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@monstruosityofcreation
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I have seen.. Three pictures of that man.
On the first one, the man could not be called such yet. A preteen, you could say, no more than twelve, staring at a camera in a home settlement. You could see a kitchen similar to this one in the background. Yet the lights were dimmed, the smile of the person standing into the first horizons was clear. If you were to see such a smile, what would you think of it? Surely, the stuffiness of the cheeks and the slight hue in its cheeks might give you the impression that this is a happy smile.You might think that the picture is adorable, in fact, there was nothing in it that could clearly point it was not, but I could not see anything else but force and intimidation in that image. That child was not smiling, but clenching its face in what seemed like a smile. An animal would have the same posture upon being on the brink of death. Why did I hold such an image in my house? It was disgusting, terrifying, a violent display of falsehood. Was it to terrorize me even more? Beside it, stood another child, seemingly hiding behind it, you could say it looked like that, with an unamused expression. Under its bright green coat, there were scabs and scratches, a band-aid laid on the side of his cheek, still fresh (you could see the blood in a hue that seemed fresh, so it would not be unfair to assume that) and clenched teeth as well, but this time in clear displeasure. The boy seemed not to know how to hide what it felt really well. Its tanned skin was drenched in sweat, hair unruly, as if just back from a day playing in the sun with the desire to head back home quickly. Stopping by for a picture would be more unpleasant than not. A clear contrast, I've come to want to figure out what made the two so different from each other. Maybe it was the hand on the first child’s shoulder, womanly, stern, that made it fear and resort to smiling? I could not know.
Ah, the second, I sighed in relief, the desperation it brought me for some reason had disappeared. Behind you could see a school environment, supposedly it was spring, or summer, I could not know too. The same child stood in the first horizon as well, this time, older. The smile was not of an animal at the time, but you could not humanize the image so much as to call the younger man a person. It still seemed sad to observe. Tidy clothing, polite hands and an expression that reassembled one of a painting. Someone could have drawn that, maybe as a commerce image, this is how soulless I have seen it. It was not disturbing like the last, but it was not pleasant to see either. I again wondered why I had such a thing in my house. It was too artificial to admire, it gave no feeling to look at. One would wonder what is even the point of taking a picture without any feeling. Is it any better than trash tossed out of your hands? This is what I wished to do with this representation of normalcy.
The third.. I asked myself, what could I have possibly been looking at? No, there was no face at all to look at. Neither a clear background, this is what made a picture tell a story instead of being a slip-up. It was a kitchen knife, stabbing a pig’s heart and exposing its stomach open. The hand that committed the deed was attached to the knife, without a body for it to belong to. Maybe such an act could have gotten rid of its individuality completely. Disgusting, it was, its guts pooling out of the small mouth, someone had put it there like it was for display. This brought me more terror than any of the three disgraces I have seen. How were the three connected in any way, worse, how did they lie so closely to my body and I have not paid any mind to them? The third picture, it was taken with two hands, was it not? It felt like something I was not supposed to see just yet, a sacred that was yet to be revealed to my mind. I could not comprehend it, and what I could not understand scared me the most. … The amount of time I have spent thinking of the representations was enough for the water to have boiled completely. I knew they would linger in my thoughts for much longer, but until I found an answer to these questions, I would have to keep on living. Another fish in the waters that lead to nowhere, I was, but such is life. Such is the life of the undead.
Hunger haunts me again. Since I have started to submerge under the pressure of my own thoughts, I still have not eaten. The dilemma of the possibility of doing so, considering I was both nauseous and now unsettled, still weighed heavily upon my shoulders. The attempt, although, would not go unappreciated. I felt as if there was no energy to be used inside my body, even to rise from my bed and, then, prepare myself a meal before my day starts. There are some obligations from the counterfeited human society that cannot be defied, and one of them was to arise from one’s rest to engage in social interactions, to conform with social roles and to play a part in the theater that is life. Either as a judge to murder without weapons, as a medic to heal the wounded, a commoner to preserve these institutions, or to choose among other masks that you have to wear in order to survive. There is no choice in this world, you ought to do so.
