"Nothing can save you, now."
« I SAID LET ME GO! I won’t return with you down there no matter how hard you try to menace me! »

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@moiiraiiarchive
"Nothing can save you, now."
« I SAID LET ME GO! I won’t return with you down there no matter how hard you try to menace me! »
"Go now, and leave me!"
«Talking to you is like talking like a damn wall, mother. I’ll be in my atelier if you decide to stop behaving like a child. »
sonofshadow
#mY SON #NOT REALLY BUT #HEARTEYES <3
#done
wearing dusk as haute couture.
( independent demigod oc ; greek myth based )
BLOG UNDERGOING REVAMP ( aka the bae is back, fear o earth )
Oblivious to the demigod’s dilemma, he returned his attention to the plants, watering the rest of them as he made his way further inside the shop. He felt the tips of his ears burning, but he paid it no mind. It had been embarrassing to admit he had taken notice of the silver-haired man attributes, but he wasn’t lying, and while the truth got him in troubles more often than it made him any favors, he was happy with voicing out his thoughts.
“You suppose?” Kim arched an eyebrow, turning around to look at the taller man as a tiny but very there playful smile made its way to his lips, one hand lifting to be placed on his chest. “I am hurt now. I thought I had finally broke the curse of bad first impressions.”
He watched silently as Selene fled towards Eridanos, arms crossed lightly against his chest while he perched his hip against the counter. Baby sprouts of the roses next to Selene stirred and leaned against his arm, looking for some warmth. Almost as if it was an instinct to nurture them, his entire self emitted a soft glow that was soon pushed out of his skin. Sparkles of blue light spread over the sprouts, and they giggled in delight at the feeling of his magic bathing them.
However, the small smile on his lips was soon lost at the words the demigod said to Selene. He looked away from the scene, long fingers caressing the white and pink sprouts idly as he pursed his lips. Eridanos wasn’t free. He was a fugitive trying to escape from Fate, and as poetic as that sounded, Kim didn’t pay any mind to that part of the facts; his heart ached just by knowing one day that beautiful, kind person could end up back in the place he didn’t want to go back to.
“You don’t belong to anyone but yourself. Kim can help you,” Selene said, head turning towards her master. “Haven’t you offered him any help? Look at his hands!”
Kim chortled softly. Of course she would have noticed his hands…
“She is right though,” he finally said, amber eyes returning to the demigod. “We could help you. It might not be good enough, but we can always try. My magic increases the more I use it, so maybe one day I could be able to find a spell that will set you free. Are you willing to try it?”
The dilemma of the gods were enormous and filled with different point of views and ways to read each one of the mystery-laced scrolls containing even a little part of them --and Eridanos himself was one of them, his freedom nothing but a sealed scroll in a shelf he couldn’t reach for a reason or another, the only way to achieve it being keeping himself away from the lieu where the secrets were still kept but no one could ever voice them out, for they were dead.
He was trapped, dog running and trying to bite his own tail with no avail, slave trying to move a little better but hindered by the heavy shackles on his limbs and collar and the pain caused by scars over scars over open wounds never fully healing --the era of slavery ended for the world still moving alongside the sun, but not for him.
And here he goes, the first shitty figure of the century.
❝ Oh, no-- I just --I am not really good at. . . socializing, unless I am talking with a client. Friendship is not a sequence of prefabricated sentences to say in order to make a customer hear what they want to hear. I hope I am, uh, being clear.
Right in that moment, he truly wanted to sink his face in his large hat and hide himself in the corner of a closet, the demigod --despising himself so much for his lack of social skills and the fact that, for millennias, he lived in an environment not exactly ‘friendship-friendly’ --which was even obvious, since the Underworld is supposed not to be a friendly place.
❝ Your thoughts and hope are admirable, little one, really. But. . .
The demigod had to pause for a moment, glancing at the sparks of magic coming from the figure behind his shoulders, his own hands moving to run over the short hair, playing with the locks as if that would help him looking for the right words to use --worlds that possibily didn’t make him look like some kind of pessimistic fool whose glare was able to make every single being on earth wither. Even if it was exactly the perfect depiction of who he was.
But maybe. . .
