Artbook scans Part 1
Part 2
Sweet Seals For You, Always
RMH
Misplaced Lens Cap

if i look back, i am lost

izzy's playlists!

ellievsbear
Mike Driver

⁂
wallacepolsom
No title available
DEAR READER
taylor price
Cosimo Galluzzi

JBB: An Artblog!

祝日 / Permanent Vacation
No title available
occasionally subtle
art blog(derogatory)

tannertan36
let's talk about Bridgerton tea, my ask is open

seen from United States

seen from Switzerland
seen from United States

seen from United States
seen from Ireland
seen from Argentina

seen from United States

seen from United States

seen from Türkiye
seen from T1
seen from T1
seen from Italy
seen from United States
seen from Netherlands
seen from Switzerland

seen from Singapore

seen from Germany

seen from United States

seen from United Kingdom
seen from United States
@mitatf
Artbook scans Part 1
Part 2
yeah
it’s late and i’m making this kind of thingsss
I was cleaning up my blog and found this one.
Some of them were made with my nails, so maybe they’ll disappear with time, but one of them is half a year..
I really wanted to become a better person this year, guess I failed once again…
Muchas de las que hice con mis uñas desaparecieron ya. Los mayores agregados son que ahora tengo gatos, una caída y que me enamoré de una fumadora y se me hizo romántico quemarnos mutuamente con su cigarro.
miku is my favorite evangelion character <3
Recently someone got the Blu-ray version of 3.333 and that has the storyboards of 3.333. Some patched up a few of those minutes here. There’s quite a few things that didn’t make it in the final cut and they go from heartwarming to subtly unsettling to downright terrifying. Some of the later scrapped concepts feel like a completely different beast. They’re way more on-brand with OG Eva! Because these feel more faithful to the original series in how they’re handled, some of the imagery shown below isn’t for the faint of heart.
(warning for body horror under the cut)
Seguir leyendo
basically episode 26
Ranma ½ somehow manages to simultaneously be extremely transphobic and extremely trans-affirming in a way that I can’t even describe. It also is both homophobic and gay. It’s an enigma and an enigma I love.
No one has ever described Ranma's ambiguous queer state as perfect as this.
im going to be candid here + open in ways i cannot b or adequately express thru twitter (limited character count). lol yes this is a femslash grievance
but im tired of being in this fandom space where the full scope of human expression is naturally assumed in male characters w less screentime (less screentime = less time to complicate the initial assumption abt the character) while the interactions of the two women characters who are canonically involved by the end of the show and the start of the second move are flattened/desexed/fucking boring? yes this is abt ritsuko and maya
and im not talking just quantity or number of fanworks dedicated 2 these characters, and this isnt abt me being greedy+jealous+whatever u want to paint it. if there is any ritsumaya, its like, disgustingly tame and sanitized and this concentration of perfect honesty, communication, sentimentality, and articulated affection.
which. we know this is not how either of these characters are shown to communicate…? ritsuko evades sincerity or outright lies. she uses her own cynicism against maya in the most condescending way possible to dismiss maya’s ethical concerns. ritsuko’s blunted emotionally except when she’s teasing ppl+admonishing misato for the same kinds of behavior that ritsuko herself is guilty of (and worse), or she’s engaging in her own private joke–laughing at everyone who is out of the loop. her chosen love interest is not only her dead mother’s ex lover, but the most withholding and passively+actively violent character in the show, who she knows to be sexually abusing rei, the teenaged clone of his dead wife– all while ritsuko herself neglects+dehumanizes rei, save for the bare minimum required to maintain rei’s shape.
maya follows ritsuko–almost blindly–defers to ritsuko’s judgment, listens 2 how ritsuko discusses the pilots (always as objects, clinically, things 2 be quantified and studied 4 her project), is able 2 look past this, enable it. we know maya is similarly a child of the post-2nd impact world, and all that baggage we know it to carry despite all appearances 2 the contrary. if ritsumaya is canon (it is), then u have to work a lot off what we know abt ritsuko 2 determine maya’s character. what kind of person would ritsuko be drawn to? what needs are not being met in gendo that maya would fulfill? how does a woman who is imprisoned her mountains of deceit+secrets+planned betrayal, by her own selfish desires + pathologies, treat someone who might offer her care, based on how we know ritsuko 2 behave in show? how does a relationship look when one party is lying, who knows that nothing matters bc theyre all going 2 die? how does ritsuko dehumanize maya, how does maya resist that? how would someone like maya respond 2 this, maya who is prudent+fastidious+dedicated+focused+a genius in her own right, if not a little naive. how does ritsuko’s cynicism meet maya’s optimism? how do we see that same cynicism act as a corrupting force in maya’s tolerance for the inhumane?
