[mightybrother]

Tonight we kick off the #SummerRoadTour2019 with a reunion show @siberia_nola w/ @junodunes and @dianellamusic ⁣⁣⁣ ~ 9:30 show⁣⁣⁣ ~ $5 only ⁣⁣⁣ 🐸⁣⁣⁣ ⁣⁣⁣ Nick and Jake are returned from traveling just in time for more travels, and we will be joined by the beautiful John Valdez on drums. Here’s looking at you, @exjon_valdez ! ⁣ ⁣ 📸 @easy_cowboy (at New Orleans, Louisiana) https://www.instagram.com/p/BzQuopHl62w/?igshid=1m8z1djx5kdz2

[mightybrother]

Tonight we kick off the #SummerRoadTour2019 with a reunion show @siberia_nola w/ @junodunes and @dianellamusic ⁣ ~ 9:30 show⁣ ~ $5 only ⁣ 🐸⁣ ⁣ We’re excited to reunite with our friend @kirkduplantis on drums. If you’ll remember, we have tracked every record with Kirk since moving to New Orleans, so our performance tonight features the original lineup! (at New Orleans, Louisiana) https://www.instagram.com/p/BzQuRJ3lBZ7/?igshid=3ar56ie5qi3t

[mightybrother]

Tonight we kick off the #SummerRoadTour2019 with a reunion show @siberia_nola ⁣ ~ 9:30 show⁣ ~ $5 only ⁣ 🐸⁣ ⁣ Nick and Jake are returned from traveling just in time for more travels, and we will be joined by the beautiful John Valdez on drums. Here’s looking at you, @exjon_valdez ! (at New Orleans, Louisiana) https://www.instagram.com/p/BzQtA-AFlW-/?igshid=elucqof2ts57

[mightybrother]

Our song "Menagerie" made it on @stayposh - ((🔈sound on )) Beautiful tune by @mighty.brother over the end of the new Stay Posh vlog. Check it out to see it all catch fire and to hear some amazing New Orleans groups, including @hot8brassband and @the_fymm !

[mightybrother]

ORDER your Ltd. Edition lyric book and a physical copy of the EP right now on our bandcamp! (Link in bio) It comes with a bookmark because we encourage literacy. ;) Photography by @danielgr3y Design by @ryanangelus

[mightybrother]

#MightyMonday​ ​swings​ ​ever​ ​forward​ ​with​ ​the​ ​tale​ ​of​ ​“”Frail”​ ​(Listen​ ​at: http://smarturl.it/thevibeep​) “Frail”​ ​finds​ ​an​ ​elegant​ ​woman​ ​sitting​ ​alone​ ​in​ ​front​ ​of​ ​her​ ​vanity.​ ​She​ ​is​ ​surrounded​ ​by​ ​aged​ ​trinkets, framed​ ​pictures​ ​of​ ​herself​ ​and​ ​her​ ​family,​ ​and​ ​rooms​ ​full​ ​of memories​ ​and​ ​things​ ​that​ ​tell​ ​her​ ​story.​ ​She is​ ​at​ ​once​ ​beautiful​ ​and​ ​fragile. The​ ​song​ ​ebbs​ ​and​ ​flows​ ​to​ ​capture​ ​the​ ​feeling​ ​of​ being​ ​at​ ​once​ ​so connected​ ​to​ ​the​ ​past​ ​and​ ​so​ ​far​ ​from​ ​it. How​ ​often​ ​do​ ​we​ ​live​ ​in​ ​the​ ​past?​ ​Do​ ​we​ ​take​ ​a​ ​singular​ ​beautiful​ ​moment​ ​and​ ​hold​ ​it​ ​on​ ​a​ ​pedestal Do we​ ​chase​ ​our​ ​tails​ ​in​ ​a​ ​feeble​ ​attempt​ ​ ​to​ ​relive​ ​past​ ​victories?​ ​The​ ​historic​ ​facades​ ​on​ ​new​ ​buildings remind​ ​us​ ​of​ ​how​ ​we​ ​idolize​ ​the​ ​“good​ ​old​ ​days”​ ​and​ ​forget​ ​to​ ​immerse​ ​ourselves​ ​in​ ​the​ ​present. These,​ ​too,​ ​will​ ​fade​ ​with​ ​time. David​ ​Polk​ ​added​ ​the​ ​classy​ ​piano​ ​stylings​ ​on​ ​the​ ​song.​ ​A​ ​local​ ​actress​ ​dressed​ ​in​ ​a​ ​gown​ ​and​ ​greying wig​ ​to​ ​help​ ​capture​ ​the​ ​character​ ​for​ ​the​ ​album​ ​artwork. (at New Orleans, Louisiana)

[mightybrother]

Releasing a Music Video next Wednesday for Muscle To Bone. 