Very well, so what I did was just that. My spine groaned terribly upon the exact moment it was moved just slightly, yet, I had stood up. Trying to not pay mind to the keloid scars littered across my abdomen (excluding the widest one, it wrapped around my waist similarly to how a belt would, there are stitches across it to keep it from ripping), I searched for the torn shirt I put on to sleep. My eyes would bump to my own body, there was no possibility of me not engaging in the activity, but shame would quickly consume. How disgusting! Is that to be such a disgrace to displease me every time I wake up? I wonder how my wife has yet not abandoned me to rot, considering such a terrible sight lies in my own bare body. Despite my desire to ask for the reason, I simply could not. I am afraid that if I break the sigil that holds us together, she will leave me, and I will be alone once and for all.
… Another time, consciousness comes back to me. In a faint whisper of the wind, the window to the outside world has opened just slightly, enough so the fragile glass to my inner world has cracked. Ah, I had woken up. And in the context of which that happened, I did not wake up satisfied. There was fear, not just it, but another emotion of which I could not name, an emotion that perhaps in its brutality and faceless non-mercy, has sung just loud enough so the transparent vertebrae that surrounded my soul would give way to it. And so it did, and so, I have felt it strongly, strong enough that it cracked my heart in more than two pieces, matter of fact, more than a thousand, and stabbed my stomach over and over again. In between mundane routines that I had grown myself used to, in a way that was humanly mechanical and unusually robotic, I had a nightmare. Better to say, that I have been having a nightmare, more accurately as of my daily life. I have crawled in a nightmare and a nightmare has been my own skin for a few sundowns. One that lingers in the joints of my scarce body for a few hours before I can forget about it and wander normally with my usual life. Usual, could I really say that it is usual? The thought has come up to me a few times, and I cannot say that any of them has made me less afraid. Humanly? Could I have really understood that? I do not know, and until that thought keeps lingering, I am still inside the nightmare that I’ve had in my unconsciousness.
"Nonetheless, I killed it. Brutalized it willingfully because I couldn’t understand why it was sad."
(Part 2: First Person) Among the delicate fabrics that, perhaps, blown by the unyielding fate that in turn surrounds us, solemnly weave together the fabric of hopes, sorrows, filth, and shame, which we have affectionately come to call “body" and grant it, albeit reluctantly, much more unfortunately, the honorific title of “ours,” the remnants of your face and the toxins of your repugnant throat tear open this putrid dermal surface with its only gaze, it corrupts it in such a way as to form, within its unique imagination, a terrible worldview, a derogatory way of observing its surroundings that are yet to come. An undeniable process, moreover, I still hold within my chest the ability to sensorially perceive the warm palms of your hands beneath my shoulders, I reject them, they make me sick, fingers that descend down my arms and then trace the blue and green-hued marks, fine lines that tremble beneath the crimson sky. I think, then, you never touched me. I wonder, in what way, how can I feel your cold, thinly-veiled wrists shamelessly penetrating, with almost perfect glory, with almost sudden terror, horrifying reality, into my flesh? Pulsing before my muscles and artistically, painfully rearranging my organs within my chest, so as to make me fear death itself? Like wet ground being trampled after a cold, merciless rain, the reckless marks of your feet remain on my surface, even as you hold the rusted shovel upon my laid body about to, by itself, alter me forever, curse me inadvertently. Please explain it to me, I beg you once more. How is it that you do that?
