its my birthday 👑 week & I'm exchanging nudes for birthday gifts!! add me @miaaliax and send me a gift!! lets see who gets the most thanks ☺️😘😘
noise dept.

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@miaaliax
its my birthday 👑 week & I'm exchanging nudes for birthday gifts!! add me @miaaliax and send me a gift!! lets see who gets the most thanks ☺️😘😘
I have this theory.
You know how everyone says that millennials are narcissists? Well, they aren't. In a society that places a harsh premium on attractiveness and condemns anyone who doesn't fit their mold, millennials are actually very smart. They’ve essentially created a cognitive therapy culture to deal with all this negativity. When enough of your peers like you selfie and leave tons of comments like “omg gorggggg” or “knock out” or even simply, “beautiful” you begin to believe them. And thats important when mainstream media and American society is shoving hate down your throat.
lol ur not a feminist if you refuse to discuss racism, transmisogyny, ableism and classism. ur not a feminist if ur only here to defend conventionally attractive white women who like to kill men with their eyeliner wings
for real. reading the history of the laws (the many laws) written to keep blacks away from anything empowering is quite dizzying and housing discrimination was a big one. laws keeping and taking land from blacks go way back (for example) and as society progressed, it morphed to fit the times. nowadays it’s housing discrimination and it’s rampant.
Shonda Rhimes needs to make a show for Black kids and let him star.
How ironic. I was just talking about this.
This shit is serious. Gentrification is an issue. Housing discrimination is real.
True stories: -A Black family moving into a suburban neighborhood actually would lower the prices of homes. Because all the White people would try to move out as soon as possible. -If the new suburb was next to a non-White neighborhood, a fence could be put up “for safety” to instantly raise property values. -Have you heard the term redline/-ing? It refers to the practice of corporations color coding a region and not investing in or refusing service to those from certain (red) areas. These were usually poor Black neighborhoods. This included refusing those in redlined areas access to jobs, loans, medical care, etc. -Many older developments that were predominately home to poor PoC were destroyed with the promise of a new development or a suburb. This almost never happened and left the country with a shortage of affordable housing that still exists today. -“Between 1934 and 1962, the federal government backed $120 billion of home loans. More than 98% went to whites. Of the 350,000 new homes built with federal support in northern California between 1946 and 1960, fewer than 100 went to African Americans.” http://newsreel.org/guides/race/whiteadv.htm
White people whose family has owned homes since the mid 20th century: The financial success and safety of our families and ourselves is completely based on racism. Never forget that.
Read more: http://en.m.wikipedia.org/wiki/Institutional_discrimination_in_the_United_States_housing_market http://en.m.wikipedia.org/wiki/Redlining http://en.m.wikipedia.org/wiki/Federal_Housing_Administration http://en.m.wikipedia.org/wiki/Shelley_v._Kramer http://en.m.wikipedia.org/wiki/Fair_Housing_Act
This needs more notes. People need to know just how this society made it a point at every turn to hold (and still hold today) Black people down for the benefit of whites. A huge part of white wealth was created through real estate. A sector that Black people were systematically kept out of. A sector now where Black people are still preyed upon.
some context for why the scotus decision on the disparate impact portion of the fair housing act was/is so important.
Yes yes yes
Atsushi Koyama born 1978 is a visual artist from Japan. He holds both a BFA in art from Tama Art University and a Bachelor’s degree in mathematics from Tokyo University of Science. METAMACHINE is his collaborative project at the border of visual art and electronic music.
A machine – the simplest rotating devices of mechanical nature – come apart and expands on black background of Koyama’s canvases while parts of human body gently and with care hold, elevate or support the running parts. The Mechanism unfolds in human’s hands overcoming its utilitarian or even material nature and while generating aesthetical strength goes beyond the material. As a particular visualization of METAMACHINE Koyama’s devices transform and regenerate themselves into medium with access to supernatural dimension, as a mega-key to the parallel world where machine have same rights for beauty and sublime as human body in ours.
Spice up your timeline. Like us on Facebook! Posted by Margaret.
This makes me feel so pretty.
i’m giving up personhood to become a full-time abstract concept
@enfimvictor
“Hey Stacy can I change ur contact name to mommy while you call me and while I trick the people on tumblr that I’m sniffing cocaine when it’s clearly salt because of square molecular structure”
#sciencebusted
white kids ..,.
“Carved from Pearls”
(Source)
Serpentine Gallery Pavilion designed by José Selgas and Lucía Cano.