Party in NOLA. 

Gif courtesy of Ben Samuels

[mightybrother]

One Month Away!

[mightybrother]

[mightybrother]

Happy Thanksgiving and Throwback Thursday!

Broken Things; A History

By JAKE RYAN

I have often described the act of songwriting as a very spiritual experience. Your body is like a conduit for something greater to channel through; and once the creative floodgates are thrown wide, you just let it move you.

 Imagine you’re a magician pulling silk handkerchiefs from your sleeve. In this instance you are unaware of which color comes next, how many there will be, or how they all got tied together in the first place! It’s a very wonderful thing.

The story of “Broken Things” is nothing like that. This time I was the magician pulling silk, but most were grey, they were not tied together, some were in my pant legs, others in my shoes, and I wasn’t entirely sure they were even of the same cloth. 

This is the broken story of “Broken Things.”

Inspiration

Many pieces now comprise what I consider to be one of my favorite compositions. Many folks have wonderfully approached me after its performance and proclaimed it to to be their FAVORITE! That really warms my heart:) It is to those I dedicate this story!

The song is not so subtly about a girl, of course. A special someone that found me in a pit of self-loathing. We found each other, rather. Each lifting the other. And for that I am forever grateful and indebted. I was resurrected. Fate had other plans from there, however, and the broken pieces of “Broken Things” were discovered through every season of 2014.

Swatch #1 -- Will I Remember This?

The first lyric to “Broken Things” was actually the pre-chorus/bridge section:

“Could I, could I have engendered this? Will I, will i remember this?”

(See, I did write that.)

After what I remember to be a fun spring day of hiking and running around my Bloomington homestead, I sat in my car, alone in my thoughts, and wrote those lines. Well, the second sentence/question there. 

Needless to say, I was bothered and curious, but it was some time before I revisited the thought. 

Swatch #2 -- Came Summer in Shades

In late spring, on the cusp of summer, the first verse came to me as I ran around in the rain, exploring with an... altered state of mind. I had broken from the group to pace the quiet space beneath the canopy in the park behind the Monroe County YMCA. 

In its earliest form, “Broken Things” was called “Came Summer in Shades,” based entirely on the first verse. It was the only swatch of silk I had at the time, as I had not linked it to the previous lines. Sounds pretty optimistic and lovely as a verse, huh? But that was the only lead I had for a great while.

Swatch #3 -- Composure Breaks...

‘Composure breaks across a face as fine as painted porcelain’ came in early summer as I drove back to Bloomington from her house in Indy. The thoughts of uncertainty crept in, and I rearranged an old lyric -- ‘a sliver of light and a face of fine porcelain / met my gaze in the darkness of night’ -- into -- ‘composure breaks across a face as fine as painted porcelain.’ 

I knew the relationship was changing, and this lyric bore with it many apprehensions and questions.

Swatch #4 -- Soft Spot for Broken Things

The concept of ‘having a soft spot for broken things’ came at summer’s end. I sat my body lakeside and westward to the settling sun. As the tethered stars blinking into the pitch above, I realized how drawn I was to broken people. That I, myself, was broken also. The echoed sentiment is that everybody’s broken, but I feel a strong affinity for those that possess some hidden crack, something they hide so very well and carefully. Perhaps it is because I feel like I can relate or help them move past it and grow as a person. At least, that’s what I thought at the start of that realization about my nature. 

Soon after, I would see that love and adoration alone cannot fix a soul that is not ready or willing. 

Spinning It Together (Swatch #2 & #3)

Around the time I met Nick, “Came Summer in Shades” had undergone many transformation. Lyrically, I had only just tied the verse to the beginning of the chorus, the ‘Came summer in shades...’ through to ‘composure breaks across...,’ but I had no idea how that was supposed to make sense. 

