Research Blog

Molly Skinner Research

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Born today in 1803, Marianne North spent her life dedicating herself to the pursuit of seeing and painting plants in faraway places. These p

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Charles Lipka was a significant representative of the Vienna School of fantastic realism (core group: Arik Brauer, Ernst Fuchs, Rudolf Hausner, Wolfgang Hutter and Anton Lehmden; wider circle: Fritz Aigner, Herbert Benedikt, Emmy Cero-Friedl, Robert Ederer, Helmut Heuberger, Fritz Janschka, Peter Klitsch, Anton Krejcar, Helmut Leherb, Franz Luby, Richard Matouschek, Franz Radziwill, Kurt Regschek, Ludwig Schwarzer, Gerhard Swoboda; “second generation”: Franz Bayer, Josef Bramer, Michael Coudenhove-Kalergi, Manfred Ebster, Roman Haller, Ernst Handl, Axel Litschke, Peter Proksch, Norbert Steffek, Franz Stierschneider, De Es Schwertberger; the Vienna School also has close relationships with Friedensreich Hundertwasser). One of Lipka's students was Rudolf Schönwald. Further artists and styles: HR Giger, M.C. Escher, Surrealism, Futurism, Lithography, Romanticism, Horror

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Florence Reekie Buried 2022

Niklas Asker ´The Shroud´

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The Finery of the Storm Rene Magritte 1927

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micro needle particle deliver

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Painting Aesthetic

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O lord, thou art our father; we are the clay, and thou our potter; and we all are the work of thy hand

Isiah 65:8

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‘Innes’s background is in art. Or perhaps ‘foreground’ would be a more accurate term. Art is not a background for Innes. It is what he breathes, what makes life continue; he looks and he doesn’t see a tree, a car, a street, he sees an interplay of light and shade and colour, he sees a deliberate arrangement of chosen objects.’

Maggie O’Farrell - The Hand that First Held Mine

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On the Edgware Road Project

On the Edgware Road made public three years of research generated by the Serpentine’s Edgware Road Project.

The On the Edgware Road exhibition included installations, films and performances, both at the Serpentine Gallery and at the Centre for Possible Studies, the project’s home. The exhibition allowed visitors to experience the findings of the artists and local partners involved in the project and highlighted future programmes that unfolded throughout the following year.

The Edgware Road Project links artists with people living and working in this London neighbourhood. The diversity of the local people and their interests are reflected by the varying practices and geographies of the artists invited to take up residency at the Centre for Possible Studies. Their responses have been political, reflexive and revealing. An accompanying publication marked this moment in the project’s development with descriptions and propositions for the future, answering the question: What is a possible study?

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On the Edgware Road - Serpentine Galleries

On the Edgware Road made public three years of research generated by the Serpentine's Edgware Road Project.

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Oscar Menoz

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Secondary and Sixth Form Outreach Workshops - The Courtauld Institute of Art

The Courtauld Institute of Art, commonly referred to as The Courtauld, is a self-governing college of the University of London specialising