Polloloo ☆

I like persona games, ace attorney, Idolish7 and aitsf :>

[palmtreehero]

Day of fates

I CAN'T BELIEVE I FINISHED A 9 PAGE COMIC IN ONE WEEK HAHAHA- (deranged fr)

I’m fashionably late and extending this akeshu holiday! I drew a February 3rd story instead of the usual 2/2 flavor since I wanted to explore more of how it’s still both hard for them even after coming to a decision… the regular happy akeshu will be back soon!

[revaleweek]

RE:VALE WEEK 2026 PROMPT LIST

The event will be running from APRIL 9TH to APRIL 15TH as we count the days until re:vale's 2026 anniversary! asks are open if you have any questions! Looking forward to everyone's works!

NSFW prompts list below cut

[keicordelle]

momo nightmare ficlet where he gets up on stage at the reopening and then actually can't sing. he wakes up in a cold sweat and then is so panicked that he ACTUALLY can't sing. and yuki's not there, because they don't live together anymore, so he's just alone and panicking and spiraling

maybe he manages to call yuki tho, and yuki can hardly make sense of what's gonig on on the other end of the phone, but it's clear this is not a booty call and something is WRONG. so he doesn't even hang up, he just keeps Momo on the line and speaks soothingly to him as he runs out in his pajamas and heads straight to momo's apartment

[pinkishcats]

it's unfinished and I'm never gonna finish it so might as well post it <3 hope you like it

re:member spoilers*

this is gonna be the last thing I post, I'm gonna quit art because of health issues thank you so much for liking my art and supporting me <3

[movingdeactivating8910]

salvageable

[sillyzubat]

It’s them and you can’t convince me otherwise

[sisaarts]

Match Made In Oven 🛡☕💍💒

[sakuraxharuka]

a cutie 🌸🥢

[winter-doggo]

Hello I remembered I could do things with 3d models and smushed them together like dolls. my friend wanted me to post them so here, asoryuu kiss upon ye ^u^

ryunosuke is on his tippy toes. by the way.

[dragonnon]

why does it feel like sometimes Kazuma's themes could just be from the perpective of Ryunosuke? which is interesting considering the line Kazuma says, "i'm not the one who's changed Ryunosuke, you have."

Kazuma's first theme sounds like a downright heroic folk hero, someone you look up too and can depend on. the meter is focused and stays on point, every individual instrument waits for their perfect intervals. the bass instrument keeping them all steady. then an arpeggio comes and the original melody instrument stands aside and only plays as an accompaniment before coming back as lead with fanfare playing as it leads back to the main melody. there are a lot of japanese instruments in the song which go away in later themes. there is a kagura-suzu which is japanese bell! i really like it's sound!!!

in Nocturne, instruments are overlapping more but are quieter for the main melody which i think is the koto. it's no longer so steady, the bass is gone and i interpret the bass with his life/passion. no longer feels like a force always by your side more like a tun playing in your mind. the determined and steadfast arpeggio is gone and never comes back. and there are these contemplative plucking violin(?) strings in the middle section. they give me of the feeling of reminiscing. i feel like the last part before it repeats is Ryunosuke remembering all of the good times they've had, and then once it repeats that's him remembering he's gone. in this theme, all the other instruments take a real backseat to the main one. it's Ryunosuke remembering the best part of him, his main melody so to speak. the Kagura-suzu is still here. In His Glorious Return, it starts out like a very triumphant and yearned for version of samurai on a mission (if that makes sense) until the brass section rests and it becomes almost exactly like Nocturne, something i find extremely interesting because of that part where susato was talking to kazuma in the departed soul scene, ryunosuke was looking towards the ground lost in thought around the same time this part plays i believe? it's almost as if he's remembering all the times he's grieved him.... thus the nocturne version playing. the Kagura-suzu is now gone :( it is now "replaced" with snapping. A prosecutor reborn, oh my god a prosecutor reborn, if it didn't have the same melody i almost wouldn't be able to tell it's the same character. most of his original japanese instruments are gone, and have been replaced with ones that are more associated with britain's characters. almost as if he seems more alien to Ryunouske. he borrows several instrument's from barok van ziek's theme, like the violin, and harpsichord. and yeah, the harpsichord absolutely haunts this song. it's EVERYWHERE. someone told me once the harpsichord represents the professor, so that's FUN. it's not like the professor absolutely haunts this guys life (,:'D) i think the only thing he keeps is his bass which is used way more sparingly than it is in SOAM. and interestingly, the kagura-suzu is back, but it is only used like twice i think. (☹️), its still kinda replaced with the snapping The opening almost sounds like an unveiling, as if seeing the man for first time and he's utterly terrifying. and then it jumps straight into this unfamiliar melody not heard anywhere in any of his other themes. it's reminiscent of barok van ziek's theme. ...because Ryunosuke barely recognizes him. he's nothing like who he's known... right? and it just keeps getting grander and grander! it then comes back to this more familiar part kazuma's iconic motif, but the notes are now in legato, and the melody's been changed by one note, and though it's only one it is NOTICEABLE. it distracts from how everything else about that section was so familiar. (when i first heard it i was actually taken aback)

