vincent & anton shepard, twin vampire OCs for rp purposes. sideblog to @obligatorial.
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@mirrorfangs
vincent & anton shepard, twin vampire OCs for rp purposes. sideblog to @obligatorial.
One of Quill's hands moved down to rest on his belly. He took a drink before he answered. The smear of red on his lips was quickly cleaned up by a well - practiced swipe of his tongue. ❝Yeah, she is ... I might end up staying down here. I'll lay on the couch and let your dad get some sleep.❞ Quill chuckled, palm rubbing against where he could feel the baby resting.
❝It's alright, though. I shouldn't complain : she'll be here — well, whenever she wants, at this point — and I'll miss it.❞ He spoke as if he hadn't been sitting in the kitchen intentionally for a long time, eyes narrowed at the family - based app that insisted Vincent wasn't coming home yet. Mere coincidence, he excused, and not the worry eating away at him.
Quill released his mug and leaned in to wipe an invisible something from Vincent's face, much like he used to do when the twins were boys. The edge of his thumb brushed along Vincent's cheek and back into his hair. ❝I'm glad you had fun,❞ he said. Quill's voice was forcefully light, which made the bluff behind why he was posted up all the more evident. ❝You and Jerome have been going out a lot. Please, baby, all I ask is that you're careful.❞ Quill inhaled deeply. ❝Text me next time you're going to be home so late, okay ?❞
You shouldn't... started up in Vincent's throat, but never quite made it out all the way. Who was he to control his Momma's decisions? Much as the living room couch didn't sound like a good idea for his incredibly pregnant self, Vincent held his tongue. Even when his mother reached out to touch him like he was still eight years old and crying because the kids at baseball were making fun of his bad arm.
"You're worried," he said, red eyes looking into their near-perfect mirror. It wasn't a question-- Vincent had a way of stating things like his father did, albeit with more understanding of the importance of tact-- but it wasn't cross, either. As frustrating as it was that Momma looked at him like he was still a kid, sometimes he got this look on his face that resembled a kicked dog. Vincent could never stay annoyed at him for long.
"Momma, he's... a good man." Mostly. Reaching up, Vincent held his mother's hand in his own. "You don't have to worry about me, okay? I've been able to take care of myself for a while now."
The silent plea for added proximity was complied with automatically; Charlie did not mind it at all, and perhaps their desire-driven encounters had been the most genuine thing about the grifter in relation to Anton. His mark was a handsome, devoted man - there had been no need to fake the gasps and moans that followed their nights together.
Beautiful, trusting, talented, rich: Anton was the perfect target for someone as despicable as Charlie, his innocence and eagerness leaving the artist vulnerable and exposed. And while the grifter had used that infatuation to empty Anton's metaphorical wallet, Charlie hoped the trauma he would leave behind could teach the sensitive, poetic soul a lesson about trust.
There were much worse people out there - Charlie would hate to see how they would destroy instead of merely wound Anton.
The string of compliments was interrupted only by good-natured laughter; the conman's trademark baritone filled the air around them as the painter listed all the things he thought Charlie was good at - and while these were not lies, they had been fabricated to suit Anton's tastes and preferences. The actual, real Charlie wasn't that polished creature - but he had been buried by layers of falsehood for years now.
The kiss to his mouth had the grifter smiling against his mark's lips, Charlie then gently pulling Anton closer by the loops of his belt. He swallowed the strange wave of pride mixed with sadness that went down his throat with the commentary about the tableau - it was pretty alright, but hardly an original and deserving of all that attention. The idea that Anton wanted that last one brought to his magnificent sleeping quarters made the scammer laugh with him - not with gusto, but disbelief instead.
(The next guy who stumbled upon Anton would crush his soul so badly - and picturing that made Charlie uncomfortable. However, he stubbornly refused to call it 'attachment' - it was just a tad of decency, the same any person would show to an injured bird on the side of the street.)