How could the verse be so positive and nice and the chorus so... not. Here’s a great spot to insert some of the melody and comping!

Comping -- One-upping Charlie Jesseph 

My first live performances were in a metal band, from high school through sophomore year. That dissolved, and I found myself back at writing folk and singer-songwriter stuff. My first performance of that material was at Max’s Place in Bloomington, IN. There I had a chance to get my performance legs back, garner encouragement, and be inspired by local legends. Charlie Jesseph was one of those, with his milky soul vocals and superb live execution. He comes from a very musical family and knows far more theory than I ever will. Part of “Broken Things” was me sitting there in the booths at Max’s Place scheming, “I can do that... I will do that. I’m coming for you Charlie Jesseph!”

Now, be sure to note that Charlie and I have a great friendship, and I never bore him any animosity. His expertise did inspire me to take my voice and chordal arrangements to the next level. 

Throughout this period of my writing, I was digging on some sweet major chords that incorporate a 5th in the bass. A second inversion, if I’m not mistaken. Here’s the C chord I use in “Broken Things” as it became:

(Wow, I don’t know how to shrink that photo.)

“Think It Wise,” the single from our upcoming album, features many cool inversions like that. Both came about at a similar time. Both inspired by Fleet Foxes. I think I was trying to create chords that were more complex in the low register, and therefore more interesting when played rhythmically. Or maybe because I have hearing loss in higher frequencies, and the bass spectrum is more interesting to me... whichever! 

Originally, “Broken Things” had a completely different groove in a completely different key. I threw out the chord progression multiple times and started from scratch. Eventually, I had the form as it is now, with a simple progression and interesting voicings. 

If you are ever struggling to find inspiration over a chord progression, try spicing them up. I’ve found many self-taught guitarists use way more open strings than musicians that followed a very specific structure when learning guitar, be it chord books or scale charts. Often, you can achieve a LOT of space and fullness by incorporating open strings in your chord voicings. Try it!

So, I had a semi-jazz progression that was sure to make Charlie salivate! Next came melody.

Melody -- Bobby McFerrin meets Jason Mraz 

The melody for “Broken Things” would not be what it is without my good friend Jimmy Goddard. He has a falsetto like the Bee Gees with emotion kin to that of first love. After jamming with him in the fall of 2014, I wanted to amp up my falsetto game. It completely transformed the verses, adding a super gripping quality. You have no idea how hard it was to execute at first! I strongly encourage all musicians to:

“Write above your ability!” -JR

It my be hard now, but if you can imagine it, you will achieve perfection eventually. The best thing is not to feel daunted by that next level vocal line, or that super difficult finger-picking part you’re working on. You have all the time in the world to write it now, the rest of your life to perfect it (if necessary). Just challenge yourself! Eventually it will be easier, and you will be better!

Anyway, Jimmy inspired the falsetto in the verses. The melodic inspiration in the chorus I can only attribute to subconscious inspiration. I would start whistling the chorus and finish whistling Bobby McFerrin’s “Don’t Worry, Be Happy.” Or just switch over to Jason Mraz’s “Only Human” for fun partway through. There’s nothing more fun than seeing inspirations after finishing a tune. Or the strange similarities you hear throughout its creation. It always rings true that we are a product of our environment. Everything we listen to, talk about, everything we do.

 “True writers READ. True musicians LISTEN.” 

Listening is important. Emulation is intrinsic. Make a point to expand your listening pallet and see what happens! The conduit of songwriting channels things you would never associate together. Like how your mind might weave the aspects of a day into a funky dream. 

Knotting #3 & #4

The biggest breakthrough for the song came in the fall. I was pacing the floor, as is my wont, playing through “Came Summer” repeatedly. The chorus only had -- ‘Composure breaks across a face as fine as painted porcelain...’ -- and nothing else. At some point, I sang up to that point and the -- ‘I have got such a soft spot for broken things’ -- fell into place. It was one of those moments where you just stand there in a wash of emotion and surprise. This song that I had played a thousand times, no doubt knowing its purpose all the while in my subconscious. I always encourage songwriters to play through their projects indefinitely, even when they’re not “feeling it,” because at some point it may just click. So, now my chorus was finished and meaningful and everything I’d hoped it would be. It was a powerful moment. 