❝ No one can break the seal of Thanatos. No one --there’s no power going beyond the gods’ or what my unholy mother decided for me. But I suppose I can’t stop you from trying.
i should be punished for forgetting the mail and password of this account tbh
25/∞ gif of my ultimate
Moirai | Greek Mythology
In Greek mythology, the Moirai (Ancient Greek: Μοῖραι, “apportioners”, Latinized as Moerae) — often known in English as the Fates — were the white-robed incarnations of destiny (Roman equivalent: Parcae, euphemistically the “sparing ones”, or Fata; also analogous to the Germanic Norns). Their number became fixed at three: Clotho (spinner), Lachesis (allotter) and Atropos (unturnable). They controlled the metaphorical thread of life of every mortal from birth to death. They were independent, at the helm of necessity, directed fate, and watched that the fate assigned to every being by eternal laws might take its course without obstruction. The gods and men had to submit to them, but in the case of Zeus he is portrayed in two ways: as the only one who can command them (the Zeus Moiragetes) or as the one who is also bound to the Moiras as incarnation of the fates. In the Homeric poems Moira or Aisa, is related with the limit and end of life, and Zeus appears as the guider of destiny. In the Theogony of Hesiod, the three Moirai are personified, and are acting over the gods. Later they are daughters of Zeus and Themis, who was the embodiment of divine order and law. In Plato’s Republic the Three Fates are daughters of Ananke (necessity). It seems that Moira is related with Tekmor (proof, ordinance) and with Ananke, who were primeval goddesses in mythical cosmogonies. The ancient Greek writers might call this power Moira or Ananke, and even the gods could not alter what was ordained. The concept of a universal principle of natural order has been compared to similar concepts in other cultures like the Vedic Rta, the Avestan Asha (Arta) and the Egyptian Maat. In earliest Greek philosophy, the cosmogony of Anaximander is based on these mythical beliefs. The goddess Dike (justice, divine retribution), keeps the order and sets a limit to any actions.
MYTHOLOGY ↠ The Fates (The Moirai)
As their name suggests, the Fates were goddesses who supervised fate in Greek mythology. The ancient Greeks referred to these goddesses collectively as Moirai. However, the Fates were also depicted as individuals by some sources, and indeed, there is a tradition that there were three goddesses who were in charge of watching over fate.The poet Hesiod describes the Fates in his Theogony. According to Hesiod, these goddesses were the daughters of Zeus and Themis, and were therefore the sisters of the Horae (however, it is interesting to note that Hesiod also claims, in the same poem, that the Fates were the offspring of Nyx, the goddess of Night). The poet names the Fates as well: “These are Clotho, Lachesis, and Atropos, and they give mortals their share of good and evil.”
Clotho was the spinner, Lachesis was the drawer of lots, and Atropos represented the inevitable end to life. This notion that human fate was spun around a person at birth by divine Spinners - in other words, the Fates - was popular in Greek mythology, poetry, and literature. Indeed, there is a compelling scene in the Odyssey of Homer that alludes to this concept of spinning fate.
In time, the somewhat vague idea of three goddesses who supervised the spinning of human fate evolved into a more concrete concept. The Fates came to be identified as a trio of older females who handled the threads of human life. One of these threads was allocated to every person, and each goddess took her turn in manipulating this thread. Clotho selected the thread, Lachesis measured it, and Atropos cut this thread to signify the end of a person’s existence.
The Moirai (greek), or Parcae (roman), were the incarnations of destiny, known as the three fates. They controlled the metaphorical thread of life of every being from birth to death. They were independent, at the helm of necessity, crafted the life of others, and watched that the fate assigned to every being by eternal laws take its course without obstruction. The gods and men had to submit to them, and their impartial choices. Clotho was the spinner, Lachesis the measurer, and Atropos, the one who no man could escape, holds the burden of cutting the thread of life once it shall come to an end.
mythology series → the fates, or moirai
The Moirai, to whom Zeus of the counsels gave the highest position: they are Klotho, Lakhesis, and Atropos: they distribute to mortal people what people have, for good and for evil.
mythology meme
[1/9] Greek Gods or Goddesses ➝ Moirai Their number became fixed at three: Clotho (spinner), Lachesis (allotter) and Atropos (unturnable). They controlled the metaphorical thread of life of every mortal from birth to death. They were independent, at the helm of necessity, directed fate, and watched that the fate assigned to every being by eternal laws might take its course without obstruction. The gods and men had to submit to them. Even the gods could not alter what was ordained.
5/∞ Japan Arena Tour 2013 ~ Boys Meet U gifs.