MANNERS. MAKETH. MAN. lemme translate that for ya. | indie kingsman/statesman oc multi .&. penned by scotch |
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MANNERS. MAKETH. MAN. lemme translate that for ya. | indie kingsman/statesman oc multi .&. penned by scotch |
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scotch. i only have four replies and matthew is just like ‘too long, not focused enough’. anyone wanna chat in the im??
scotch. this is what i do when i’m bored.
scotch. i just realized something with matthew. at any point, he could honestly escape from the hospital without much trouble if he was locked up inside of it after Mukozuke. he knows the rounds of the orderlies better than anyone, where they all keep their keys, how and where to hide the keys if they searched his cell for them, when to escape so the night shift won’t see him on the cameras or in the halls, how to be quiet enough to slip past the microphones, and what exits to leave from once everything else is done. no one would notice his cell is empty until they check it.
「 raudrakos . dr. lecter 」
“ Oh love, it is foolish and green – How quickly we forget the sting. What a pretty and dangerous line. What bitter yet delicious wine. “
“ i used to think myself an intellect, but i start to doubt that whenever you say anything. or are you intentionally trying to spin my head around?? ”
have you seen the way that smaller birds will mob a hawk on a wire?? you and me, mr. graham, we’re HAWKS. hawks are solitary. – and that’s their weakness. enough of those smaller birds get together and they chase the hawks away. imagine if the hawks started working together. | indie selective and private MATTHEW BROWN from hannibal tv series. penned by scotch, personals and non-roleplay blogs, no touch.
42 character development questions!
PHYSICAL PRESENCE AND GESTURE. 1. How do they move and carry themselves? Pace, rhythm, gestures, energy? 2. How much physical space do they use, active and at rest? 3. How do they position themselves in a group? Do they like to be the center of attention, or do they hang back at the edges of a crowd? 4. What is their size and build? How does it influence how they use their body, if it does? 5. How do they dress? What styles, colors, accessories, and other possessions do they favor? Why? 6. What are they like in motion–in different environments, and in different activities? What causes the differences between these? 7. How do they physically engage with other people, inanimate objects, and their environment? What causes the differences between these? 8. Where and when do they seem most and least at ease? Why? How can you tell? 9. How do they manifest energy, exhaustion, tension, or other strong emotions? 10. What energizes and drains them most? 11. How are they vocally expressive? What kind of voice, accent, tones, inflections, volume, phrases and slang, and manner of speaking do they use? 12. How are they bodily expressive? How do they use nonverbal cues such as their posture, stance, eyes, eyebrows, mouths, and hands? DISPOSITION AND TEMPERAMENT. 13. How do they greet the world — what is their typical attitude towards life? How does it differ in different circumstances, or towards different subjects? Why do they take these attitudes, and why do they change? How do these tend to be expressed? 14. What do they care deeply about? What kind of loyalties, commitments, moral codes, life philosophies, passions, callings, or spirituality and faith do they have? How do these tend to be expressed? 15. What kind of inner life do they have — rich and imaginative? Calculating and practical? Full of doubts and fears? Does it find any sort of outlet in their lives? 16. Do they dream? What are those dreams like? 17. Are they more shaped by nature or nurture — who they are, or what has happened to them? How have these shaped who they’ve become as a person? 18. What kind of person could they become in the future? What are some developmental paths that they could take, (best, worst, most likely?) what would cause them to come to pass, and what consequences might they have? What paths would you especially like to see, and why? CONNECTIONS WITH OTHERS. 19. How do they behave within a group? What role(s) do they take? Does this differ if they know and trust the group, versus finding themselves in a group of strangers? Why? 20. What kind of individual relationships do they have with others, and how do they behave in them? How are they different between intimate relationships like friends, family, and lovers versus more impersonal relationships? 21. What kind of relationships do they tend to intentionally seek out versus actually cultivate? What kind of social contact do they prefer, and why? 22. How do people respond to them, and why might these responses differ? 23. How do they respond to difficult social moments? What makes them consider a social situation difficult? 24. How do they present themselves socially? What distinguishes their “persona” from their “true self”, and what causes that difference? 