μετεμψύχωσις

[prelude-to-silence]

Linda Stark. Fossil (oil and bugs on canvas over panel; 12 x 12 x 2 in.). 2011.

(via Angles, L.A.)

[lafilleblanc]

[prelude-to-silence]

Perrine Lievens. Distance Variable (wood, paint, string, ballon and helium). 2010.

[latenebreuse]

[prelude-to-silence]

Takahiko Hayashi. Untitled (pen and ink on an old parchment). 2004.

[parabola-magazine]

[crashinglybeautiful]

“Why does the spontaneous relationship of myself to my body–and therefore of all of me to the present moment disappear with childhood? This is what interests me most. And how is it that my awareness, my kinesthetic sensation of my own body, brings me into the present moment again, able to participate in a more complete way of life?”

–consulting editor, Patty de Llosa on befriending the body.

Photograph by Ruth Bernard, 1969

via: parabola-magazine.

[eightofive]

Paul Klee: Crystalline Landscape, 1929.

[docwsb]

Paul Klee, Fire at Full Moon, 1933

[crypt-worm]

Н.А.Шабунин. Путешествие на север. Альбом. 1906

[yama-bato]

by Loic Le Groumellec

Megalithe Noir © 1986  ripolin on canvas 27 x 19.5 cm - See more at: http://www.annandalegalleries.com.au/enlargement.php?artistID=36&workID=2396#sthash.N3qxn1SZ.dpuf

[rudygodinez]

Bridget Riley, Study for Kiss, (1961)

Gouache on paper

[thefiftyeight]

Diet Sayler - Monotype, 1966

[repulsion66]

François Davin, “Nach der Schicht - Les deux camerades”, 2000,

[poboh]

Le pavillon et les cygnes, Henri Le Sidaner. French (1862 - 1939)

[exasperated-viewer-on-air]

by Scott Olson

[mranai]

.

[bofransson]

St. Bernard Dog in Snow

Edvard Munch - 1913-1915

[bofransson]

Fishing Port, Gloucester

John Sloan - 1916

[meldemeu]

[trembling-colors-deactivated201]

Marianne Stokes