Dolgiye Mountains, Russia by Arseny Kashkarov

pixel skylines

祝日 / Permanent Vacation
No title available

izzy's playlists!
Not today Justin
Claire Keane
h

titsay

Origami Around
Sade Olutola
hello vonnie
Stranger Things
Sweet Seals For You, Always
PUT YOUR BEARD IN MY MOUTH
Keni
he wasn't even looking at me and he found me
Show & Tell
i don't do bad sauce passes
AnasAbdin
Three Goblin Art
seen from Malaysia

seen from United States
seen from United States

seen from Malaysia

seen from United Kingdom

seen from United States
seen from Chile
seen from United States

seen from United States

seen from United States

seen from Italy
seen from United States

seen from United States
seen from Germany
seen from United Kingdom

seen from Bangladesh
seen from Bangladesh

seen from Italy

seen from United States
seen from United States
@meykhaneh
Dolgiye Mountains, Russia by Arseny Kashkarov
the many afterlives of leyli
x / x
last light
Lisa Wright (British, b. 1965)
Beneath the Strangeness of it, 2020
Oil on canvas
a dream, a terrible dream. a late-night call from a mother who lost her baby. how can i speak to her. what gives me the right. i ache to tell her that her baby is awaiting her at the threshold, at the gate. i remember the 14wk pprom i saw. that tiny creature, losing its heartbeat. an anger, a terrible anger. five years since that time and still my anger is entire, is unremitting. every year i try to forgive and instead a small ember deepens right beneath my sternum. how many mothers now weep milk. i read an article in the middle of the night about managing breastfeeding after fetal demise. i hear the ache in her voice as she tells me about watching her baby die. a grief, a terrible grief. i have to ask her, "when did you last breastfeed your baby?" and i have to wait to hear the answer. would that the silence between us would expand and encompass and explode, would take up the entire sky. would that my rage would relent. would that i could re-member. would that i--
Emmanuelle Castellan - waiting for the new moon, oil on canvas, 75 x 95 cm, 2025
it was night. the hospital fire alarm had gone off. i went and sat in the hospital hallway because i ached to hear my own language. i saw a mother tap the casket of her good son and i recognized with my own hand the rhythm of it. i wept in the halls after my first two admissions of the night. i saw the graves of the girls of minab. last night as i walked back to my car i took a shallow inhale and maybe a cleaning product, or a soap, or a perfume, or the smell of the cars--some quiet scent took me back to my grandmother's street, and i didn't breathe deeply again until my chest ached a little. the soft sequelae of motherhood, now, in my own body, not fully felt, not fully integrated, not fully mine. it all happened too fast. was it my own womb, really, my own hands? some part of me feels i won't re-member until everyone i love is near. missing pieces of the past, missing my family, missing the land. missing little pieces of my own chest. the little girl who survived the bomb, the beaded plastic bracelet on her left wrist. the bruise harsh sound of english in the hallway. will i ever go back? the question haunts me and haunts me and haunts me.
the shock of it: the search for my friend's cousin's head. his mother, in some awful trance. his two young children. how are my grandmothers doing? will i ever see them again? my own dwindling nerves, the depletion of something very deep in me. i have held iran at a distance in my heart for some time - i felt if i didn't, i could not bear it (the distance, and everything else). now the distance (and with it my heart) has closed, closed. call it depersonalization. call it derealization. call it a war. call it rubble, in which men are searching for another man's head. call it a phone call: khanom, inna lillah. call it a widow. call it a border. call it some kind of rage, some kind of fire. call it grief. call it a falling to my knees. call it a bruise. what of the babies? what of the children? i used to see great pale shining blue angels in my sleep and in my waking. i used to see them with two wings or three wings or four. god, god. please, please.
Tehran underground station dedicated to the Virgin Mary
فَيَكُونُ طَيْرًا بِإِذْنِ اللَّه
cezanne, mont sainte-victoire and the viaduct of the arc river valley
things i saw in those days: a print i found at the thrift. the moon growing more gravid each night. my second grade teacher at the chinese grocery store. a robbin in the mud. a plume of smoke. three deliveries and one loss. two second degrees that came together as i stitched. a near hemorrhage. swimming membranes. the honey glint of your eyes. one modified ritgen, and the new wool vest: grey and patterned brown at the seams. flashes of memory: my grandfather, young and capable, master of his domain. my grandfather, old and withering, silent between walls. a slow stream of birds above the hospital. my mother’s face. the deep red blossoming of oil over peppers, and the film between two layers of onion. two small teeth. milk and honey. blood on schoolbags, and the ghosts of schoolgirls, and the graves of schoolgirls. the quiet ache of a forgetful heart. the great setting sun. the absence (just for one golden second, maybe, or less) of fear.
so much of the heaviness and fatigue is just the work - and maybe not so much the work itself but the hours, what the hours keep me away from. and then more importantly what it has turned me into even in the hours i do have, this shell of someone who just wants to sleep or scroll
Anton Genberg - "Mountainous summer landscape"
would that i
American bison By: S. Wilson From: Wild, Wild World of Animals: Wild Herds 1977
oh bird— remember? i wish
that day when i walked all
alone to the creek
where we once huddled
and waded i wish
you’d been there waiting
then water circling your ankles
still
plan b dreams, the horror, cursed full moon ED shift (cancer everywhere), the fatigue that won’t stop deepening, this obsession with that exact shade of yellow green, espy, soundtrack to fevriere, honey eyes, sun on my face, you’re growing up so fast, the fear of war and violence and poverty and abduction, the way the body slowly bends
Arctic National Wildlife Refuge photographed by Acacia Johnson
عشقت به دلم درآمد و شاد برفت
بازآمد و رخت خویش بنهاد برفت
گفتم به تکلف دو سه روزی بنشین
بنشست و کنون رفتنش از یاد برفت