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MAN 2020 from Steve Cutts on Vimeo.
An update to my original film 'Man' : vimeo.com/56093731
Music: 'In the Hall of the Mountain King' by Edvard Grieg.
Follow me here: instagram.com/steve_cutts_official facebook.com/SteveCuttsArt twitter.com/Steve_Cutts
stevecutts.com
The Great Haboob Chase on Interstate 8 from Mike Olbinski on Vimeo.
On July 9th, 2018, I woke up in Blythe, California, and checked the forecast one more time and it confirmed what I already knew the day before: the potential for an awesome storm rolling west down Interstate 8 was looking pretty good. And with that came the likelihood of a dust storm, or haboob. I already had the entire day's route planned out...I'd hit south near the border towns of Sells and Santa Rosa, then head back north to I-8 to catch the storm outflows from Phoenix and central Arizona.
Rarely does a forecast come to fruition so perfectly...but this one did. I chased some good severe storms in the far southern portions of the state, and then headed north...hitting the town of Chuichu south of I-8 just as things got rolling. A big microburst kicked up a wall of dust that would move west and eventually merge with other, strong storms that rolled through Phoenix.
We jumped on I-8 and got west out of the dust and pulled over first at Vekol Road, my favorite spot along that freeway. The wall of dust was incredibly impressive...shelf cloud over it, the dust connecting right into the cloud base...it was amazing.
It was around 5:00pm at that point...and the chase would continue, for hours, all the way to Yuma. One of my final shots came around 8:30pm in the area of Ligurta. All told, around 140 miles and three and a half hours of chasing. Never have I chased a wall of dust for that long. Or been chased!
Besides July 5th, 2011...this was hands down, the best haboob I've ever seen. So many shapes and sizes. Incredibly density and definition. And the colors at sunset. Magnificent.
The film has all the clips from start to finish...somewhat in order, but not always. The microburst at the start was in Chuichu and the final scene was Ligurta.
It was fun to not only share this with some other chasers all having the time of their lives, but also with two of my kiddos. What an experience to have together!
Hope you enjoy this, and the music by Ryan Taubert.
I shot around 5,000 frames on two Canon 5DSR's for this. Lenses were the Canon 11-24mm and 50mm 1.2.
Edited with Lightroom, LR Timelapse, After Effects and Premiere Pro.
Ann & Nancy Wilson (Heart) spelen Stairway To Heaven from Bart Hettema on Vimeo.
Op 2 december 2012 kregen de overgebleven leden van Led Zeppelin een concert aangeboden nadat ze van president Obama de Kennedy Center Honors hadden gekregen. Hier de fantastische uitvoering van Stairway to Heaven door Ann & Nancy Wilson van Heart en Jason Bonham op drums.
Loved By All: The Story of Apa Sherpa from Sherpas Cinema on Vimeo.
Every spring the summit of Mount Everest draws people from around the world. But in its shadow live the Sherpa, a resilient, religious people, who, despite the riches surrounding the highest peak on earth, are still quite poor and uneducated.
A child of the Khumbu, Apa Sherpa climbed Everest 21 times. Pulled away at the age of 12 to work as a high altitude porter, like so many others, he would leave his family for months, risking his life on the mountain. Through his work at the Apa Sherpa Foundation, he aims to create a different future for his people.
As Apa says, "without education we have no choice."
In order of appearance: Pemba Sherpa, Apa Sherpa, Mingma Sherpa Producer: Malcolm Sangster Director: Eric Crosland DP: Leo Horn Cinematography: Eric Crosland, Erik Pütsep Drone / Camera Assist: Clay Mitchell Editor: Jay Macmillan Visual Effects: Jeremy Kenning Written by: Mitchell Scott, Jay Macmillan, Malcolm Sangster Associate Producers: Dave Mossop, Mitchell Scott, Jerry Mika Additional Cinematography: Everest Media Productions, Stranger Than Fiction Films, Renan Ozturk, Ralf Dujmovits Post Production Supervisor: Tim Symes Colorist: Eric Rosen Sound Design & Mix: Jeff Yellen Location Sound: Steve Henderson Production Manager: Roland Eksteins Still Photography: Paul Arthur Lockhart Executive Producers: Magnus Welander, Tina Liselius, Erik Pütsep Narrated by: Apa Sherpa
Custom Score by: Jacob Yoffee jacobyoffeemusic.com
Special thanks to the Apa Sherpa Foundation (apasherpafoundation.org) and Thule (thule.com)
Stairway to Heaven (Led Zeppelin Tribute) from Centro Escuela Claridad on Vimeo.
Stairway to Heaven (Led Zeppelin Tribute) Heart's Ann and Nancy Wilson - 2012 Kennedy Center Honors
Cloud Sculpture in the Sky - StormLapse 4k from Chad Cowan on Vimeo.
This beautifully striated supercell tracked across western Nebraska while producing baseball size hail. The "stacked plates" look is caused by a combination of strong wind shear and copious moisture.