Tying It ALL Together

After forming Mighty Brother in the fall of 2014, we looked at every song each one of us possessed. It was a long list! But we knew the album we wanted to create needed certain songs and qualities. So, we demoed every one of them to each other, sat in our piano/dinning room and fleshed out an album tracklist. “Broken Things” almost didn’t make it on. I had the first verse and chorus, but it was missing something that linked the vibe of the verse to the chorus. I wasn’t sold on it. Nick told me I had a week to finish it so we could start demoing in December. Exactly one year ago!! Ah! Just realized!

This week last year I was pouring over the lines of “Broken Things” and writing and rewriting. As you can see..

And also here...

I chatted with Charlie after an open mic, and he advised bringing the feel and intensity of the song down between the verse and chorus. That advice, and Nick’s subtle hints and impressions as I demoed line after line to him, shaped the rest of “Broken Things.” Swatch #1 -- ‘Will I remember this...’ -- filled out spatially and linearly in the bridge section. 

For the album, I was to finish “Broken Things” and the lyrics to “Shake the Night.” Both on the album now, of course, but neither were completed this time last year. I realized these two were different answers to my relationship problem at the time. Opposite answers, actually. So it was a feat to delve into both directions for the music and inspiration. For me, songwriting has a way of providing clarity as well as muddling. 

Tracking and Arrangement!

In the spring of 2015, Nick and I were inviting friends over to jam every Sunday. Hearing the soundscape fill out with bass (Quinn Sternberg) and percussion (John Valdez) was very rewarding. A big thank you to Nick for helping me communicate my vision to rhythm section! It’s so useful to have a drummer as a co-writer! John and Quinn nailed it, adding their own flair to the timbre of the song. 

Came summer, we found ourselves at the Sleepwalk Record studio with the one, the only, Eric Day. John and Quinn laid down the rhythm with superb execusion, and I set to work on the guitar and vocal tracking a month later. We double tracked the guitars at Eric’s urging, I added a fun solo more or less in studio, Nick threw down those tasty harmonies, and I added those sweet guitar harmonics you hear in the pre-chorus:) It was really the most important aspect to the song, I feel.

But wait... There’s More!

At a last minute request, John Valdez swung by the studio during alt percussion day to add congas to the track. He steps up to the mic with a, “I don’t know what I would do... I’m completely unprepared...” and lays down some phenominal congas track to it, as if it hadn’t been keeping him up for weeks. Next, he grabbed a triange, A TRIANGLE, mind you, and tracks a really cool triangle layer. I don’t know that I’ve ever noted the triangle in a track before... I listen for them these days. And now you can too!

Ok, Wrap It Up

Alright, alright. “Broken Things” came together better than I could have thought, and it is a testimate to songwriting tenacity. I’m not the most motivated songwriter, by far, so I found that I could not have finished this song, one of many starts and stops and false-starts, without deadlines. And that allows me to part with some songwriting advice! (I just love quoting myself.)

“If you’re struggling to finish a song or lacking motivation, set deadlines!” - me

Do an open mic and attempt new songs every time. Set a date to demo that song you’re working on. Otherwise, you’ll end up like me and take a whole year to finish a damn song... Allow for some solace that it might turn out real tasty anyway. But keep at it! Lord knows I have a dozen that are already going on two years uncompleted... There will always be new songs, so just push through them. Find a songwriting partner that either encourages you, threatens you, or helps you finish those projects.

Peace for now, friends! I hope you enjoyed this glance over the shoulder. There are many plans in the works! Listen to “Broken Things” on our full-length album on iTunes on December 17th!

[mightybrother]

Mighty Monday

“Composure breaks across a face as fine as painted porcelain. That’s alright, I have got such a soft spot for broken things.”

This installment of Mighty Monday brings you an acoustic version one of our favorite tracks off the upcoming album. “Broken Things” performed at the IU art museum. This is the last video of the sessions we did there with Gerald Leonard and our video team Marie Richardson and Lydia Smyth. 

Since you last heard from us, we have:

Moved to New Orleans

Planned a Winter Tour

Finished our Indiegogo

Finished our Debut Record “Jettison. Reprise”

Played a bunch of shows.

Traveled, Hiked, and Revel-Roused. 

We can’t wait to get you all in the loop and plan to do so in the upcoming weeks leading up to our album release on Dec. 17. 

Follow us and check out our facebook and youtube for upcoming shows and more videos! 