(Part 1: Third person) Greeting the voice of the hopeless, a situation of endless wallowing, a ray of mechanical light, blinding all that was outside the cocoon of solace in which the Yesman found himself in. Was it sundown, could the singing of the birds be already heard? Was it the middle of the night, in such a silence outside that couldn’t be broken even by the whispering of the people in the city? Was it disruptive, the sound of the cars passing by, cursing and screaming at each other, could it be heard? Drunken men laughing along with the screams and cries of children, the loud thoughts of those who were overwhelmed by their lives, could you see it through the fog of darkness, a veil draped around the city with cheap street-lights? Was it even real, you’d ask, could he even touch it, perceive it, connect to it in a humane way? To string a relationship with the outer world as if it was a part of your own reality of reach, as if a dance with space and time was nothing but the usual plate to be served and tasted down to inexistence. Was it possible? The sickened man, locked up in the prison of machinery, tied by shackles to a warm, artificial body of stitches, spat-up ichor and cruelty, would never know, wouldn’t have a single idea at all. Hands moving against his constricted will, eyes cutting from screen to screen in the equal force of blades clashing for a victor, cold sweat, a headache. He wouldn’t know, therefore, and he’d never, never care at all. The privilege of conscience was one he was much a stranger to. Such a relationship to his own mind could be compared to a patron and a cup of warm alcohol, where one does not know where the ambrosia that numbs them comes from, but before it can even think about it, the ichor of toxin already embraces their lips, runs down their throat, distorts their minds and paints a taunting idea of destruction to be lived upon the separation of sobriety. “To the vermin that left me disoriented, distorted the borders of what once could be considered life” - The man of which we talk bit his tanned lip shut, a harsh bang of a vested wrist, a curled up fist into the faltering panels, hands that reeked of smoke and constellated in blisters of pressure and overheat. A terrible, terrible sight, that to the eye, resembled nothing more than a misbehaving hound growling at the wind upon the thought of something infuriating. - “To the repulsive insect, who, without my permission, struck me once again with an unwished-for, non-understood life.” - A conformity that was forced upon each one of his thoughts like a gunshot, a slap to the neck, the sting of a burning tip of a cigarette to the back. A jolt of discipline. It was infuriating, such a daily life that imprisoned him. To be frothing at a situation of the likelihood would not be unusual, control and dissatisfaction established.
“Yes, this is the vermin I talk about. Are you listening?” “My never ending questionings, my indignation, my resignation.”
"I had created a repulsive sight with nothing but my grief."
"I'm searching, I'm searching. I'm trying to understand. Trying to give someone what I've experienced, and I don't know who, but I don't want to keep what I've experienced. I don't know what to do with what I've experienced, I'm afraid of this profound disorganization. I don't trust what happened to me. Did something happen to me that, because I didn't know how to live it, I lived another? I would call that disorganization, and I would have the security to venture out, because I would know where to return to later: to the previous organization. I prefer to call it disorganization because I don't want to confirm what I've experienced—in confirming myself, I would lose the world as I had it, and I know I don't have the capacity for another." "If I confirm myself and consider myself true, I will be lost because I will not know where to fit my new way of being—if I go ahead with my fragmentary visions, the whole world will have to change for me to fit into it. I lost something that was essential to me, and that is no longer mine. I don't need it, just as if I had lost a third leg that until then had made it impossible for me to walk but had made me a stable tripod. I lost that third leg. And I went back to being a person I never was. I have what I never had: just two legs. I know that only with two legs can I walk. But the useless absence of the third leg makes me miss it and scares me, because it was what made me something I could find by myself, without even having to look for it." - Clarice Lispector, Passion According to G.H.
“To the vermin that first gnawed at the cold flesh of my corpse, I dedicate as a fond remembrance these posthumous memoirs.” “To the vermin that left me disoriented, distorted the borders of what once could be considered life, to the repulsive insect, who, without my permission, struck me once again with an unwished-for, non-understood life. Yes, This is the vermin I talk about. Are you listening?”
“ I have…” The sink, as weary as the man’s voice, was running down without anyone’s request. The rotten flesh of the molding marble screeched, writhed and trembled upon being leaned into by rough hands, nestled by intricately neat rubbery gloves, with each skinned fingertip making a squeaking sound upon touch and slide with the surface. The rain tattered across the small cabin, squeezing inside by small cracks on the ceiling, running down the wasted concrete and pooling onto the filthy, stomach-churningly, ground. The mud, the cries, the storm and thunder, all made their part, sang with their all-might voice, in a harmonized symphony directly by Hell itself, in all its cursed glory and sickening comedy. All prayers found themselves hopeless to such a heinous sight, all laughter withered with the sorrow. All holy creations, divine laws, violated by the hands of a sinner, who weeped and laughed to himself. All ties to good intentions cut, all doors to desperation open. All hope shall be abandoned, for whom dares to enter this godforsaken mind, to understand this wicked chimera of a spirit. A crazed terrorizer, was he, whose scythe to destruction, whose singular weapon to suicide, murder and genocide, was…