"A bedroom fit for a king, hm?" Charlie murmured, sounding delighted and pleased once more, delivering his lines with the same authenticity of someone owning an Academy Award. "You'll have to send me a picture later... But for now," the conman murmured, kissing Anton's neck again and gently steering the man back to him, using both hands to pull the shorter man by his hips, "Why don't we give these fine gentleman in the picture a taste of what they will be looking at once it's up in your bedroom? We can talk about business later."
With each sentence, a kiss was delivered to a particular place - the tip of his jaw; the curve of his neck; the corner of his lips. Slowly, Charlie directed their interactions to the realm of physical attraction, benching the discussion about money. Sometimes, he employed that tactic to convince victims of giving in and finally buying what he was selling - with Anton, however, there was no need to further swindle the guy.
But Charlie could at least give him a proper send-off - as special as he could make it for the man who would be fondly remembered as the best mark he had in years.
The instinctive desire to admit I'll do anything you ask was swallowed up by the press of Charlie's mouth to his jaw, and by then all Anton felt was so unbearably in love it physically hurt him. Everything felt like teasing when he was so keyed up-- couple in the incredible scent of Charlie's blood whenever they were intimate and it was like swimming in burning hot tar. The need for control pulsed in the back of his head like a drum, and nothing but his own willpower kept his hands from shaking.
"I'd rather take you home and show you than send a picture," he murmured, but with how close Charlie was, Anton opted to shut up then and kiss him instead.
Like it always did, it felt like he'd been waiting forever for this. But Anton always missed Charlie as soon as he was away from him.
The hands that grasped either side of Charlie's jaw were gentle, so damn careful lest Anton snap his neck with the force of his want. His thumbs slid up the man's cheeks, rubbing into the bone, and in every centimetre of skin he swept all Anton could think was I love you, I love you, I really fucking do. Their lips met once, twice, and when on the third kiss Anton's tongue slid between them, deft fingers slid down Charlie's shoulders, chest, and stomach in sweet reverence. Anton's touch slipped around and down, palms curving shamelessly around Charlie's ass, and even amidst the press of their tongues he couldn't help the huff of a laugh into the other man's open mouth.
Charlie tasted so good. He always tasted so good.
And Anton never felt happier than he did when he got to have him.
"C'mere," he breathed, pulling back only to take Charlie with him and press him up against the wall by the perfectly framed canvas. Glittering eyes admired every inch of Charlie's face, and with a hand curving over his cheek, Anton's mouth took his once more. His other hand, sure and certain, popped every button on his shirt until the fabric hung open to either side of him.
If only he had Charlie on the canvas, splayed out amidst strokes of vibrant colour. If only he could fuck him over this painting without ruining the work Charlie so carefully did to make it look perfect. But the act of preservation was love, too, as much as the kiss and hint of teeth Anton pressed to Charlie's throat.
He could just sink his fangs in, and...
"Is it crude of me to say I brought lube?" Anton breathed, hands pushing Charlie's shirt off his shoulders before his lips met his chest, pressing kisses and nips on their way down to his stomach.
Shirt peeled off, Anton folded it lazily and set it aside on the floor when he kneeled. He nuzzled the flesh beneath Charlie's navel reverently before tasting it with his tongue, strong hands applying a squeezing pressure from his knees to his thighs all the while.
Glancing up, Anton's crimson-eyed gaze was sincere. "I missed you bad. Sorry if that's stupid."
Charlie's belt clinked when he undid it.
@connfidencegame, plotted starter.
Looking over the body curled up in its cage, Dajian realised he'd forgotten how disgusting humans got when they weren't cared for. When they first pulled this one off the street, he'd looked so damn smart-- not only in his attire, but in the wavy style of his hair, too.
Now his clothes were dirty, and they reeked of the sweat that they were stained with. His hair was greasy, his facial hair unkempt, and with the lack of nutrition and the definite dehydration, even his blood was beginning to reek. The Wei Coven's captive was now a far cry from the tempting meal they dragged here only a week before, and in a way it was almost depressing to look at.