<3 MB

[mightybrother]

Some days, I barely fit inside my skin. Some days, I can't believe the shape my bones are in.

Mighty Brother (From “Tales of Andy Devorek”)

[mightybrother]

I held my breath, and followed you into the wilderness where we were wed with all our faults and our regrets. Oh, what a shame!

WILDERNESS by Mighty Brother

[mightybrother]

You two are meant to be together! <3

<3

[mightybrother]

FINAL WEEK FOR INDIEGOGO!

Elevator Man Release + Campaign Highlights!

To commemorate the FINAL WEEK of our Indiegogo Campaign, we give you “Elevator Man,” the second of a three-video collaboration with videographer Marie Richardson and audio engineer Gerald Leonard, all shot at the Indiana University Art Museum, all found here. 

Let’s shoot for 100 views this week, and you’ll get “Elevator Man” for FREE next Monday on bandcamp.

We were really excited to shoot in the IU Art Museum. Such a resonant space! Nick did most of the grunt work on this coordination. After a couple months and a lot of red tape, we loaded in under torrential skies. (Insert “couldn’t dampen our spirits” pun here)

We want to thank everyone involved for helping us capture one of our favorite tunes:) Read on to get updated on the Indiegogo Campaign!!

IndieGoGoGo!

It is our last week to Indiegogo! We are currently at 34% FUNDED w/ 13 FUNDERS in total taking us to $517 RAISED! We are extremely grateful and excited:) But the campaign fun is almost at an end:( here’s a rehash!

1.   We saw the release of “Sunrise,” the first of three videos shot at the IU Art Museum. Both can be found here.

2.   “Sunrise” easily reached over 100 views in under a week, so the song is FREE on bandcamp right here.

3.   The release of the much-anticipated, highly-collaborative “van!” Music Video.

4.   We posted craigslist adds all over the US advertising the perfect van in our #pushthevan intiative!

5.   All ads were promptly flagged:/

6.   But “van!” reached over 200 views in under a week, so the song is FREE on bandcamp right over here.

7.   Craigslist visitors gave us mixed reviews >:)

8.   Released “Where the River Tames” live video shot in Valhala Cave!

9.   We were on the radio at WFHB, courtesy of Angela Backstrom’s podcast Sweetheart of the Radio!

10.   We released the “Elevator Man” video! TODAY:)

NEXT...

11.   You share the video and campaign and I give you all a lethal dose of hugs AND “Elevator Man” next Monday for FREE on bandcamp right here!

It has been a ridiculously busy last few weeks!  

“I don’t think I’ve ever been busier!” - Jake Ryan, MB

Again, we are raising money to move forward with our full-length album, Jettison. Reprise., so swing by the campaign, and check it out:) We are offering some sweet deals on the album, set to release in December. If you’re not ready to donate, just hit that share button and tell your friends! 

THANK YOU!     <3     xoxo       - MB

[mightybrother]

Let’s IndieGoGoGo!

Today marks the final week of our Indiegogo Campaign! If you’ve been poised out there on the fence, now is the time! Everyone has been extremely generous thus far, both in donating and sharing the campaign, and we are extremely grateful:)

We were going to release another video from the Indiana University Art Museum shoot today, but the release schedule had to be pushed back a bit. So, you’ll get the live video for “Elevator Man” on Monday. Today, I am posting something a little special. Live from Valhalla Cave, we give you Jake’s solo ukulele song “Where the River Tames” from the bottom of a 227ft cave pit!

TOMORROW - Tune in to WFHB 98.1FM @ 8:40AM for an exclusive track off our upcoming album!

Nature is a big part of living for us here at Mighty Brother. Nick and I try to travel and engage in outdoor hiking, climbing, caving, and I recently took up Vertical Caving! 

For those that are unfamiliar with the term, there are cave pits that are just out there waiting, yawning and deep and beautiful. I recently traveled to TAG (tennessee, alabama, georgia) area to hit six beautiful caves. Valhalla will forever hold a special place as my first vertical cave:) Kevin Romanak, my friend and mentor, trained me here in Bloomington, planned the trip, and is the man behind the camera for this vid. 

It’s not the best quality video, but the beauty is evident in that ancient, hollow place within the earth. Go Nature!