i mean, realistically, they dont behave like saints lol. and theres an element of misogyny in projecting+assuming that bc they’re women, they are emotional and serving and passive and sexless. like those characteristics r hangups of misogyny and patriarchal conceptions of womanhood… and yet this is how i see ppl online pay lip service / wave empty gestures in their direction. (”i like femslash! look!” [presents the most boring, flat, missing-the-mark empty description abt the 1 f/f ship after rt’ing/rb’ing copious amounts of fetish art abt their obviously preferred m/m ship). give me a break. id rather u just outright ignore them and say stg misogynistic abt femslash not being as compelling, since thats what everyones actions say anyway lol. (and just as an aside, i think its worth interrogating in ourselves the way we respond 2 our own internalized homophobia/lesbophobia, by looking @ or considering how our own internalized beliefs abt the lesbian erotic become translated as de facto predatory or pornographic. i think sometimes this impulse 2 sanitize lesbians is done out of fear of acting out patriarchy. but like… thats something to work thru, not avoid by playing into the very tropes that do similar/analogous harm…?)
and i do think theres a connection btwn the flattening of women characters so that they’re “good representation” and “safe” (whatever the vocab is) and lack of engagement w them. no one wants to take time to actually look @ the complexities of woman characters. “they’re written poorly, idc” no, i dont believe thats the case for every piece of fiction, and it’s absolutely not the case w evangelion lol.
we’re drawn 2 stories that show us our ugly parts, that build tension + find resolution (and many times that resolution isnt perfect, or what we expected). we want 2 express and see an expression of our anxiety+hurts+grievances, to RESONATE w something. we use fiction 2 engage w our misery and find new meaning from there. the way lesbians r written precludes that. how can u find expression in something that doesnt exist? no one has a perfect relationship. if ur drawn to a show like evangelion, that practically kicks u over the head w the violence of intimacy, why would u assume that, just bc theyre lesbians, they are somehow exempt from human pain? iddddddddk.
its just funny…..like u have 1 lesbian ship that everyone pays lip service to + tweets/posts empty platitudes abt being a ritsumaya fan / ritsumaya hive / “ritsumaya will win” bc theres this perception that lesbianism is politically “good” (diff convo) and makes u “on the right side of history” and then their blogs r just entirely kawoshin, w the most chaste/sanitized/Saintly representation of ritsumaya, which has been recycled ad nauseum all yr bc no one wants 2 actually engage+think thru+perform the labor of characterizing+constructing women characters w all their concomitant complexities and misery, in a show whose cast is predominantly women, whose depth 100% owes itself 2 the many types of experiences of womanhood. give me a break
Your name is like an anagram of my first webcomic and it's freaking me out
Lol
What is it called? 👀
Can I see it? 👀👀👀👀👀👀
Ranma 1/2 coloured pages from Weekly Shonen Sunday 1987 #43
Broke: Ranma 1/2 is a comedy about a cis boy who loves martial arts trying to become normal again
Woke: Ranma 1/2 is a commentary on toxic masculinity's effect on society
Bespoke: Ranma 1/2 is a comedy about a trans protagonist exploring gender identity and coming to terms with their gender while battleing toxic ideals about what it means to be a man in society, ultimately leading to the main character giving up those ideals entirely to live a blessed life
It's very funny masculinity in Ranma is painted as kinda shitty and the only man who can control his horniness and knows about consent (aside from the dads, genma, soun an principal kuno) is the one who is sometimes treated as a female and has tits Ranma himself is kinda shitty to Akane by laughing about her insecurities tho Also Ranma using both, hypermasculinity and hyperfemeninity as a performance to manipulate people around is interesting, his real self is coded as sometimes a bit to affeminate for a boy, but too tomboyish for a girl.
fma just suffers so much from the fact that its two political mouthpieces are a war criminal with a god complex and a white liberal pacifist like if you look at it as a series made up by its emotional beats and character development alone it’s phenomenal but the politics of it are just so bad and it frustrates me that ed is painted as this person who cares too much about the suffering others undergo but somehow finds it difficult to sympathize with a man whose people were ruthlessly murdered nearly to extinction. it’s not just a disservice to his character arc but to readers of color who relate to scar’s plight and suffering and have to see their struggle so decentralized bc the militant perpetrators are ultimately more important and portrayed as more sympathetic characters
I think it is important to remember that fma wasn't written by a white person, but by a japanese, and, yeah, Japan does share an imperialistic history, but it is not the same as Europe's, the country she is putting her story in; I mean, it is not a white person pitting herself, but reflecting the position of her country by the biggest baddy Europe (or even nazis).