But not depressing enough to keep Dajian from kicking the cage hard enough to rattle.
"Wake up, mongrel!" he called, knocking the rings on his fingers against the metal bars to make as much noise as possible. "Remember when I said I'd bring you a surprise at sunset?"
The night before, after four days of his men failing to extract any answers from this Charlie (the first two days were spent making him physically weak-- Charlie hadn't been allowed to sleep or eat, and was only given enough water to sip every six hours until the 48-hour period ended), Dajian elected to take over the work himself. Yesterday had been the first time he laid a violent hand on Charlie's body, even if it might be more accurate to say a violent "foot" instead with his preference for kicking. Dajian imagined the man was curled up because of stomach pain; he could only hope it made him suffer, considering that was where he kicked the most for every non-answer.
After Dajian finished beating him the night before, he had one of their meat stores brought to him and made a show of having his dinner-- a pretty, middle-aged woman that sobbed and pleaded for mercy-- in front of him. He could remember Charlie's horror when he ripped into her throat, and how acrid his blood had scented in his fear. Dajian even revelled in it when he allowed his men to feast at the same time, draining their human pig until it was a pale husk of flesh and bone. The corpse was left behind for Charlie to look at, and was only removed when he fell asleep.
"This is your last chance to tell me everything you know about Gavin and his Queen, concubine," he growled, rings tapping one-by-one on the bars. "Or else you're finding out what we look like when we're starving."
If Charlie strained to listen, he'd hear the muffled growling in the shadows of the room, even if it was drowned by the rattling of chains accompanying it.
A short but amused laugh echoed right after Anton's first bout of praise - no matter what he did, the other male would be prepared with no small amount of encouragement and eagerness to prove himself a steady supporter. It was insane; if Charlie had been religious, he would have described the other man as a 'miracle' - but as it stood, perhaps the famed pot of gold at the end of a rainbow was a more believable analogy.
While Charlie wasn't as ruthless as some people in his business where victims were concerned, their current arrangement reserved nothing but disappointment and heartbreak for Anton. Nevertheless, the grifter knew when it was time to pull the plug and move on. That night - that last forgery - would be their goodbye, even if the young artist did not know it yet.
He would get over the conman - he was pretty, talented, rich; surely a million other guys would be jumping at the chance to warm his bed and dry his tears.
"You're too good to me, Anton," came the fond remark, and for once there was sentiment to match the tone. Charlie meant it - his bank account never looked so fine, enough to even settle some controversial issues with unsavory people he had ran into a few months prior. So far, he had managed to stay off the grid - finding a new mark to work on had been an unexpected blessing.
Charlie then stepped closer to the other male, grinning when he lowered himself over the canvas with the posture of a professional. The first time it happened, the conman had held his breath just a bit - there was always the fear of being found out, even when one was decent at the job. But with every successful transaction and Anton coming back for more, Charlie started to get greedy; forging a Caravaggio was really as far as he could go.
"I can't claim the credit for this one. I have some connections and one of them knew I was working with a really, really generous artist who would pay anything to see this first. I gave him a finder's fee," Charlie shrugged casually, breathing in Anton's cologne when he parked himself near the other man, a hand palming his right hip and embracing the artist from behind with a lazy, comfortable grip.
"Finding a lost Caravaggio may be my best moment, Anton. I think I'll have to quit after this - I will only disappoint you later," the confession came as a sweet whisper, his own mouth now replicating the tender gesture from earlier and pressing a kiss to the other man's neck. In the darkness of the basement, save for the light directly above that desk with the tableau, Anton's fair skin and beautiful eyes were even more striking as if portrayed by a master of the chiaroscuro technique.
It was impossible to keep his shoulders from lifting as he inhaled.
Charlie was closer suddenly, though, and immediately every single sense Anton had honed in on him in turn. He could smell the human with remarkable sensitivity, and besides scenting what he'd had for his last three meals, hearing his blood flowing in his veins was something else. It was always remarkable whenever Anton was close enough to hear it; Charlie's heart was constantly loud to him, but when they stood in quiet spaces like this and were the only ones present, just hearing the pump of life inside him made Anton so excited he used to worry he'd throw up.