Where the River Tames - Jake Ryan

Meet me down ‘neath the willow-shrine Burnished locks that caught the water shine The scent of honeydew / Oh whats a little boy to do

Fetch a stone, fair and river-smooth Kiss the surface just to humor you Oh, how the ripples spread / To dapple us with hope and dread

Take me where the river tames / Paths coalesce but are not the same

Forego, my love / This foolish fancy Hasten from the waters where they seethe Forego, my love / This pleasure passing Meet me in the silence where it sings Meet me in the silence where it sings

Your naked yearning bids me follow thee Slipped your gown to fall around your feet Skirt the granite span / Oh, what’s a boy if not a man?

Fist of meadow rue and columbine Currents eddy, fingers intertwine The river-way is true / From confluence to ocean blue

Take me where the river tames / Paths coalesce but could they be the same

Forego, my love / This foolish fancy Hasten from the waters where they seethe Forego, my love / This pleasure passing Meet me in the silence where it sings Meet me in the silence where it sings

For we are many streams From the cradle to the silent sea / Let the undercurrents carry me Take me where the river tames A myriad of fleeting things / Take me, take me Where the river tames

[chorus]

Videos coming next week and potentially a music video!   <_<   >_> Listen in tomorrow and thank you so much for your unyielding support and friendship! We are a third of the way to our goal, and I think we can make it happen! Stay awesome!

<3 MB

[mightybrother]

Behind the Scenes: Making “van!”

by KELSEY HAHN (aka biggest fan)

Shortly after first meeting Nick and Jake, we were hanging out at a show at the late Rachael’s Café when they started telling me about this idea to make a music video for “van!” It sounded great, sure, but as plans were hatched, the videographer would back out last minute, or a van would be at our disposal yet manage to spontaneously combust precisely at the moment of need, or some other abortive combination of mishaps would hinder its creation. But the great Michael Wissig availed himself with his great video-capturing talents, and the van was there in all of its thunderous glory (sans explosion). The video happened, and a group of 22 of us had a blast. Let me tell you about it.

It was an insanely hot and humid day in late June when my roommate (dressed like a goddamn mermaid) and I rolled up to IU’s Memorial Stadium. There was no one there, so I’m like, Oh god, I was right. But Nick soon arrived via minivan with a mattress, a futon, and a trunk full of props in tow. Gradually our group grew. We climbed trees and sat in the sun playing with hot dog and banana costumes along with various life-preserving gear until our other Mighty Brother and videographer pulled up in the most amazing spectacular van I’d every seen. It truly was the van.

If you’ve never attempted, and traditional work-outs aren’t your thing, van-surfing is an insanely effective leg work out. My calves still feel like steel a month later. As I said, the day was hot, and the back of the van was even hotter. The first go around and there were five of us flailing in the back of the van, Nick driving like an absolute madman. The rest of the afternoon saw a cast of American Jesus, Safety Banana, Hot Dog Babe, Mermaid Princess, Bearded Grandma, and other beautifully costumed souls doing their van surfs with accordions and tambourines and tiny guitars and tiny drums and soccer balls and pool toys.

Full disclosure, I am naturally a god-awful driver. Absolutely terrible. That being said, I was thrilled/nervous for the van’s actual owner when I got to drive the van so Nick and Jake could surf in the back. When you watch the video, you will notice they do a lot of falling down. >:) Karma is very real, Nick.

Thinking this endeavor would take all day and maybe some of the next day, it turned out that the power of friendship and collaboration saw us finish out shooting all the scenes in about 4 or 5 hours, and that included a good 45 minutes or so of lazing around the stadium parking lot kicking the soccer ball around while some of us non-musicians tried to figure out how accordions work.

The last scene we shot was a truly fitting finale to the day, seeing our previous group of about 10 people grow to 22, including 5 badass break-dancers. We covered all the windows, turned on the party light, and somehow crammed about 15 people in the back of the van for the most sweaty, intense, anxiety/claustrophobia-inducing 4-minute dance party that’s ever been. Next, Wissig shot the 5 break-dancers doing their thing in the back of the van. This looked hilarious from the outside, as the van shook violently and you could hear the numerous thuds of heads and limbs against the walls and floor.

And then we packed up and went home and took much needed showers and ate burritos, and while I can’t speak for all 21 others, I passed out hard. My legs were sore for four days.

#vanlife