Christian Marclay

shark vs the universe
Show & Tell
we're not kids anymore.
he wasn't even looking at me and he found me
Monterey Bay Aquarium
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izzy's playlists!
YOU ARE THE REASON
NASA
Cosimo Galluzzi
TVSTRANGERTHINGS
will byers stan first human second
macklin celebrini has autism
2025 on Tumblr: Trends That Defined the Year

titsay
Aqua Utopia|海の底で記憶を紡ぐ
Cosmic Funnies

Janaina Medeiros

No title available
KIROKAZE
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@mindedpuke
Christian Marclay
Christian Marclay
Bob Nickas wrote what is, quite possibly, the only critical piece you’ll ever read on Christian Marclay’s “The Clock.”
Deep Subtitles - Grégory Chatonsky (2016)
A neural network tries to describe what he sees by watching the movie Blow-Up (1966) by Michelangelo Antonioni. His mischaracterization produces a second parallel story in the film’s narrative.
Un réseau de neurones tente de décrire ce qu’il voit en observant le film Blow-Up (1966) de Michelangelo Antonioni. Sa description erronée produit une seconde histoire parallèle à la narration du film.
Genevieve Gaignard X Shulamit Nazarian at SPRING/BREAK Art Show.
Maggie Cheung in Irma Vep (Olivier Assayas, 1996)
TIME SPENT THAT MIGHT OTHERWISE BE FORGOTTEN - Diane Meyer
(2011- 2016)
In the series, cross stitch embroidery has been sewn directly into family photographs. The images are broken down and reformed through the embroidery into a hand-sewn pixel structure. As areas of the image are concealed by the embroidery, small, seemingly trivial details emerge while the larger picture and context are erased. I am interested in the disjunct between actual experience and photographic representation and photography’s ability to supplant memory. By borrowing the visual language of digital imaging with an analog process, a connection is made between forgetting and digital file corruption. The tactility of the pieces also references the growing trend of photos remaining primarily digital- stored on cell phones and hard drives, but rarely printed out into a tangible object.
Woman waiting to proceed south at Sunset and Highland boulevards, Los Angeles, at approximately 11:59 a.m. one day in February 1997. Photography by Andrew Bush.
Christian Vium
Jean-Marc Bustamante
Fête 71 - Thomas Lévy-Lasne (2015)
We might not have girlfriends but we do know how to have good time - Jeremy Deller (1991)
Movies That Made Me Cry - Jonathan Horowitz (1996)
Single-channel video sculpture
Tapes of the four movies that made the artist cry are altered only by the superimposition of the year in which he saw each movie and cried.
“Does she have a nice body? No. Does she have a fat ass? Absolutely” - Jonathan Horowitz (2016)
Digital C-print mounted on recycled hexacomb paperboard
Boxes - Martin Creed
Yöshi Sodeöka, E. from Distortion II series, 2011