Elle Fanning for Variety.

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Elle Fanning for Variety.
Max Campbell writes about the photographer John Francis Peters’s series “Falling,” in which he captures cliff jumpers in midair.
John Francis Peters featured on The New Yorker today!
JFP. nuff said.
US olympic runners Galen Rupp and Matt Centrowitz training for Runner’s World. Rupp won a bronze medal in the Marathon, even though it was his second marathon ever and Matt is the first US runner to win the 1500 in over 100 years. It was brutally hot on the track the day we photographed them as they did speed work. Yuck.
Chapter 3, the Korieh Family in Beirut, Lebanon.
I’ve been meaning to post these short films I directed in collaboration with VSC) about four different refugee families in Jordan and Lebanon. Jim McAuley did the cinematography and Kholood Eid edited. I’m really proud of them and I’d be immensely grateful if you spent 4 minutes and watched them.
Chapter two, The Al-Taab Family in Jordan
I’ve been meaning to post these short films I directed in collaboration with VSC) about four different refugee families in Jordan and Lebanon. Jim McAuley did the cinematography and Kholood Eid edited. I’m really proud of them and I’d be immensely grateful if you spent 4 minutes and watched them.
The Sanad Family in Jordan
I’ve been meaning to post these short films I directed in collaboration with VSC) about four different refugee families in Jordan and Lebanon. Jim McAuley did the cinematography and Kholood Eid edited. I’m really proud of them and I’d be immensely grateful if you spent 4 minutes and watched them.
photographers need a union
This tirade is not directed at anybody personally because I know photo editors at magazines have very little control over how/when we get paid as photographers but after talking to several of my moderately successful editorial friends lately who are constantly experiencing the same thing, I need to get this off my chest.
A common theme when you talk to other editorial photographers is “i’m broke, even though I have 25 thousand dollars in invoices out to clients right now”. This business is set up to screw us over and over and take advantage of us in so many ways and there is basically nothing we can do about it. When you get an assignment, you typically have to front ALL of the expenses. So, when a magazine calls you last minute to fly to who knows where, USA and the plane ticket costs 800 bucks, that is going on YOUR credit card. Then, after the rental car and hotel and food also go on your business credit card, if you are a halfway decent human, you try to pay your assistant quickly because Lord knows, they are more broke than you are. So after doing an assignment that I may make 800 to 1,000 dollars on, I am usually out about 2 thousand in expenses at a minimum. I have about a total of three magazine clients that every pay me on time and the other 90 percent are usually two months overdue at a minimum. Some magazines don’t pay for 6 months.
I’m busier than I’ve been in the last year right now, yet I have about 800 dollars in cash in my business account and my business credit card is maxed out. I’m not alone in this. About a year ago I loaned a good friend 1000 dollars just so he could book a ticket for a job while he was waiting to get paid. Then, last month that same friend loaned me 1000 bucks so I would have cash to spend while on assignment in europe because I had so many outstanding invoices out to clients.
This should not be normal. I’m sick and tired of sending nicely worded emails to people asking about money that should have been paid to me 60 days ago. The saddest part is, if you pitch a fit or complain about it, they will just hire the next 25 year old who is eager and willing to bend over and grab their ankles. My life for the last three months has been juggling credit card bills for shoots, paying assistants in a timely manner and paying my mortgage and personal bills while constantly being on the verge of crisis, even though I have been working non stop and supposedly have money coming in. It’s not just me, every editorial photographer I talk to is having this issue.
We need to stop being ashamed to ask for advances and sticking to a hard line on overdue invoices. Once you send a magazine high res images, before you’ve ever seen a dime, you basically now have no bargaining power.
Again, I recognize that this is not every single magazine and that photo editors are not personally responsible for this. I have some wonderful clients who are on top of their shit and get me paid in a timely manner. I also know maybe I shouldn’t be whining about shooting photos for a living but this “living” is getting harder and harder to piece together, even though I’m working more than ever.
This is going to be amazing
Hi Texas. I’m honored to be exhibiting and speaking at the 4x5 photo festival in San Antonio in September with Benjamin Rasmussen and a bunch of other very talented photographers. Very excited to go back to my motherland and eat all the tacos. All of them.
photography is bullshit boring
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fotografia posted an interview with me today. thanks fotografia!
This is the second chapter of my project featuring four Syrian refugee families for VSCO. This is the Al-Taab family. Eid and his family are bedoins from Southern Syria. I’d love it if you took a look.
Edited and translated by Kholood Eid. Camera by Jim McAuley with additional editing by Jim as well. I’m really grateful to everybody who worked super hard on this.
I'm really excited I finally get to start sharing the work I made in Jordan and Lebanon in collaboration with @vsco and @allkindsofhuman. This is the Sanad Family from Homs, Syria. They live in Amman Jordan now after fleeing Syria in 2012. I spent time with four families in the Middle East, collaborating with them to make small family albums. We also did a short documentary film with each family. Link is in profile. First two of four chapters are up now. More to follow week after next.
Hi, everyone, Eric Marth here. Welcome to the Halftone, a new podcast about photography.
My first guest is my friend Bryan Schutmaat. For the past several years Bryan has been making photographs around small mountain towns in the American West. We recently met up in Philadelphia to talk about his Texas upbringing, ditch-surfing, his early work in photography and his recent book Grays the Mountain Sends. To have a look at Bryan’s work you can check out his website; and to purchase his book head over to Silas Finch. Bryan is also on Instagram @bryanschutmaat.
To have a listen check out www.thehalftone.org or subscribe in iTunes!
My buddy Eric Marth talked to me for his new podcast about photography, The Halftone. I can’t say I conveyed much wisdom, but hanging out with Eric is always a pleasure, and I look forward to the future of his project. I know he has some amazing names lined up for upcoming podcasts, so follow along!
I haven’t even listened to this yet but I’m sure its great because Bryan is such an interesting, articulate thoughtful guy.
In February, I traveled to Jordan and Lebanon to work on project about the Syrian refugee crisis in collaboration with VSCO and their original content channel, All Kinds of Human. I spent time with four families making small photo albums in real time with them. In addition to this, I directed some short documentaries with @jimmcauley doing the cinematography. This first video is with the Sanad family in Amman, Jordan. Kholood Eid edited it as well as did the translations. Many thanks to Jensen Power and Kristian Hensen at VSCO for helping us pull this all together. Stay tuned for more another installment out this weekend. Here is a link to the full post with photos.
I’m really excited to finally be able to share the first chapter of a really big project that Benjamin Rasmussen and I are heading up in collaboration with VSCO and All Kinds of Human called Dispatched. Over the next 5 or 6 months, we are going to roll out projects from 6 different photographers each addressing a specific aspect of the Middle Eastern refugee crisis.
My first of four posts went up today. Stay tuned for more.
Couple more Filson outtakes for T+L. I’ll stop blowing up everybody’s feed now. I’ve been super behind in posting old shoots.
Filson outtake. These dogs were amazing. Super friendly and tough as nails.