Reinhard H on Flickr
𓃗
almost home
ojovivo
PUT YOUR BEARD IN MY MOUTH
The Bowery Presents

Kiana Khansmith
EXPECTATIONS
Monterey Bay Aquarium
YOU ARE THE REASON
No title available

Andulka
🩵 avery cochrane 🩵
RMH
sheepfilms

izzy's playlists!

blake kathryn
2025 on Tumblr: Trends That Defined the Year

pixel skylines
Misplaced Lens Cap
Sade Olutola
seen from Mexico

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Pakistan
seen from United States

seen from United States
seen from United Kingdom

seen from Colombia

seen from Germany
seen from Bahamas
seen from United States
seen from Japan
seen from Oman
seen from United States
seen from Brazil
@meykhaneh
Reinhard H on Flickr
x / x
conceiving a rending
Sari/Mazandaran/ Iran
Photo: Mojtaba mohtashami
a deep and quiet strangeness - washing under the tree, the prickle of grass, the orange pink of the sky, the moon in the mirror, the rattle of a woodpecker in my ear, the strange rise in my chest of what i’ve always felt: a shame, a quiet strangeness, a feeling of deep inferiority at the altar of the other, the worship of man instead of the worship of god. hasn’t it been true? the sway it all has over my very moods, my very ways of looking. sensitivity sure, that great and terrible injury sure, but could it be that in my seven years of solitude what i perceived to be solidity in my prayer was actually something else? all in my dreams this week in my subconscious have been the great loves of those years. and the sweet anxiety and innocence and excitement of them, and the contrast it holds for me now, to the immensity of the task of living. a little shift in the air and my heart tightens. one word and i feel grey. in this realization of my own loneliness i realize i miss the solitude i once had with You. i couldn’t take a picture if i tried, but i saw the sun and the moon just inches apart. i suppose what i want to say is what You already know: how lonesome i feel, and how small, how sharply taken with the affairs of this world, how squeezed i feel in my very heart. how again here is a sliver of moon behind a thicket of clouds. how i’ve been closing my small eyes to the mystery, how the mystery has been waiting at my bedside, a gentle hand in my hair.
Drawn Shadows - Carlos Diaz. , 2025.
Catalan , b. 1968 -
Oil on panel , 73 x 60 cm.
simple moments observed recently
Thankfully, it is God’s grip on me—not my feeble grip on Him—that keeps me safe in the fold of His love.
— Diana Stone
Dolgiye Mountains, Russia by Arseny Kashkarov
the many afterlives of leyli
x / x
last light
Lisa Wright (British, b. 1965)
Beneath the Strangeness of it, 2020
Oil on canvas
a dream, a terrible dream. a late-night call from a mother who lost her baby. how can i speak to her. what gives me the right. i ache to tell her that her baby is awaiting her at the threshold, at the gate. i remember the 14wk pprom i saw. that tiny creature, losing its heartbeat. an anger, a terrible anger. five years since that time and still my anger is entire, is unremitting. every year i try to forgive and instead a small ember deepens right beneath my sternum. how many mothers now weep milk. i read an article in the middle of the night about managing breastfeeding after fetal demise. i hear the ache in her voice as she tells me about watching her baby die. a grief, a terrible grief. i have to ask her, "when did you last breastfeed your baby?" and i have to wait to hear the answer. would that the silence between us would expand and encompass and explode, would take up the entire sky. would that my rage would relent. would that i could re-member. would that i--
Emmanuelle Castellan - waiting for the new moon, oil on canvas, 75 x 95 cm, 2025
it was night. the hospital fire alarm had gone off. i went and sat in the hospital hallway because i ached to hear my own language. i saw a mother tap the casket of her good son and i recognized with my own hand the rhythm of it. i wept in the halls after my first two admissions of the night. i saw the graves of the girls of minab. last night as i walked back to my car i took a shallow inhale and maybe a cleaning product, or a soap, or a perfume, or the smell of the cars--some quiet scent took me back to my grandmother's street, and i didn't breathe deeply again until my chest ached a little. the soft sequelae of motherhood, now, in my own body, not fully felt, not fully integrated, not fully mine. it all happened too fast. was it my own womb, really, my own hands? some part of me feels i won't re-member until everyone i love is near. missing pieces of the past, missing my family, missing the land. missing little pieces of my own chest. the little girl who survived the bomb, the beaded plastic bracelet on her left wrist. the bruise harsh sound of english in the hallway. will i ever go back? the question haunts me and haunts me and haunts me.
the shock of it: the search for my friend's cousin's head. his mother, in some awful trance. his two young children. how are my grandmothers doing? will i ever see them again? my own dwindling nerves, the depletion of something very deep in me. i have held iran at a distance in my heart for some time - i felt if i didn't, i could not bear it (the distance, and everything else). now the distance (and with it my heart) has closed, closed. call it depersonalization. call it derealization. call it a war. call it rubble, in which men are searching for another man's head. call it a phone call: khanom, inna lillah. call it a widow. call it a border. call it some kind of rage, some kind of fire. call it grief. call it a falling to my knees. call it a bruise. what of the babies? what of the children? i used to see great pale shining blue angels in my sleep and in my waking. i used to see them with two wings or three wings or four. god, god. please, please.