this year i've been doing a lot of stuff that i didn't mean to do, and not doing a lot of stuff that i did mean to do. i got involved with the kink scene, i deepened my familiarity with carbonated beverages, i ate a lot of fried chicken sandwiches, i started reading again, and i played a lot of gacha.
and speaking of gacha, the only one that stuck with me from the decent-sized crop that i sampled this year was mihoyo's zenless zone zero! what to say about it . . . it's a Real Game, for one. it manages to shed the unsheddable "rubbishy" feel that is almost universal to gacha. its premise is like if andy and leyley were normal and worked as shadowrun hackers in jet set radio tokyo, in a semi-apocalyptic world where the only people around are orphans, anthros, or both. there are also sentient automatons that have cool outfits, and chubby baby bunny robots, but unfortunately neither of them have rights. it's got a really cool soundtrack, a charming spiderversesque look, and characters i found surprisingly compelling.
new music! well, new to me at least. you know ben and jerry's cherry garcia (possibly the most prominent contemporary cherry-focused ice cream flavor)? well jerry garcia was a guy who had this band that old men loved called the grateful dead. and well, i don't really care for what i've heard of their records to be honest. but it must be said that they were a jam band, and the 16 minute terrapin station gives one a taste of what i assume was the sensory height of a real-life hippy's experience, and i can imagine listening to it for decades to come.
indeed, if one wants a meal in the proggy realm rather than a bite, it's best to look to the guys that do that stuff all the time across the pond. Morgan put me on to electric wizard and their impeccable self-titled album has been in heavy rotation since. jackie put me on to yes' album relayer, and the first track provides the rarefied pleasure of hearing the singer of the irrepressibly lighthearted and goofy jojo anime ED "roundabout" trill about bathing in the blood of one's enemies.
in more occasional listening i have to rep my oshi ęč”å½ę (hoshimachi suisei). her consistently strong body of work ranges from saccharine, to heartfelt, to sort of diva-core. listen, it's increasingly popular to reference hatsune miku, and it's often done with a sort of surface-level appreciation of miku, riding off of the long history miku has in overseas otaku culture. i myself have participated in this. but step outside the bit with me here. miku is a synth, an instrument. miku has all the humanity of the DX7. in fact that's what her color scheme is based on (because yamaha made both miku and the DX7)! hoshimachi suisei . . . listen, maybe people aren't ready. but she really is a virtual pop star. she's iconic. she's got a sigma grindset. she has a favorite food and a sister and friends and it's not lore it's reality. she's not a prop owned by a company, but an autonomous performer! miku is a virtual girl. suisei has a virtual face, but she's a real woman with a real dream! won't you believe in it?
staying with japanese affairs for a moment, anime has been good too! gushing over magical girls, perfect show, hannibal for anime girls, delightful and heartfelt. i also watched the vexations of a shut-in vampire princess, which was frenetic, lightning fast and kind of stupid, but i eagerly await another season. both extremely lesbian.
looking ahead, i'm extremely excited for the release of the alters, a game whose demo caught me completely off-guard, and i'm also excited to try the early access release of marmoreal, a sort of isometric completely touhoucore game with so much charm and sincerity.
that's my little roundup! have a great september!
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