[didoofcarthage]

Atlas and the Hesperides by John Singer Sargent 

American, 1922-1925

oil on canvas

MFA Boston

[oldpaintings]

The Steps of Les Fourneaux at Melun by Henri Rouart (French, 1833--1912)

[nicolaradano]

NR Napoli is heading to Chicago.

From August 1st to 4th, we will present our latest collection at the Chicago Collective Men’s Edition—bringing our vision of contemporary Neapolitan tailoring to one of America’s leading menswear destinations.

Funky Elegance. Made in Naples.

Chicago Collective

Booth 51-06 · 7th Floor · Aisle 5000

For information and appointments: [email protected]

[vintageclassiccars]

MAT Stratos, inspired by the Ferrari F430.

[oldpaintings]

John Graham Lough In His Studio, 1881 by Ralph Hedley (English, 1848--1913)

[urgetocreate]

Sergiu Ciochina (Moldovan b.2001 based in Paris), Light Over Lago, 2026, Oil on canvas

[urgetocreate]

Frithjof Smith-Hald (Norwegian 1846-1903), The Plein Air Painters, 1872, Oil on canvas

[pmamtraveller]

Claude Monet by Thomas Bossard

[oldpaintings]

The Kiss by Gilbert Baldry (English, 1876--1928)

[bespokesuit110]

Bespoke Safari jacket by LESLESTON

The fabric is linen made by SOLBIATI

< ordershirts >

STYLBIELLA

< tie >

ATTOVANNUCCI

< bespokeshoes >

SPIGOLA

#suit110 #bespokesuit110 #福岡オーダースーツ #safarijacket

福岡県北九州市八幡西区三ヶ森 オーダースーツ 背広 ＆ シャツ専門店「ビスポーク スーツ110」

[p-oiesis]

The Embrace (1917) by Egon Schiele w/ white background

[dailyrothko]

Happy Mother’s Day

Mark Rothko

Mothers and Children, Notebook watercolors, 1933-1934

Watercolor on construction paper

National Gallery of Art, Gift of the Mark Rothko Foundation

© Kate Rothko Prizel & Christopher Rothko / ARS, New York

[classicalcanvas]

A Walk in the Woods (1870) by Pierre-Auguste Renoir

[zerounwantedvibrations]

[achillesinhighheels]

The Lovers by Jef Joseph Marie Thomas Lambeaux (1852-1908)

[ombrabrontok]

Oh I adore this piece of art 💚

[vestiaireartistique]

In this intimate Belle Époque scene by Hubert-Denis Etcheverry (1867 - 1952), fashion is both sensual and luxurious. The woman’s gown is a softly draped, pale evening dress with delicate embroidery and a fluid, body-skimming silhouette that emphasizes natural curves rather than rigid structure. Sheer layers and fine detailing create a sense of lightness, while long gloves and subtle accessories signal refinement.

The dark-clad man’s formal attire—black suit with crisp white accents—provides a stark contrast, heightening the luminosity of her dress. Overall, the look captures late Belle Époque elegance, where fashion blends intimacy, softness, and understated opulence.

[dailyclassicart]

Jean Béraud - "Leaving the opera"