That time @xhaztol-fr was a dinosaur
Never forget
h

Jar Jar Binks Fan Club
Lint Roller? I Barely Know Her

Love Begins

gracie abrams
Sade Olutola
Show & Tell
he wasn't even looking at me and he found me
Misplaced Lens Cap
Keni
The Stonewall Inn
Claire Keane
ojovivo
TMBGareOK. The Official They Might Be Giants tumblr
Sweet Seals For You, Always
Interview Vampire Daily

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One Nice Bug Per Day

Kiana Khansmith

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@mmedepompadour
That time @xhaztol-fr was a dinosaur
Never forget
Beaty.
Yes, I took these.
Extra Skin
The only reason I hope Hell exists is so Thatcher and Reagan have a place to suffer for eternity.
Hocus Pocus dir. Kenny Ortega | 1993
What We Do In The Shadows FX - S4E02 - The Lamp
All of FR right now
Writing period dramas in the discord, lads
It’s been 84 years...
The revamped World Map is here!
[image: a rectangular image of part of the Earthshaker’s territory with the broken World Pillar. There is a Point of Interest Map Marker next to the Pillar with the words “World Map Revamp.” At the bottom of the image are the words: “Revisit familiar locations and discover entirely new ones in stunning detail!”]
Michelangelo
The Last Judgement, Sistine Chapel Altar Wall
Italy (1536-41)
Fresco; 1370 × 1200 cm.
Sistine Chapel, Vatican City
Sometimes I get so caught up in trying to find lesser known works to share with everyone, I sort of forget that some of the most famous monumental works of all time have Black and Brown people in them (thanks to mirtabrkulj for dropping a reminder in my inbox). Michelangelo’s masterpieces in the Sistine Chapel have a very interesting history of posthumous censorship (including how Daniele da Volterra got the nickname “Il Braghettone”, meaning “the breeches maker”), restoration, obfuscation, and general scandal.
The PoC in this painting mostly represent souls being lifted out of their graves and into heaven (or hell) during the final and eternal judgement by God of the peoples of every nation.
[high resolution image]
All of these images are from the same manuscript, the Historia de Proeliis [Royal 19 D I], illuminated in France by Jeanne de Montbaston in the 14th Century. I’ve shared almost of them in their own in separate posts, but I think it’s also important to show just how many of the total human figures in this lavishly decorated manuscript have dark brown skin.
The people represented here are from all walks of life: knights, “magicians”, kings, everyday people, worshipers, defenders, or representatives of a group.
Jeanne de Montbaston; Historia de Proeliis [Royal 19 D I]
France (1340)
British Library, London
Medievalists of Color (MOC)
Black Perspectives (blog of the African American Intellectual History Society)
Classics and Social Justice (with public FB page)
Conditionally Accepted
Constantinus Africanus
EIDOLON (also on twitter and FB)
feministkilljoys (blog of Sara Ahmed)
Global Middle Ages
Hybrid Pedagogy
In The Middle: Medieval Studies Blog
Race & Ethnicity (site of the MLA Committee on the Literatures of People of Color)
Society for Medieval Feminist Scholarship (SMFS)
Written/Unwritten: Diversity and the Hidden Truths of Tenure
Pieter Brueghel the Elder
The Adoration of the Magi
Netherlands (c. 1560s)
photos via supernaut.info
Pieter Brueghel the Elder’s paintings are famous for their depictions of 16th century peasant life in the Low Countries. He was nicknamed “Peasant Brueghel” for his habit of dressing down to crash weddings and other celebrations in the countryside to glean information and inspiration for his artworks.
5 Christmas Interiors Ideas | Get ready for the new ACNH update!