Bubblegum Witch

Impossible de me centrer alors j'erre j'erre - 22 - multifandom

[miss-moon-guardian]

A Dream of Foxes, six interconnected poems by Lucille Clifton:

fox / the coming of the fox / dear fox /

leaving fox / one year later / a dream of foxes

artwork: Greed, Gail Potocki. Study for Greed, Gail Potocki.

-

inspired by @ellenatural 's elle is a fox agenda

[elleskate]

Kate x Baran… if you know you know

https://archiveofourown.org/works/89682056

[thel1lliesbloomed]

𐙚⋆°🦢⋆ᥫ᭡

[cressidascowper]

THE WOMEN OF THE PITT ✸ TAROT CARDS ✸ (in/sp)

[warpebble]

[cressidascowper]

#arms #arms #arms

THE PITT S02E07 | S02E15

[corrodedparadox]

Revisiting the same concept sketch a few years later. 2024 vs 2026

[petaltexturedskies]

I dreamed that you bewitched me into bed and sung me moon-struck, kissed me quite insane. (I think I made you up inside my head.)

Sylvia Plath, from "Mad Girl's Love Song"

[elles-greenaway]

500 CELEBRATION: 🏹 for @sapphicathenas

jelle + things i wish you said by sabrina carpenter

[miss-moon-guardian]

Would you guys think I was crazy if I wrote something for Elle Greenaway and Cassie McKay I am having thoughts

[third-of-prentaway]

If Elle Greenaway has zero haters… I have successfully killed them all.

[nixscriptum]

[divineandmajesticinone]

THE COMPANY OF WOLVES (1984) dir. Neil Jordan "I'm sorry. I never knew a wolf could cry."

[requiem-on-water]

The Death Of Sappho (detail, 1896) by Charles Amable Lenoir

[petaltexturedskies]

Sylvia Plath, The Letters of Sylvia Plath Vol. I: 1940-1956

[glittering-snowfall]

the company of wolves, dir. neil jordan | ginger snaps, dir. john fawcett | tanis macdonald, "'out by sixteen': queer(ed) girls in ginger snaps"

[miss-moon-guardian]

The Women of Criminal Minds as the Women of Ballet:

Elle Greenaway as Juliet Montague; Romeo and Juliet (Prokofiev)

I'm back with another series (hopefully!) - I've cheated a bit by using a picture of Lola instead of Elle but how could I not when her Italian pas de chat is this gorgeous.

What makes Juliet such a fascinating role, and ultimately what made me decide it for Elle, is how her ending is foreshadowed throughout the choreography. In Macmillan's version (and likely others, though I am less familiar with those) steps of choreography from she and Romeo's bedroom pas de deux are later repeated in the final pas de deux, in which Romeo dances with Juliet's limp body, believing her to be dead. From the moment her story begins, there is no other way for it to end. She can run as she likes from it, but it finds her in the end.

- O happy dagger! This thy sheath. There rust and let me die -

Juliet does not die for a lack of love like some of ballet's other heroines (Giselle) but rather because of love. She is readily given the love which she comes to desire - taken by it with such force that it consumes her. For the short time which she possesses that which she desired most, it becomes what she lives by - when faced with its loss, she does not know how to continue her life without it. As with many stories, the Juliet who begins the ballet is not the Juliet who ends it; she has lost who she once was somewhere along the way, changed by the events which follow both her own and others actions.

"when i first started this job, the sound of my phone ringing, a call from the bureau, I used to get so excited the blood would race through my veins...now, that same sound, It paralyzes me. I'm not the same person anymore."