I think that fma's achievements in the political thing stems more from the fact that, trough anime, Japan still pays homage to its military culture, with a lot of soilder boys being painted as good and cool in a lot of anime; while Fma goes "well, maybe military is bad, maybe propaganda exists and Ishvalans had no fault, maybe Scar did a lot of shit, but it was because we did it first (dare USA write a very religious brown men turned terrorist who is actually a victim and someone you have to feel symphaty for in a very popular piece of media), maybe soilder boys are bad, maybe wars and fictional threats are created by powerful countries so they can take advantage of poor country", I value that a japanese women is saying that, aknowledges Riza's and Roy's fault as war crimminals, while doesn't led them just pity themselve because they have war trauma (that a lot of american movies do!!, as the traume of their soilders was the only bad thing with war), but also let them fix things up and actually aknowldege the ishvalan massacre (insted of the so call "civil war"), and, to my perspective, it feels more like taking responsability than "white saivour" (also Scar an another guy with ishvalan blood are the ones leading the recosntruction stuff for ishvalans on Amestris side).
Also a third country gave ishvalans weapons for personal interest against Amestris and then denied ishvalans help to the refugees, classic europe/usa.
I'm also from a browncountryvictimizedbycolonialismandusa'simperialism and I know imperialist countries keep making stories around the imperilistic side, and that's kind of obvious as it is about them, and I know it can be done since avatar did a similar thing with them taking another culture to talk out its own imperalism, yet they went on the side of the affected, not the perpetrators, yet I think it is also important get full on the side of the perpetrators, that people get in on the expectation of "soldair boy with superpowers cool", to then get a big drink of actual consequences of war and imperialism instead; and maybe reavaluate the things they are told from their military force about the evil muslims immigrants ishvalans that are a threath to their countries.
About Ed, naive guy who doesn't understand a lot of the complexity of the world even if he is smart (he being more humble and less arrogant was kind of a strong point in the series) gets intercepted by some dude who wants to kill him and had already killed his gf parents and Nina and he is hateful towards him. I think this actually makes it stronger, that, yeah, Scar did this things, Scar is angry, revengeful and is violent, but he has a reason to it and is ultimately a consequence of amestris military force. I think that is important, specially in today's context.
Chat sacrificing himself numerous times is what I would call "performative teamwork" - it seems rather noble and good of him, and he may even have good intentions, but in the long-run, it places far more pressure on Ladybug to do well than actually help her win the day.
wanting and not wanting at the same time
a comic for asexual awareness week
bringing this back today for the start of pride month. still overwhelmed by how well this comic went down and with how many people relate. it’s easy to think aro-ace people are all totally accepting of their identities and really proud of who they are. i guess on websites like this you see a lot of people proudly putting their identity in their bio, a flag in their profile picture.
in fact i think a lot of aro-ace people really hate that part of themselves, hide it, and struggle for a long time to ‘accept’ who they are and feel any sense of ‘pride’. that’s the feeling i wanted to capture here. the disappointment, the loneliness, upon realising that you can’t feel what is such a wonderful thing. the embarrassment of not being ‘normal’, of being some random sexuality that nobody irl has heard of, and letting down those around you because you can’t be who they want you to be. how desperately you want to change, how desperately you want to feel. but you just can’t.
i know not all aro-ace people feel like this. i know lots of aro and/or ace people feel able to be in relationships, to feel closeness and have partners in other ways. but i think it’s important to be aware that some aro-ace people do feel like this.
the comments on this comic have mostly been great but a few have been very frustrating. a comment it got a lot was along the lines of ‘aw!! you don’t need to have sex to be in a relationship!’. you completely missed the point, hah. this is not a comic about sex. it’s about a lack of feeling, the lack of something beautiful other people seem to have. another comment that popped up a few times was ‘maybe she’s a lesbian’. well maybe lesbians and aro/ace girls have more in common than people think - maybe they both often struggle to accept that they feel no attraction to men, even though society has conditioned them to do so, sometimes spending years trying to force themselves to like men in that way, when they just can’t.
this comic is called ‘wanting and not wanting at the same time’ because she wants to love. but when it comes down to the reality, she can’t fulfil the requirements of that. she wants to love someone forever, to get married and have children and grow old with her soulmate, but she doesn’t want it with this person. or that person. or anyone she meets or will ever meet. a sort of catch 22, i guess.
hope that makes sense. thanks for listening, and have a lovely pride month ❤️
Coucou c’est moi
Boyz n the Hood (John Singleton, 1991)