25. What do they need and want out of relationships, and how do they go about getting it? 26. How do they view and feel about relationships, and how might this manifest in how they handle them, if it does? ACTIVITIES AND PREFERENCES. 27. What do they strongly like and dislike, in any category? Why? 28. What are they likely to do if they have the opportunity, resources, and time to accomplish it? Why? 29. What kind of activities, interests, and hobbies do they have? What significance and impact do these have in their lives, both positive and negative? 30. What is their preferred level of activity and stimulation? How do they cope if they get either too little or too much? 31. Is there anything that counts as a “dealbreaker” for them, positively or negatively? What makes things go smoothly, and what spoils an activity or ruins their day? Why? 32. Do they have any “props” that are a significant part of their life, identity, activities, or self-presentation somehow? What are they, how are they used, and why are they so significant? How would these props’ absence impact them, how would they compensate, and why? THINKING AND LEARNING. 33. How do they learn about the world–what is their preferred learning style? Hands-on learning with trial and error? Research, reading, and note-taking? Observation or rote memorization? Inductive or deductive reasoning? Seeking patterns and organization? Taking things apart and putting them back together? Creative processing via discussing, writing about, or dramatizing things? 34. How do they understand the world–what kind of worldview and thought processes do they have? Why? 35. How and why do they internalize knowledge? What effect has that had on them? 36. How much do they rely on their minds and intellect, versus other approaches like relying on instinct, intuition, faith and spirituality, or emotions? What is their opinion on this? 37. Have they had any special education or training that colors their means of learning about or understanding the world? Conversely, do they lack some kind of education considered essential in their world? What kind of impact has this addition or lack had on them? 38. Is there anything they wish they could change about their worldview or thought processes? What, and why? 39. What sort of questions or thoughts recur in their lives, either specifically or as a theme? Why are these never answered, or answered permanently to their satisfaction? 40. What do they wonder about? What sparks their curiosity and imagination, and why? How is this expressed, if it is? FREE FOR ALL. 41. What associations do they bring to mind? Words or phrases, images, metaphors or motifs? Why? 42. I have a question of my own!
Plot with me pls I'm awake and bored
I'd love to see you on your knees for me, putting that clever tongue of yours to use in a better way than fooling your unsuspecting peers. I'd reward you, of course—I'd take you against the wall, maybe, so hard you feel it for days. Or I could take it slowly, touch you, tease you until you're begging me to fuck you. Either way I think I'd like to mark you. Bite you. Scratch you. Somewhere where you can't hide it, so everyone knows you're mine. I bet you'd like that.
bliss. pure bliss, intrigue and excitement building as each and every word was studied, torn apart and put back together. the weight of the entire fantasy was near suffocating, and that was just how he liked it. this was just how he would wish to submit to someone – and not just anyone. no, there was someone in mind, someone he was devoted to. someone that no one could stop him from returning to, no matter the consequences. breath baited, heart thrumming in his chest, sheer arousal coursing in his veins. wishing he bore those marks now, could feel the sting and know just who he was solely for. to let others know just who claimed him, mind and body.
how i would fuck you .
Send me 'This is how I will fuck you' anons, in deep, rich detail...~
matthew: shows any interest in hannibal’s style of killing after learning he’s the chesapeake ripper will: oh hell no 🔪🔪🔪🔪
' can you walk? '
well, this was what he got for letting his curiosity get him in way over his head. help out the interesting guy, seems like there’s more to his case than what he’s letting on. get decked by a monster you didn’t even know existed. great. great… it took matthew a moment to right himself, trying to catch the air that fled from his lungs just so he could take a breath. when he did, he rolled himself up slowly and looked to sam before letting out a huff of a laugh. “ yeah – it’ll take more than that to keep me down. ”
miscellaneous angst . & . @prodigil.
“ there's something you’re not telling me.”
“ there are a lot of people that don’t know a lot of things about me. ” his life wasn’t an open book unless it needed to be. most of the other orderlies at the hospital didn’t know about his personal life past the harmless lies he would tell, just as the lisp and the slouch he wore in those halls were harmless lies. he was utterly defenseless there, but never behind the mask. “ but maybe you’ll find out when you think of the right question to ask. ”
interrogation . & . @prodigil.