Ever wanted to shoot something like this? Come join me this Spring for a storm photography workshop / storm chasing tour. Details: http://bit.ly/StormWorkshop
Music by Isaac Hananiah
Muscle-Up from Robert McIntosh on Vimeo.
World's smallest HD drone cruises through Muscle Beach. Stabilized with ReelSteady for Adobe After Effects. reelsteady.com Unstabilized version + outtakes vimeo.com/218837928 Big thanks to Eric Maloney for helping to make this happen. Aerial inquiries: [email protected]
Raw Clip Before ReelSteady Stabilization from Robert McIntosh on Vimeo.
Raw Unstabilized file of the world's smallest cinema drone + some failed attempts. Stabilized with ReelSteady for Adobe After Effects. reelsteady.com aerial inquiries: [email protected]
LOGAN | Logan Digital Double | Image Engine VFX from Image Engine on Vimeo.
Jeff Dotson | Directors Reel Teaser from Jeff Dotson on Vimeo.
FRACTAL - 4k StormLapse from Chad Cowan on Vimeo.
Connect with me on these social media channels for more stuff like this: instagram.com/stormtimelapse twitter.com/stormtimelapse facebook.com/stormlapse
The ingredient based explanation for supercell thunderstorms cites moisture, wind shear, instability and lift as the reasons for their formation. I prefer to focus on the big picture. Supercell thunderstorms are a manifestation of nature's attempt to correct an extreme imbalance. The ever ongoing effort to reach equilibrium, or entropy, is what drives all of our weather, and the force with which the atmosphere tries to correct this imbalance is proportional to the gradient. In other words, the more extreme the imbalance, the more extreme the storm.
This collection of timelapses was gathered over the last six years from Texas to North Dakota and everywhere in between. The project started out as wanting to be able to see the life-cycles of these storms, just for my own enjoyment and to increase my understanding of them. Over time, it morphed into an obsession with wanting to document as many photogenic supercells as I could, in as high a resolution as possible, as to be able to share with those who couldn't see first-hand the majestic beauty that comes alive in the skies above America's Great Plains every Spring. After more than 100,000 miles on the road and tens of thousands of shutter clicks later, this is the result. I hope you enjoy watching it as much as I enjoyed creating it.
Keep an eye out for a much longer version of FRACTAL, hopefully on a much larger screen. If you have any ideas regarding distribution to that end or would like to license my work for your own project, please contact me.
I love teaching people about storms and severe weather and how to safely document them. Feel free to email me if you have any interest in joining me for a chase. June is by far the best time to go out, as the storms are more photogenic and slow moving than any other month.
I'm always open to any sort of work outside of storm season. Let's create something! Open to all inquiries: [email protected]
Chase on.
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"Big whirls have little whirls that feed on their velocity, and little whirls have lesser whirls, and so on to viscosity." - Meteorologist Lewis Fry Richardson ("Weather Prediction by Numerical Process." Cambrige University Press, 1922)
This quote sums up perfectly what I've come to realize about weather and storms over the past 10 years of studying, forecasting and chasing them, and the part that I find most fascinating. On each scale level from synoptic-scale, which covers areas the size of multiple states, all the way down to micro-scale, which could be an area as small as your backyard, the fluid which we call air abides by the same universal physical laws of nature and thus acts in a very similar manner and patterns.
A cold front, for example, is a phenomenon which is widely understood to mean a large scale line of advancing cold air, hundreds of miles long, along which supercell thunderstorms sometimes form. Within these smaller storm-scale environments, something called a rear-flank gust front forms on the southern end of the low pressure area of the mesocyclone, where the rain cooled air wraps around. This is effectively a storm's cold front. The cool air is more dense than the warm air, and because of this, advances into the region of lower density, just like the larger cold front on which the storm formed.
The stunning supercell storm structure we see is along these relatively small, storm-scale cold fronts. This is what forms the "hook" on radar. Here, just as with the larger scale weather systems, the wedge of denser cool air at the surface meets the warm, moist, buoyant air in front of a storm, forcing it aloft and through the cap where the potential energy is realized. Given the right conditions, this development can be explosive.
While Richardson's quote is more regarding turbulence than thermodynamics, his theory from nearly 100 years ago that our atmosphere behaves as a fractal has turned out to be spot on. A "top down" transfer of energy and behavior occurs, resulting in a Russian nesting doll of smaller scale systems that bear a striking resemblance to the larger.
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I would like to offer a special thanks to my good friend Kevin X Barth who helped me edit this together, and found some semblance of a story arc in many disparate pieces. Kevin is an amazingly talented and creative artist in his own right, having won an Emmy as the editor of the ESPN 30 for 30 film WHEN THE GARDEN WAS EDEN. Check out his website if you're looking for an excellent editor or director for your project: kevinxbarth.com
A big thanks to Tom Lowe as well, without whom I would probably still be trying to figure out what an intervelometer is. Tom is the mastermind behind Timescapes, the revolutionary timelapse film from a few years ago. He was kind enough to share his wealth of knowledge, as well as some camera gear.