Now he only got dizzy when Charlie kissed him. After all the times they'd lain in bed together, and all the times Anton had pretended to sleep when he was trying to memorise the natural metronome of Charlie's heartbeat, he thought he'd be used to it by now. Alas, the press of the man's lips to his neck had him biting the inside of his cheek to stifle a whimper all the same.
"You could never disappoint me," he croaked out, throat dry with his thinly veiled desire. In an attempt to regain his composure, however, Anton blinked hard, and then straightened enough to feel Charlie more firmly against his back.
You're incredible. You're the most talented person I've ever met. You work so hard, and you try so much, and I love the way your fingers smell like paint and coffee when you finish a painting.
I'd fund a million of them if you asked me.
I'd buy you the world if I could.
"You have an amazing eye, Charlie." Reaching down, Anton's fingers threaded between each of Charlie's, pulling ever so gently to encourage him to wrap his arm more firmly around Anton's own body. "Not just with paintings, either. You find the best spots in the city, and you're great at pictures, and you always dress so nicely..."
But compared to Anton's usual fare of tank tops, t-shirts, and the occasional button-and-collar over jeans, Charlie was a fucking dream (and often Anton dreamt of fucking him). The only reason Anton looked presentable at any of his gallery showings was because he borrowed his brother's suits all the time.
Turning some, he nosed at Charlie's temple and kissed his ear.
"You're more beautiful than any painting I've seen." He smiled, entirely sincere, as he kissed Charlie on the mouth. "And you'll only get better at what you do, I know it."
I just wish you'd take me with you.
"How much is this gonna cost me?" Anton asked, turning away to regard the painting once more. Knowing this was Charlie's magnum opus made him desperate to have it on his wall. "More than any of the others, I bet, but...
"God, it's gorgeous, isn't it?" He laughed. "I might even hang this one in my bedroom."
"I can't say how much I appreciate you taking the time to come here," Charlie said with a smile that could light up the entire room - something about the boyish charm that paired well with the twin pools of intense blue and made him so damn disarming. No one would look at him and suspect of foul play - at least not initially; and surely not Anton Shepard, the talented artist who had been more than eager to talk about his work and go out for dinners since they had met at a vernissage.
(Well, perhaps 'dinner' was not the best term to describe what happened when they met - Anton didn't seem very hungry for much but Charlie, what was not at all a problem.)
The basement of the house Charlie was renting out had been fitted to look like something more proper for art storage - racks, cabinets and all sort of boxes were there, piled following rigid rules to prevent artwork for bending or getting exposed to the wrong conditions. Even the room itself had the temperature under control - from the outside, it did look like the home to an art dealer and who specialized in sourcing rare items... As well as introducing new artists to prospective buyers and collectors.
Anton was his last mark - someone with the financial means to acquire a lost Caravaggio. The artist was brought over to Charlie's residence under the excuse of taking a look at the painting to help authenticate it, but the gamble wasn't even selling it for an astronomical price to the other man - that was just a nice plus.
He had already scammed Anton out of so much using false deals with anonymous collectors that did not exist; if he bought the sophisticated forgery prepared as a last trap, that would be the final bonus.
"I never brought anyone here before - I'm kind of nervous," Charlie said at the bottom of the stairs, flickering the lights on and looking at his guest who was still at the last steps of the way and towering over the other male. Gods - Anton was pretty; impossibly pretty, like a renaissance angel. It almost made something deep inside Charles twist uncomfortably knowing that he would cause that face to cry.
— from @connfidencegame, unprompted.