RPers, please reblog this if you’re ok with para responses that don’t include dialogue.
Often it seems like an expectation that dialogue will be exchanged in every para response, but sometimes characters are nonverbal, or don’t have anything to say, or are in a situation that would make talking impractical. If the writer puts enough attention into describing their actions, though, there’s still plenty to respond to even without dialogue. Non-dialogue responses are not “going nowhere.” Non-dialogue responses are not “filler.” Non-dialogue responses are not non-responses.
miscellaneous angst starters.
when were you going to tell me?
you can’t keep doing this to yourself.
that’s…a lot of blood.
can you walk?
please don’t lie to me.
you were supposed to leave.
i’m not going anywhere without you.
shh, it’s okay. it was just a dream.
there was nothing more you could have done.
it wasn’t your fault.
this is all my fault.
you aren’t acting like yourself.
i’m never going to let [her/him/them] hurt you again.
you’re hurting me.
don’t ever do that again.
go to hell.
please don’t cry.
you have to stay awake.
i wish i could take the pain away.
you could have died.
hey – stay with me.
it’ll be over soon.
did you ever love me?
i’m sorry. i can’t do this anymore.
things won’t always hurt this bad.
you passed out.
how much have you had?
i’m okay. it’s all fine.
it’s not okay! you’re not fine!
let me get you something for the pain.
it’s nothing. it’s just a bruise.
it’s clearly not nothing.
have you been to the doctor?
i didn’t mean the things i said.
i thought we meant something.
people who are okay don’t act like this.
you don’t have to go through this by yourself.
i don’t want you to be alone.
please don’t regret me.
i heard you crying.
you need to get some rest.
when was the last time you ate something?
i’m worried about you.
did you have another nightmare?
[name], there’s nobody there.
i want to be happy but i don’t think i deserve it.
please talk to me.
why are you mad at me?
alcohol isn’t going to solve your problems.
don’t leave me.
did you do this to yourself?
it’s breaking my heart to see you like this.
tell me what’s wrong.
tell me how to make it better.
why don’t you care?
get the hell away from me.
please don’t do this.
i can’t believe that you lied to me.
just…stay for the night.
you obviously can’t be trusted to take care of yourself, so let me do it for you.
you can’t die. i won’t let you.
just hang on, okay?
hold my hand if you need to.
i’m sorry.
why do you have a gun?
don’t panic.
just breathe.
you’re bleeding.
i’m trying to stop the bleeding.
you’ve been crying, i can tell.
you should have told me sooner.
i wanted to tell you in person.
a phone call would’ve been nice.
i hate you.
i love you.
「 zooomies . this kid 」
“listen-” it’s not what he thinks. or maybe it KIND OF is, but mostly, it’s not. barry touches people the way wasps think it’s cool to just sort of dive bomb anyone nearby: fearlessly. he puts a hand on the new guy’s shoulder, all solemn and heavy like he’s MAYBE about to tell he is so sorry for his loss.
“it’s not you, not really, it’s just that time of the year when this precinct thinks it’s hilarious to make us all play assassins. which only sort of works because we aren’t allowed to play it during any time that matters. and the only one who HAS the time and the only one who ever wins is…” and he pauses here, removes the hand from the new guy’s shoulder and delicately steeples his own fingers on his chest.
“moi. also, sorry bud, you’re already out of the game. that’s why they’re laughing. i can’t help it that i’m GOOD.”
though he wasn’t a man of short attention, this kid was talking like there was no tomorrow, seeming to pack in just about every thought he had rattling in his head into one breath. the last time matthew had to deal with someone like that was in college -- and thankfully then he didn’t have to pay that much attention. they never waited for a response and would go off doing something else. but he was to be working with barry. he should at least pay a little attention, especially if he had something important to say.
but he didn’t. not really, anyway. a game of assassins?? matthew didn’t know it was going on or the rules, so he wondered if this kid was just playing by himself. “ you mean you can’t help but take out a defenseless bystander, completely unaware of the play or the rules of it. i have to say, barry --
that’s a bit underhanded. ” but it was an easy smile that curled at his lips, to show he was joking.