BACKSTROKE from Robbie Barclay on Vimeo.
Two runaway teens steal a car with dreams of heading down to Florida, but things take a dark turn after a dangerous game.
Written and Directed by Robbie Barclay Starring Josefine Christofferson, Shemar Jonas and Tom Frank Director of Photography - Daniel April Camera Operator - John Kopec AC - Quinton Brogan Gaffer - Chris Husta AD - Conrad Sokolowski HMU - Elvira Gonzalez Location Sound - Aaron Sandler Boom Operators - Carmen Sanchez, Jack Bradley Sound Designer - Billy Feldman Voice Over - Lynn Sher Editor - Robbie Barclay Creative Consultant - Sean Gradwell Original Score - Dylan Glatthorn Music - Waylon Thorton and the Heavy Hands theheavyhands.bandcamp.com/ Colorist - Kath Raisch Title Design - Paul Tuorto Producer - Ryan Biazon Associate Producer - Luke Wright
shortoftheweek.com/2017/05/03/backstroke/
The Sea - Vitoria Filippi from Fydell Botti on Vimeo.
:: Director/Camera/Editing : Fydell Botti :: Camera/Lenses : Canon 6D/ Cano 85mm :: Model : Vitória Filippi :: Music : JP Cooper - September Song
MY GIRLS - color reel from Viacheslav Petrov on Vimeo.
Camera canon 6d grade DaVinci Resolve
music MEMORYRAVE – WAVES
My contacts: instagram.com/19slava85/ [email protected] vk.com/slava_petrov facebook.com/slava85petrov
Canon 6D ML Raw Video in India November 2014 from Tyler Johnson on Vimeo.
During my recent trip to India I visited Chennai (for the third time) and Ranchi where we did a 3-day open air crusade. I shot some video with the new Magic Lantern 6D Raw .mlv files to try it out. I was happy with the range I had to play with although I was only able to record 7-8sec clips. I extracted the .mlv files using the terminal on Mac OSX. I can post instructions/video link if anyone wants it. I then processed the files in DaVinci Resolve Lite 11 where I used the M31 LUT from Color Vision to get a blockbuster look to the footage. I also did some other post work to get the desired contrast. ENJOY
Powerful Iceland from Garðar Ólafsson on Vimeo.
I've been shooting this video around iceland the last few months, it's such an amazing country that everyone should witness with their own eyes.
Locations:
Mount Kirkjufell Vík í Mýrdal Sólheimasandur (DC-3 Plane) Sandvík Straumsvík Seljalandsfoss waterfall Goðafoss waterfall Aldeyjafoss waterfall Hólmbergsviti lighthouse Garðskagi lighthouse Hvalsneskirkja church Miðnesheiði Vatnsnes
Equipment used:
Dji Phantom 3 Professional Canon EOS 6D Sony a7s Gopro Hero 4 Black
Edited in Final Cut Pro X
Music by: Matt Corby - Brother
gardarolafs.com
CALBUCO from Martin Heck | Timestorm Films on Vimeo.
Volcano Calbuco erupted on April 22, 2015, for the first time in four decades. Located close to the cities of Puerto Varas and Puerto Montt in southern Chile. We spend the prior couple of days on the neighboring volcano Osorno (~20km linear distance) shooting timelapses. After an amazing night under the nightsky we took the cable car downwards after a delay caused by repairs. Already late we headed south to catch the ferry on Routa 7 down to Patagonia. After 10min on the ferry we noticed a massive, almost nuclear looking cloud boiling upwards just were we left a few hours ago. Frenetically looking for a good outlook we then rushed to the only non-forested place to get a decent view of the show. We quickly put every bit of camera-equipment we could find on the constantly growing mushroom-cloud. We shot timelapses in 8K and 4K with a Pentax 645Z and Canon 6D. On the A7s we shot 4K video to the Shogun. We filled almost all of our memory cards in the prior night so I had to do backups while shooting all this stuff. This was for sure the most incredible show I've ever seen. I think this is a one in a lifetime event and I am so happy that we were able to capture it in all its glory. We will also release a timelapse video of our 6 weeks trip to Patagonia soon. FACEBOOK: facebook.com/TimestormFilms | TWITTER: twitter.com/martinheck WEBSITE: timestormfilms.com/
4K/UHD-Version: youtube.com/watch?v=rVcTPfBxOPU Soundtrack: We wish it was never light - Anamog
All footage is available for licensing (video in 4K, timelapses in 8K&4K). For professional inquiries please contact me: [email protected] FOOTAGE GALLERY: app.nimia.com/presentations/7388/calbuco-4k-volcanic-erruption-footage/
GEAR LIST: -Sony A7s + Atomos Shogun 4K recorder -Canon EOS 6D -Canon 70-200mm f4 L -Canon 24-105mm f4 L -Samyang 14mm f2.8 -Pentax 645Z -Pentax 55mm f2.8 -Pentax 25mm f4