The United States of TV Series.
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EXPECTATIONS

gracie abrams

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roma★
RMH
KIROKAZE
Noah Kahan
Cookie Run:Kingdom Official!
Cosmic Funnies
🩵 avery cochrane 🩵
Monterey Bay Aquarium
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Origami Around

izzy's playlists!

tannertan36
Fieri Frames

Jimmy Eat World
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seen from United States

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@midatlanticpopculture
The United States of TV Series.
Trump says Australia has better health care than the US. Australia has universal health care.
The Society Pages (TSP) is an open-access social science project headquartered in the Department of Sociology at the University of Minnesota
This is greeeeeeeeeaaaaaat
MAPACA 2016
We're gearing up for our annual conference! Watch this space updates and stuff and tag #mapaca16 if you're blogging from Atlantic City with us!
See you in November
Happy 70th Birthday to the Pope of Trash!
“Go out in the world and f—- it up beautifully. Design clothes so hideous that they can’t be worn ironically. Horrify us with new ideas. Outrage outdated critics. Use technology for transgression, not lazy social living. Make me nervous!”
– John Waters
His last interview with Terry was so much fun. Don’t miss it.
“When you don’t talk down to your audience, then they can grow with you. I give them a lot of credit for being able to hang with me this long, because I’ve gone through a lot of changes, but they’ve allowed me to grow, and thus we can tackle some serious subjects and try to just be better human beings all of us.” 2013 interview on @tavissmileyshow, the year he won the @billboard #IconAward ✨💜✨ Rock on #Prince. You will be missed 🦄
Happy Easter
One of my fave episodes
MISHA PLEASE
I WAS THERE!!! Well I was outside listening cuz I got there late and didn’t want to be rude…BUT THAT’S NOT THE POINT!!!!!
PCA/ACA is the best.
This new journal will be an open-access, peer-reviewed publication, and we are going to make every effort to tailor and develop content that takes advantages of the possibilities of digital publication. Click the link for submission guidelines!
On Thursday, Jan. 21, professors of creative writing Nalo Hopkinson and Rachelle Cruz and Ph.D. candidate in comparative literature, Jaymee Goh, met in INTS 1111A to discuss their experiences curating, editing and writing for science fiction and fantasy anthologies driven by communities of color.
THIS TITLE IS EVERYTHING! 💯 “Inside the biggest change in Barbie’s 57 year history and what it says about American beauty ideals.” Bravo @time & Eliana Dockterman on this revolutionary cover story & @mattel for caring about our girls. BARBIE FOR LIFE!
Call for papers: Neo-Victorian Asia for the 2017 special issue of Neo-Victorian Studies
(Source: http://www.neovictorianstudies.com/)
Recent neo-Victorian scholarship has expanded the canon to explore examples of postcolonial, non-Anglocentric neo-Victorianism or neo-Victorian texts in translation, and critically examines neo-Victorian studies’ own colonising activities as it turns its attention to “global Victoriana” (Kaplan). This special issue contributes to the project of expanding and interrogating the geography of neo-Victorianism by drawing attention to Asia as a particularly fertile site of neo-Victorian production. Asia offers an opportunity to investigate the range of “improper postcolonialisms” (Ho) that have emerged in the aftermath of the British empire and, as a mnemic or representational strategy, neo-Victorianism can shed new light on topics such as neo-imperialism, still-existing colonialisms, race, gender and diaspora, to name but a few. However, Asia might also present neo-Victorian studies with interpretive obstacles and intercultural challenges if not outright resistance. This special issue seeks to examine the new perspectives that Asia might offer neo-Victorianism and vice versa. For the purposes of this issue, ‘Asia’ will be interpreted widely to include representations of Asia, Asians, and Asian culture in neo-Victorian works; ex-colonies of European empires; Asian colonization within Asia; and Asian locations that resisted or were enthralled by what ‘the Victorian’ represented. We encourage contributors to think widely beyond fiction and film to other media, including drama, architecture, dance, visual culture, art and politics. We also welcome essays treating neo-Victorian fiction and texts in translation or in languages other than English. Topics might include but are not limited to:
• neo-Victorian approaches to the after-effects of European colonial empires in Asia or Asian colonization and national expansion within Asia • colonial architecture, heritage conservation, adaptive reuse, Victorian space in postcolonial locations • ‘neo-Victorientalism’ and Asian aesthetics across genres and media, for example, steampunk, science fiction, videogames, anime and manga • Asian traffic – opium, slavery, coolies, migration, missionaries, travel literature – and neo-Victorian texts • neo-Victorian exotics and erotics: opium dens, prostitution, harems, concubinage • neo-Victorian representations of race and bi-raciality • Asian adaptations of nineteenth-century texts; neo-Victorian adaptations of Asian texts • nineteenth-century borders and their conflicts past and present • Asian texts that expand the chronology of the neo-Victorian • theorising the ‘Asianisation’ of neo-Victorianism or the ‘neo-Victorianising’ of Asia
Please address enquiries and expressions of interest to the guest editor, Elizabeth Ho, at [email protected]. Abstracts, along with a short biographical note, will be due by 31 January 2016 and should be sent via email to the guest editor, with a copy to [email protected]. Successful submissions will be notified by 1 March 2016. Final articles and/or creative pieces and reviews will be due by 31 August 2016. Please consult the NVS website (submission guidelines) for further guidance.
January 1, 1:55 am
What to watch this holiday season? Take it from an expert …
John Waters has the perfect film for you to watch with the whole family during this holiday season.
Also, here’s his most recent Fresh Air interview about when he hitchhiked across the country – and lived to write about it.
Trust in John Waters. -Emily
In the 1980s, NPR looked to the film saga to help boost audience numbers. it bought the rights from George Lucas (for $1) and got the original Luke Skywalker. The result was an overwhelming success.