almost home
trying on a metaphor
shark vs the universe
taylor price
Cosmic Funnies
art blog(derogatory)
PUT YOUR BEARD IN MY MOUTH
official daine visual archive
tannertan36
Not today Justin
No title available
PR's Tumblrdome
roma★
Three Goblin Art
❣ Chile in a Photography ❣
EXPECTATIONS
ellievsbear
Monterey Bay Aquarium
No title available
occasionally subtle
seen from France
seen from China
seen from Malaysia
seen from United States
seen from Uzbekistan
seen from United States
seen from United States
seen from United States
seen from Italy
seen from United States
seen from United States
seen from Brazil
seen from United States
seen from Bangladesh
seen from Ukraine
seen from Spain
seen from France
seen from Uzbekistan
seen from United States
seen from Türkiye
@michaelmanning-art
My thanks to everyone who showed interest and support. It was fun while it lasted.
See you around.
Online Store: http://www.mm-art.net
Instagram: https://www.instagram.com/michaelmanningartist/
Facebook (Artist Page): https://www.facebook.com/michaelmanningart
Archival Site: http://www.thespidergarden.net
SASAYA: COURTESAN 01
Sasaya as a courtesan of the Spider Garden receiving some ass worship from a latex concubine.
This illustration was part of a series of commissioned character portraits that I drew in 2010 to accompany the last complete sets of Spider Garden graphic novels. Customers who ordered a book set also received a 8” x 5” piece of original color artwork featuring the Spider Garden character of their choice.
I’m currently working on a new version of this piece which will be featured on my Patreon page.
Complete sketchbook page of Sasaya & Shaalis exploring their various aspects, roles, and relationships
Feeding time for Courtesan Sasaya Nijan’s human pet
Color version of SASAYA: LATEX CONCUBINE 06
“There were many times when the sight of Sasaya’s perfectly sculpted buttocks protruding from the open seat of her latex pencil skirt and jiggling impertinently with each movement of her ample thighs became too much for even Shaalis to resist and then the Sacred Androgyne would order the girl to stop whatever task she was currently engaged in and present herself before Shaalis’s throne.
Sasaya would approach, poised and graceful, taking the tiny measured steps that her ankle chains and high-heeled geta permitted until she stood before her Mastress’s seat of power. She would bow deeply, bending at the hips, lowering her upper body at just the precise angle until her manicured fingers were touching her knees, upper arms pressing inward so that her enormous breasts were pushed tightly together and thrust more prominently into view, the silver studs impaling her long nipples glittering in the half-light.
When she raised herself back up, she would inevitably catch a glimpse of her Mastress’s slender jeweled fingers stroking Hir enormously erect cock or caressing the violet lips of Hir cunt while teasing the anus of one of the backwards-facing concubines whose upraised buttocks formed the armrests of Hir throne. This would inevitably cause Sasaya to blush and her full lips to tighten around her ballgag, a habit that Shaalis found supremely arousing.
Shaalis would then make a gesture - a lazy circling motion with Hir index finger - and Sasaya would take three tiny steps, rotating her position 180 degrees to Shaalis’s throne. She would bend carefully at the knees with the practiced skill of a dancer, keeping her upper body perfectly erect, until she was able to touch the smooth lacquered wood floor with her fingertips. Then she would slowly lower herself onto her hands and knees, big breasts hanging, naked ass upthrust and presented enticingly to her seated Mastress.
The Sacred Androgyne would drink in this display of submission, taking Hir time admiring Sasaya’s vulnerable curves before finally extending one latex-encased leg so that the platform sole of Hir boot would come to rest on Sasaya’s sacrum while the rounded tip of Hir lengthy heel would be inserted between Sasaya’s ample buttocks and poised against the girl’s tender asshole.
A final command would be given and with a soft whimper Sasaya would push her hips back, impaling herself on Shaalis’s heel. Shaalis would rest Hir foot on Sasaya’s hips, letting the girl do the work as S/He listened to her muffled gasps and moans while lazily bringing Hirself to one climax after another - the last of which would be through Hir male organ and deep within the hot tight passageway that had been prepared for penetration by Hir boot heel.”
All text copyright © 2018 Michael Manning
Detail from a pencil drawing for SASAYA: LATEX CONCUBINE 06
Another detail from a page of Sasaya & Shaalis sketches
Sasaya at heel - Detail from a page of pencil sketches
Pencil drawing for SERPENTINE SISTERS 04 - the third in a series of Spider Garden character portraits I drew to accompany the last copies of THE SPIDER GARDEN graphic novel.
B&W inked version of CASTELLANA, CONCUBINE & CONSTRUCT 01
Pencil layout for CASTELLANA, CONCUBINE & CONSTRUCT 01
Rough sketch for a Spider Garden commission: Castellana Sasaya Nijan enjoying some oral attention from a latex concubine who’s been mounted by a horny construct.
The constructs are biomechanical insectoids that are native to the Spider Garden and controlled by Sasaya’s lover and mastress Shaalis the Sacred Androgyne.
B&W inked version of WATER SERPENTS 01
“To caress the serpent that devours us, until it has eaten away our heart.”
Full size pencil layout for WATER SERPENTS 01
This version includes the Serpentine Sisters’ three-headed python construct - an ambulatory sex toy originally given to Squamata as a gift by Shaalis the Sacred Androgyne in my graphic novel In A Metal Web II.
Pencil layout and an inked partially colored green-haired version of WATER SERPENTS 02 that I wasn’t happy with and left unfinished.
This version came out much better.
Figure studies for WATER SERPENTS 01.
Water damaged, appropriately enough.
WATER SERPENTS 02 from the GARDEN INITIATE 04: HYDROPHIDIAN portfolio.
You can get it HERE.