now for the part that i'm crazy about THE MIDDLE SECTION HAS THE GATEWAY TO THE TRUTH THEME WHICH IS THE SAMD MOTIF THAT PLAYS IN THE PROFESSOR THEME! IF YOU LISTEN TO THEM BACK TO BACK YOU'LL HEAR THEM! Kazuma could've BEEN the professor if he didn't turn his heel and left! if he had killed gregson in pursuit of his mission, he could've become that! and the fact that motif is in this song is so important in showing that. just WOW. this song is Ryunouske finally seeing a different side to kazuma. him in his grief and rage, him at his 'worst' it's quite unlike how ryunosuke sees him in nocturne where it seems he is remembering only the absolute best parts about him like it's so easy to do when in grief.

listening to his themes with all that in mind has been a tear-filled hell for me, but it's always how i've thought of it basically.

[twistednocturnal]

니가 내게 선물한 까만 열매를 삼켜버린

그날부터 영원한 회색이 되어버린 나의 앙상한 날들

from the day I swallowed the black fruit that you gifted me,

my dull days turned grey forever

[shitpostingkats]

We need less "shy, anxious, always second guessing" Apollo in fanworks, and approximately 400% more of whatever the hell this is.

[squishieeeeee]

[boatgrave-deactivated20250901]

[mysteryteacup]

*Scrolls past*

*reluctant sigh*

*scrolls back up*

*rebogs*

[maskedchip]

[bobbyjeanne]

i actually think that this concept art is really interesting when you consider what it means for herlock’s character and his relationship with yuujin. the truth is that we know next to nothing about how those six years they spent together went, but this illustration kind of tells us everything that we really need to know: by combining this and what we see in their relationship now, kazuya nuri has told us everything about them through just a simple drawing.

this is most likely towards the earlier stages of their partnership, so herlock is probably only around 18-20. obviously he is visually very different from the herlock in tgaa—his “casual” appearance is much less put-together, his hair is longer, and his posture is much more relaxed—but what immediately catches your eye is herlock’s expression! you could interpret it as him being lost in thought or him looking a little pissed off, but we would NEVER see today’s herlock making an expression even resembling that: his deductions are meant to appear effortless, after all, and he never really expresses his true feelings. he has his serious moments, but he would never appear that intense.

and i just. i think it is so, so sweet. that yuujin’s friendship was able to change herlock so much. when you look at him in this illustration you can immediately understand who he is: a moody, young adult man (glorified teenager) who doesn’t really understand who he is yet, doesn’t know how to open up to other people, doesn’t know what to do with himself. and yuujin’s kindness is what changes him fundamentally: his friendship, his support. as much as he cares about susato and ryuunosuke, he MEANS it when he says that yuujin is his only true friend. because as much as they mean to him, they haven’t seen him at his worst. they haven’t helped him grow into himself. they didn’t give him the most important person in his life.

at the end of the day herlock isn’t perfect. FAR from it; he’s a fucking mess. but yuujin’s influence helped him. saved him, in a way, and because of that, he’s happy. even though he struggles with rent constantly, though he still keeps his heart locked up tight, he is happy and he has a daughter and that’s what matters. and nuri conveys all of this through just one picture to accompany the story :)

[arxcii]

the four horsemen of the apocalypse (wherein you say something interestingly sus)