To Anton, the whole thing still felt like a faerie tale, even if all signs pointed to the reality that it wasn't. He'd been blessed with a multifaceted education in the arts, art history, and preservation (his father, despite all his social failings, was the most supportive parent anyone could ask for), and he knew ever since the first piece he purchased that he was buying forgeries. But in Anton's mind, Charlie sold these things for a reason, and if he was helping the man pay his rent, or any of his debts, or anything related to the trials and tribulations of being a grown-up in the city, then these purchases were worth every thousand dollars spent.
Besides, Anton was sure all these sales made Charlie happy. And if he was lucky, really lucky, then maybe even he made Charlie happy-- not only in the smiles that Charlie wore around him (Christ, Anton had to stop himself from kissing him each time he saw them), but in the way that lingered so deep under your skin it almost felt like an infection. In the wake of their many trysts, Anton always felt a euphoria so deep in his bones it almost terrified him-- that this was right, that Charlie was everything, that he'd give his false, undead heart if that meant Charlie would never want for anything again-- but Charlie was just that special, wasn't he? And Anton was blessed to be the man that gave him whatever he needed.
As he met Charlie down the steps, the hand that curved over the other man's hip came unbidden. It wasn't enough to fully restrain him, not when this was Charlie's space, but the mix of comfort and affection was clear.
"You're great at what you do, Charlie," he reassured him, dipping his head to press a kiss to his shoulder. "You've never failed me before."
And even if Anton was speaking more to Charlie's talents in art instead of appraisal, the sentiment was sincere. He'd decorated his studio workshop with every single painting Charlie had sold him-- the epic crescendo of hours upon hours of work, and gallons and gallons of paint and coffee, and all the other little things forgers used to make their work more authentic. Sometimes Anton looked at them and imagined Charlie hard at work, meticulously examining every detail to make sure everything was perfect, and just the thought of that made him fall more and more in love.
He made these with his beautiful hands, and they're all mine now.
It took an awful lot of self-control not to hold said hands as Charlie led him deeper into his basement, but the soft wow that left his lips at the sight of the offered painting was genuine.
"Tell me how you got a hold of this one, again?" Hands in his pockets, Anton leaned in to admire every brush stroke on the canvas, and his dead heart fluttered at the thought of Charlie working so damn hard to get it right. "Any painting from his exile period couldn't have been easy to find, I'm sure."
He looked up as Vincent came in. Quill's thin fingers wrapped tighter around the warm mug in front of him. The dark, pungent liquid inside once flowed through his husband's veins and had been removed from the stash they kept for Quill's pregnancy cravings.
"Hey," Quill said, smiling. He stifled a yawn against his arm. Everyone else was asleep ( or tucked away, at the very least ). The only one left was their eldest, who Quill had taken to waiting up for lately.
"How was your night with Jerome?" Quill asked, patting the space at the table beside him. The smell of the human wreathed around his son was thick. Quill may have been distracted lately with the imminent arrival of their latest, but he was no fool. It was obvious that Jerome and Vincent were quite serious, and it made Quill nervous.
— from @mycursedcaptain, unprompted.
Despite knowing he did nothing wrong, Vincent couldn't help the way he stiffened at the sight of his momma waiting in the kitchen. It was late-- too late, even, had Vincent still been seventeen and going to high school-- and he had been so certain that anyone who gave a shit about where he went would be busy with other things right now. Lord knows the past couple of times he'd been safely coming home to no-one else in his way.
But, indeed, here his momma was, and here the gesture to sit with him came. Vincent tried not to wince as he walked over, shrugging his jacket off along the way to hang on the back of his seat.
"It was fine," came his answer. The realisation that their superior senses likely meant Momma could scent Jerome all over him made his stomach twist. "We ate after the movie. It was great."
(And you could give me some dessert, Vincent had murmured only hours ago, fingers traipsing up Jerome's thigh.)
"What're you doing up, Momma? The baby restless tonight?"
ETHAN HAWKE as Vincent Freeman ━ Gattaca | 1997, dir. Andrew Niccol
Ethan Hawke as Finnegan 'Finn' Bell GREAT EXPECTATIONS 1998 | dir. Alfonso Cuarón