younger artist, my storytelling sometimes suffered. I just couldn't conjure up the feelings & images that the story needed. Over time I found some strategies for staying professional even when I wasn't feeling it.
1. When too down to do justice to the stuff that needs energy, do other stuff. Taxes, erasing, booking travel, laundry, scanning.
2 Break down the job you can't handle into smaller jobs you can. Is the thought of a whole book too much? Thumbnail a page or a scene. Design a character. Ink backgrounds.
3. Bring in a helper. A collaborator or assistant doesn't just lighten the load. Their enthusiasm can be contagious. Increased momentum helps, too.
4. Learn to recognize your green kryptonite. For me, it was drawing tight pencils for someone else to ink. I was working with great people, but I just hated drawing a pic for someone else to redraw in their own line.
5. Embrace tools that make your job easier. I used to be anti-photoref. I drew a perspective grid for every gun or vehicle and constructed it anew. Using photoref and 3d models meant I could save all that time and energy, and use it for making better storytelling choices. Your energy is finite. Spend it wisely.
6. Understand the emotional goals for a page. "I need reader to feel scared along with Jimmy" vs "I need the reader to laugh at him being scared." I'll write those goals on a post-it as a way to remind myself what I'm aiming for. This helps when I have to steer towards a feeling via pure technique.
7. Improving my technical chops over the years helped a lot with this. When basic drawing was no longer a hurdle, I had more time and energy to conjure up feelings.
I recognize there's some danger in talking about this stuff. It's easy to believe that the only acceptable public face is that we're always excited, always operating at 100%.
Yeah. Right.
Every artist I've ever spoken to has had to deal with this. A comics career is a marathon, not a sprint. We all have our own ways to keep going.